Three engravings, from a set (consecutively numbered in Roman numerals), but separate though loosely framed together, margins for the most part tightly trimmed, each measuring roughly 6 1/2" by 5 1/2". The scenes of the old towns are named in Latin, German, and French. Judging from the architecture, the towers and buildings are certainly from the northern part of Europe, most likely Germany. Artist is undetermined at this point. Some research could reveal that information...

Hand colored stipple engraving botanical print, titled "LONICERA Alpigena", and "CHEVREFEUILLE Alpigene" in French (a type of honeysuckle), after the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810 and the prints were created not long thereafter...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse...

An English antique line engraving by Taylor, published by Alexander Hogg in "The Antiquities of England and Wales", 1795, the subject given as "View of Lambeth Palace in Surrey". The print measures 7 1/4" by 9 1/4" (and 13 1/2" by 15 1/2" framed). The print looks decidedly antique, the paper with old crinkles, and it is simply laid against a pinkish board. It appears to have been possibly trimmed at bottom. The decorative print is hand colored...

Colored etching, 7 3/4" by 4 3/8" inside the mat, 13 1/4" by 9 3/4" framed, pencil signed at lower right margin, with "No. 18" notation, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This is a sympathetic depiction of a common woman of the lower class, gathering sticks on a chilly day for her cooking fire or hearth. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects...

An original circa 1870's photograph of a sculpture of a warrior, in the National Museum of Greece in Athens, the photograph by the famed "Fratelli (brothers) ALINARI" of Florence, Italy. The photo measures 9 1/2" by 7 1/2" inside the mat and 22 1/2" by 19" framed behind (scratched) Plexi. On the reverse is a hand written not giving the Alinari name and title "Stele du guerrier Aristion/Museee Nationale Athens, Greece"...

THIRTEEN prints in total, varying in size, the largest (the set of ten) measuring 12 1/2" by 9 3/4", TWO initialed in pencil in the margins by the noted Ukrainian-born, French artist SONIA DELAUNAY (1885-1979). Ten of the prints are from the 1930 set of approximately 40 stencils "Compositions/Couleurs/Idees" published by Editions d'Art Charles Moreau. Two of those are initialed "S.D." in pencil by the artist at lower right...

Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall...

Katsuhara Shinya (Tatsuhara Inuki) (1951-2015)
A woman with mirror in art deco style
Size: 16.25 x 7.25 inches.
Medium: Japanese woodblock print.
Date ca.: Late 20th century, pre-1995.
Edition: 72/200 numbered in pencil on back.
Signed "Shinya" in the image and sealed.
Enlargement 2 shows the upper part of the print in which the black background features a checkerboard pattern that only becomes visible in side light.
Condition: Excellent.

Interesting and unusual print by a so far unidentified artist, 10 1/4" by 8" inside the mat, 15" by 12 1/2" simply framed, the subject a white-haired fiddler seated in a chair. The Mark Twain-appearing man vaguely resembles figures you've seen in prints by Thomas Hart Benton, and the print REALLY resembles a work by artist Eric Bransby (born 1916), recently recognized with an exhibition at a well-known Denver gallery...

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right...

A **PAIR** of etchings, 21" by 17" as identically framed, one a still life of flowers in a vase in an interior, the other of a mother holding her child, only the floral work pencil signed, rather illegibly, at lower right (signature beginning with the "Sz...." common in Hungarian), and titled in Hungarian at lower left (as a Hungarian-speaker tells me) "Still Life" or "Flower Still Life". On the reverse backing of one is written in English "from Budapest--July 1966"...

Fine decorative 19th century engraving print, titled at bottom margin "Philadelphia from Belmont (WEST PARK)", by English-born artist ROBERT HINSHELWOOD (1812-1879). Hinshelwood came to the United States in 1835 as a young man and pursued his art skills, in both painting and engraving...

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed). They are antique prints nearly 200 years old, and as such they h...

A fine copper engraving of the year 1596, by the noted Old Master JAN PIETERSZ SAENREDAM (1565-1607), featuring young couples in a festive mood, in a Dutch town at the end of the sixteenth century. The print (Hollstein catalogue raisonne #133) is titled "Feiernde und Tanzende Junge Paare" (roughly, "Celebrating and Dancing Young Couples"). It measures 12" by 15 3/8" inside the present mat and the piece is 18 1/2" by 24 3/4" in the contemporary strip gold framing. It is in remarkable condition...

Scarce 1941 color lithograph print titled in the lower left margin "Babes in the wood" and facsimile signature in right margin by the noted California artist CONRAD BUFF (1886-1975). These prints are sometimes found with pencil signatures, and many were issued in small editions generally under 200 examples. I cannot be certain as to the edition size of this particular title. Museums collect Buff's prints, which have been overshadowed by his bold, colorful, often modernistic landscape painting...

A red-headed woman in a dark brown dress is fingering the leaves of a nearby tree; lettering in gold, background in gray, 20" by 13 1/2" inside the double mat, with approximately 3/4" on a side extra on the vertical dimension and 1/2" on a side on the horizontal dimension, under the mat, the work laid down to foamboard and with 3 vertical folds and 1 horizontal fold. This circa 1918 work is by artist Pierre Ori. I believe it was likely an insert in an Italian periodical of the period known as ...

Original scarce and desirable unframed 1915 etching known as "New York, From Brooklyn", signed at lower center in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/4" by 15 1/2". The artist needs little introduction, as he was one of America's most prolific graphic artists, having produced many, many etchings and lithographs, not to mention watercolors, oils and drawings. Born in Pennsylvania, he was st...

Original scarce 1915 etching known variously as "Sunset Williamsburg Bridge", or, "New York, From the Williamsburg Bridge", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/2" by 16 5/8". After the signature, the "imp." indicates that Pennell would have printed this himself. The artist needs little introduction, as he was one of America's most prolific graphic artists, h...

Original 1977 Marc Chagall (1887-1985) color lithograph "The Village", (Mourlot 917), executed for the "Le Chemin de L'Amitie" issue of Derriere Le Miroir (No. 225), 1977, in an unsigned edition of 15,000. This example came to be signed later by Chagall in pencil at lower right ("complimentary signature"), perhaps at a special gallery or printer event. The sheet measures 14 1/2" by 21", with a simple blue frame (no mat). There are condition issues. Evidently this became wet at one time, and t...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition. Perhaps this particular example was a proof, accounting for its being signed by the printer, "P,...

Print in grays, black and white with some subtle color, on silk, 10 3/4" by 13 1/4" inside the mat, 21 1/2" by 23" in silvery gray frame, pencil signed at lower right margin by the noted Austrian artist HANS FIGURA (1898-1978). Figura is known for his aquatints on paper and silk, featuring scenes of the Tyrolean Alps, Venice, other European locales, and even New York and elsewhere in the United States. He was prolific. The inscrutable signature has I believe hindered his receiving wider recog...

Nineteenth century lithograph print issued by Sarony Major & Knapp, lithographers, 449 Broadway, New York, after a painting by Stanley. The print measures 6" by 9" inside the mat and 10 3/4" by 14" in gold frame.

Lithograph print "The Tyresmith", 1890, featuring a Chelsea (London) wheelwright's shop, by JAMES ABBOTT McNEIL WHISTLER (1834-1903). Forges and smithies are said to have been a lifelong favorite subject of Whistler. My research online suggests that this example is one of the 500 to 1000 examples printed from a transfer stone, to be published in The Whirlwind 2, no. 20, issue of November 15, 1890. It is printed on wove paper and has been laid down to a board so it has not been possible to sea...

A pair of old prints in color---I believe, some sort of lithography process similar to chromolithography in feeling, one featuring the Notre Dame cathedral in Paris, the other the Second Empire "Pont au Change" bridge connecting the Ile de la Cite to the Rive Droite. The current bridge was rebuilt between 1856 and 1860 and therefore bears the letter N, the imperial insignia of Napoleon III. It is composed of three 31 meter long arches and is 30 meters wide. The frames are not attractive and a...

A most unusual item and conversation piece: a color print, 26" by 22" as framed, the subject a decorated Christmas tree, titled at top "Joy to the World", "Arnold & Maria" at bottom center, numbered 31/100 examples at lower left margin, and pencil signed at lower right, by none other than one of the most famous people on the planet, Arnold Schwarzenegger. Information I developed online indicates that Schwarzenegger himself was the artist, and not just someone signing his name to someone els...

A color lithograph print, circa 1930 I believe, pencil signed at lower left margin and with printed signature in the margin at right, by the noted Israeli artist ABEL PANN (1883-1963). The subject is a group of primitively-dressed people near a knoll by a body of water surrounded by trees and hills; the central figure seems to be playing a lute in this poetic, Arcadian place. The print may possibly be from the artist's "Bible" series of 1930. Pann was born in Latvia or Belarus. He studied wi...

Original etching "Autumn", featuring a woman with cornucopia hat, surrounded by cherubs presumably after the harvest, 1970, signed in the plate at lower left center by the famous Surrealist artist SALVADOR DALI (1904-1989). This example is printed in sanguine. Albert Fields in his catalog raisonne said that this was an edition of 1,000; Michler says 5,000. This example is exceptionally clean and fresh and is presented in a desirable Robert Kulicke (New York) brushed aluminum frame which is al...

An original photograph of gauchos (Aregentine cowboys) on their horses, wading through a river, by the noted Argentine photographer PEDRO LUIS RAOTA (1934-1996), signed by him in marker at lower right. The work measures 17 1/4" by 12 3/4" (24" by 20" in metal frame). The paper has an unusual texture, seen best in the photos of the signature area. Raota has been called the "Ansel Adams of Argentina" for his excellent work in black and white photography, often featuring strong contrasts between...

A black and white photograph image (not sure if actually an original photo) titled at lower left margin "The Meadow Pool", and pencil signed by the artist in lower right margin, the subject a meadow near mountains, measuring 9" by 11 1/4" and 16 1/4" by 17 3/4" framed. This is an example of the now sought-after mid century photographic work of STEPHEN H. WILLARD (1894-1966). Willard was born in Illinois and was in Southern California at age two. By 16 he already had a camera and was actively ...

Two fine engravings of Mount Vernon, and the White House, each framed and measuring 6 3/4" by 8 3/4". These appear to be the same images that have appeared on US currency in the past, and the very high quality type of printing (intaglio?) is the same process. These were produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting----the Bureau's name is printed at the bottom of each. The detail is extremely crisp...

Original old photo of the imposing Palace of Fine Arts building in the Marina section of San Francisco, the photo originally in a brown tone, enhanced tastefully with light blue tints. The building was erected for the 1915 Panama Pacific International Exposition in San Francisco, and the complex is all that remains of the construction undertaken for that event. Today it and the park-like grounds remain a graceful and familiar part of the San Francisco urban landscape. The photo is in what app...

Etching featuring a church campanile type tower in an urban setting, signed faintly in the plate on front right corner and signed in pencil in lower right margin "Messick". The print measures 9 1/2" by 7 1/4" inside the existing mat and 13" by 10 1/2" in simple black strip frame. The artist is apparently BENJAMIN MESSICK (1891-1981). I say that with slight hesitation because I have been unable to locate other etchings by the artist, who created many lithographs, but apparently, not etchings, wh...

This etching appears at first glance to be almost certainly a work of famous Dutch artist Rembrandt van Rijn, but further study shows it to be a 19th century print by Chevalier IGNACE JOSEPH DE CLAUSSIN (1766-1844), ardent, eccentric artist in his own right and a scholar and copyist of graphic work by the Dutch master. De Claussin published in 1824 a catalogue raisonne that at the time was a major contribution to the scholarly study of Rembrandt's prints. De Claussin besides being a highly tal...

Original 19th century lithograph "A Scene in Old Ireland", by Currier and Ives, the famous American printmakers. This is a true antique hand-colored lithograph and not a later restrike. The work is framed in a late 19th century wood frame with gold inner fillet. Wood backing with rotary saw marks indicates it was framed after the 1870's. Measurements are 12" by 15 3/4" as framed (margins are ample but might have been trimmed a little in early days). The print is in about average condition ...

Original scarce to rare etching of the year 1910, "The Avenue, Valenciennes", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The print measures 10" by 13" inside the mat (12 1/2" by 15 1/2" in the framing). After the signature, the "imp." indicates that Pennell would have printed this himself. The artist needs little introduction, as he was one of America's most prolific graphic artists, having produce...