Interesting and unusual print by a so far unidentified artist, 10 1/4" by 8" inside the mat, 15" by 12 1/2" simply framed, the subject a white-haired fiddler seated in a chair. The Mark Twain-appearing man vaguely resembles figures you've seen in prints by Thomas Hart Benton, and the print REALLY resembles a work by artist Eric Bransby (born 1916), recently recognized with an exhibition at a well-known Denver gallery...

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right...

A **PAIR** of etchings, 21" by 17" as identically framed, one a still life of flowers in a vase in an interior, the other of a mother holding her child, only the floral work pencil signed, rather illegibly, at lower right (signature beginning with the "Sz...." common in Hungarian), and titled in Hungarian at lower left (as a Hungarian-speaker tells me) "Still Life" or "Flower Still Life". On the reverse backing of one is written in English "from Budapest--July 1966"...

Fine decorative 19th century engraving print, titled at bottom margin "Philadelphia from Belmont (WEST PARK)", by English-born artist ROBERT HINSHELWOOD (1812-1879). Hinshelwood came to the United States in 1835 as a young man and pursued his art skills, in both painting and engraving. In this case he seems to have engraved after his own original painting---a fairly rare skill combination...

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed)...

A fine copper engraving of the year 1596, by the noted Old Master JAN PIETERSZ SAENREDAM (1565-1607), featuring young couples in a festive mood, in a Dutch town at the end of the sixteenth century. The print (Hollstein catalogue raisonne #133) is titled "Feiernde und Tanzende Junge Paare" (roughly, "Celebrating and Dancing Young Couples"). It measures 12" by 15 3/8" inside the present mat and the piece is 18 1/2" by 24 3/4" in the contemporary strip gold framing...

Scarce 1941 color lithograph print titled in the lower left margin "Babes in the wood" and facsimile signature in right margin by the noted California artist CONRAD BUFF (1886-1975). These prints are sometimes found with pencil signatures, and many were issued in small editions generally under 200 examples. I cannot be certain as to the edition size of this particular title...

A red-headed woman in a dark brown dress is fingering the leaves of a nearby tree; lettering in gold, background in gray, 20" by 13 1/2" inside the double mat, with approximately 3/4" on a side extra on the vertical dimension and 1/2" on a side on the horizontal dimension, under the mat, the work laid down to foamboard and with 3 vertical folds and 1 horizontal fold. This circa 1918 work is by artist Pierre Ori...

Original scarce and desirable unframed 1915 etching known as "New York, From Brooklyn", signed at lower center in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/4" by 15 1/2". The artist needs little introduction, as he was one of America's most prolific graphic artists, having produced many, many etchings and lithographs, not to mention watercolors, oils and drawings...

Original scarce 1915 etching known variously as "Sunset Williamsburg Bridge", or, "New York, From the Williamsburg Bridge", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/2" by 16 5/8". After the signature, the "imp." indicates that Pennell would have printed this himself...

Original 1977 Marc Chagall (1887-1985) color lithograph "The Village", (Mourlot 917), executed for the "Le Chemin de L'Amitie" issue of Derriere Le Miroir (No. 225), 1977, in an unsigned edition of 15,000. This example came to be signed later by Chagall in pencil at lower right ("complimentary signature"), perhaps at a special gallery or printer event. The sheet measures 14 1/2" by 21", with a simple blue frame (no mat). There are condition issues...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100...

Print in grays, black and white with some subtle color, on silk, 10 3/4" by 13 1/4" inside the mat, 21 1/2" by 23" in silvery gray frame, pencil signed at lower right margin by the noted Austrian artist HANS FIGURA (1898-1978). Figura is known for his aquatints on paper and silk, featuring scenes of the Tyrolean Alps, Venice, other European locales, and even New York and elsewhere in the United States. He was prolific. The inscrutable signature has I believe hindered his receiving wider recog...

Nineteenth century lithograph print issued by Sarony Major & Knapp, lithographers, 449 Broadway, New York, after a painting by Stanley. The print measures 6" by 9" inside the mat and 10 3/4" by 14" in gold frame.

Lithograph print "The Tyresmith", 1890, featuring a Chelsea (London) wheelwright's shop, by JAMES ABBOTT McNEIL WHISTLER (1834-1903). Forges and smithies are said to have been a lifelong favorite subject of Whistler. My research online suggests that this example is one of the 500 to 1000 examples printed from a transfer stone, to be published in The Whirlwind 2, no. 20, issue of November 15, 1890. It is printed on wove paper and has been laid down to a board so it has not been possible to sea...

A pair of old prints in color---I believe, some sort of lithography process similar to chromolithography in feeling, one featuring the Notre Dame cathedral in Paris, the other the Second Empire "Pont au Change" bridge connecting the Ile de la Cite to the Rive Droite. The current bridge was rebuilt between 1856 and 1860 and therefore bears the letter N, the imperial insignia of Napoleon III. It is composed of three 31 meter long arches and is 30 meters wide. The frames are not attractive and a...

A most unusual item and conversation piece: a color print, 26" by 22" as framed, the subject a decorated Christmas tree, titled at top "Joy to the World", "Arnold & Maria" at bottom center, numbered 31/100 examples at lower left margin, and pencil signed at lower right, by none other than one of the most famous people on the planet, Arnold Schwarzenegger. Information I developed online indicates that Schwarzenegger himself was the artist, and not just someone signing his name to someone els...

A color lithograph print, circa 1930 I believe, pencil signed at lower left margin and with printed signature in the margin at right, by the noted Israeli artist ABEL PANN (1883-1963). The subject is a group of primitively-dressed people near a knoll by a body of water surrounded by trees and hills; the central figure seems to be playing a lute in this poetic, Arcadian place. The print may possibly be from the artist's "Bible" series of 1930. Pann was born in Latvia or Belarus. He studied wi...