Joseph Simpson, British, 1879-1939, etching, "Lucy in Galloway," image size 11 7/8 x 8 1/2 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

Etching on paper, 10 1/2" by 13" and a narrow simple wood frame, the subject three generations of women by a 19th century style hearth in which a pot is boiling, the print signed in pencil at lower right by the artist EDWILL FISHER. I have looked extensively online and have found some other examples of his art, all graphic art, the subject matter including European scenes of castles and cities, and the American subjects including scenes on the Ohio River...

Measuring at 11.5 x 21,” this piece is one of a limited set of lithographs from Ukrainian-Russian artist Konstantin Bogaevsky. This series masterfully explores the landscape of ancient Armenia. Untitled stone lithographs by Konstantin Fedorovich Bogaevsky, circa 1900. Original satin wood frame. 31” x 21.5”. Retail price $2,500. We have several of these, each depicting a different scene...

A Karl (Carl) Schultheiss numbered etching circa 1930. This 8-3/4" x 6-5/8" numbered, limited closed edition engraving probably of Angers Cathedral is by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Starting out in Germany, he moved to the U.S. in the 1930s, where he had a 1938 exhibition of his etchings at the Art Institute of Chicago...

The Red Mill, 1922 John Taylor Arms This is a fine original etching by American artist John Taylor Arms. This etching is titled The Red Mill, also called The Red Barn, Southport. The image measures 11 1/8X7 1/4 inches. This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25. Beautiful tonal range and fine composition with extensive reflections in the water. This etching was later printed with some color in the barn and sky...

A fine example of one of the 58 images from the famous "Miserere" series of prints by famous French artist GEORGES ROUAULT (1871-1958), this being plate number 3, "Toujours Flagelle" ("Forever Scourged"), dated 1922, printed in 1927 in an edition of 425, and finally actually published after the war in 1948...

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Harold Kerr Eby 1889-1946 American This is an original drypoint etching by American artist Kerr Eby. The title is: Burns Brothers, Sutton Place New York, it was created and printed in 1922 in an edition of only 50. The image measures 12 1/4X8 3/4 inches...

A beautiful multi-plate color etching by master printmaker LUIGI KASIMIR (1881-1962), dated lower right 1922, and pencil signed there in the margin by the artist. The subject could be mistaken for Paris, what with the advertising kiosk, but this is in fact the Vienna Opera House in Austria. Kasimir was born in present-day Slovenia into a family of poets and artists...

Herman Armour Webster, 1878-1970, American, "Capodimonte, Italy," etching, image size 5 1/2 x 10 inches, 1927, pencil signed.

Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

St Pauls and Ludgate Hill from Fleet Street Etching, printed in colours, on wove, signed and numbered in pencil, 540mm x 435mm (21 1/4in x 17 1/5in) Luigi Kasimir (1881–1962) was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist. Kasimir was among the first to develop the technique of the coloured etching.[1] Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner...

Eugene Higgins (American, Kansas City, Missouri 1874–1958 New York)A superb painterly impression, in dark brown ink, on buff wove paper os a lake scene with trees and a sail boat c 1910. Size 10.5" by 8.75" The print has an inscription at bottom with Higgins name , unsure if its his signature.

Tavik Simon, Czech, 1877-1942, Color etching printed in 1925 on watermarked laid-type paper. Ed 280, cat: Novak 437. Artists' cipher in two places. Pencil signed and titled. Measures 17 x 22 inches. T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts...

Artistic, soft-focus photograph of two sailing vessels, titled in pencil at left margin "Gray Dawn", and signed at lower right margin by the noted Nova Scotia, Canada photographer WALLACE R. MacASKILL (1887-1956). This well-known image, in the Pictorialist tradition in which MacAskill was taught, dates to the year 1921. It is in soft-focus, an impressionist technique which values atmosphere over realistic accuracy...

Original print in black and white, described on paperwork affixed to the backing as a Heliogravure, 10 1/4" by 8 3/4" inside the mat (26" by 22" as framed), not signed or numbered. The popular and familiar image is "Gabrielle et Jean" (after the famous painting of Renoir's wife and son). Heliogravure is described as one of the very earliest photographic etching processes. Apparently in 1919 at the artist's death, heliogravures were made of many of his popular paintings. Over the years, repr...