Noh theatre actor, published 1922-1926

Signed Kogyo and circular publisher’s seal on lower right, light soiling, crease to upper left corner, large red owner’s stamp on verso

Oban tate-e: 10 x 15 in.

This print is 13 inches wide x 20 75 tall. it is a spectacular Big Blue. The kanji reads words to the effect Give an inch, take a mile. Maki produced this print in 1971. It is number30 of 105.

MOORE, HENRY| (1898-1986 English) Sketch collection of works, framed colored lithograph, approximate image size 21" x 14 1/2", frame 28" x 23", signed and dated 1949, numbered in pencil from a total edition of 75 prints.

Maki’s earliest works were done in the late 1950s and remained rather unknown until the late 1960s. He first started producing prints using red ink in 1965 and this is probably the first example. It is also what I call a Big Red. It is very abstract and it fills up the whole sheet. Maki wanted his prints to have balance. This has it: the red field is pierced by three blue squares: two on the left side of the orange meteor-like strokes, and one on the right side...

This Maki print has had a charmed existence. It was printed in Japan in the mid-70s, just as Maki was beginning to leave the production of prints with kanji as the main theme and start doing then with Ceramics, mainly in the Collection series. This is the second print of his long ceramics series – some of which were simply entitled as this is with the year 75-59. This was done in 1975 and was a quite large edition 201...

The strokes in this print are "U", no meaning. This is an early print using Hiragana. It is two brush strokes piercing the space, leaving a trace of itself before coming to the bottom of the paper. It has but one splash across the top and a red tear along the side and then: Whoosh it goes as in the red image at the bottom. There is one sun at the outer edge of the stroke and two moons inside the curving stroke. Not so simple after all.

The kanji for Peach appears in the uppper right of the print. 17 of 24 Haku Maki was one of the grand masters of the Sosaku-hanga print movement. Maki Haku (1924-2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He had no formal art training, but was guided by the s¨­saku hanga leading artist Onchi Ko­shiro 1891-1955). Maki Haku is best known for his abstract-calligrapic prints...

Haku Maki was a Japanese print master of the late 20th century. His prints at the time this one was published were strong on the use of kanji and abstract designs, as shown here. In this case; the design is abstract, it shows archaic images which we are trying to understand. The print is large, well designed and carried off. The seller Ashley Brasca of Winnipeg Canada wrote to me about this print: “It is special because of the texture and physical quality achieved on the surface...

¡°Hokkan ¨C Mountains, Seoul, Korea¡± was published 6 December, 1937. The carver was Maeda; the printer was Honda. It has Paul Jacoulet¡¯s pencil signature and red Tea Jar seal on the lower right corner. It has great color; margins and edges are slightly toned. It is in very good condition.