Pair of Chinese antique Shiwan vases covered in a thick brilliant white/blue glaze from the kilns of Guangdong. The glaze stopping just inside the top of the vase and short of the base revealing the buff biscuit. Rimmed and mounted in ormolu...

Chinese porcelain carved/molded snuff bottle all in white with a pelican standing on one leg among foliage. 4 character Daoguang 1821-50 mark on base.

Size: Approximately 3" high

Condition: Good Overall condition. Original stopper.

Hiroshi Yoshida
In a Temple Yard
Date: 1935.
Size: Oban. Approximately 16.00 x 10.625 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Reference: Abe #197.
Medium: Japanese woodblock print.
Condition: Excellent color. A few surface marks at upper right. On the back, a conservator has removed adhered paper at the top and bottom right.

Hiroshi Yoshida
Sailing Boats, Mist from the Inland Sea series.
Date: 1926. This edition 1960s/70s.
Size: Double oban. Approximately 21.25 x 15.75 inches.
Signed and sealed in the image. Impressed signature at lower margin.
Publisher: Yoshida Studio.
Condition: Excellent front and back.

Original antique Arts and Crafts era mission style hammered Iron fire screen c.1930. A classic design in excellent antique condition. From a Palo Alto California craftsman bungalow built c.1920. Measurements are the center screen is 36" wide and 31" high the end panels measure 15" wide and 31" high so opened completely the size is 66" wide and 31" high. The height to the top of the handles is 34".

A Spanish Colonial Peruvian sun burst mirror with hand carved and gold gilt finish. A splendora of hand carved rays undulating in size flowing out in all directions. The semi-circular tiles surround the oval shaped convex mirror. Original antique spotting finish to the perimeter of the concave mirror. Ready to be mounted and enjoyed.

Dimensions: 28" x 32"

Age: Mid Century 20th C.

Kawase Hasui
Matsushima, Futagojima
Series: Collection of Scenic Views of Japan, Eastern Japan Edition
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933.
Publisher: Watanabe Shozaburo: Watanabe round, 6 mm seal at lower right indicating a lifetime printing (1946-57).
Artist's signature and seal lower left.
Reference: Hotei #306.
Condition: Back margin has tape residue. Two original drying pinholes in top margin.

Yoshijiro Urushibara
Stonehenge at Dawn
Size: Oban. Approximately 14.75 x 9.75 inches.
Date: 1910s-20s.
Publisher: "Ken Hoshino & Co. 57-58 Chancery Lane, W.C." at lower margin.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: Please also see our Moonlight version of this design (Urushibar016).

A vintage Japanese Kamo Isho Tansu (Kimono storage chest) in 2 sections made entirely of Kiri (Paulownia) wood. All original metal hardware including the stylized Gumbai handles and the Plum blossom arabesque door lock plates. Upper section has a pair of sliding doors behind which lies two small drawers, a split level shelf and a pair of hinged doors that hide 4 removable Kimono trays...

Kawase Hasui
Zaimoku Island, Matsushima
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1933.
Publisher: Watanabe Shozaburo. Round 6mm seal, indicating a lifetime print produced 1946-1957.
Reference: Hotei #298.
Condition: Excellent. Light crease in water at lower left.

Toshi Yoshida (1911-1995)
Hope Bay (Antarctica).
Date: ca. 1977.
Edition: 74/600.
Size: 25.25 x 12.25 inches.
Published by the artist.
Pencil signed and numbered. Blue jikoku seal.
Medium: Japanese woodblock print.
Condition: Excellent.

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Kawase Hasui
Chuzenji, Utagahama
Size: Oban. Approximately 15.5 x 10.55 inches.
Date: 1931.
Publisher: Watanabe Shozaburo.
6mm Watanabe publisher's seal indicating printing between 1946 and 1957.
Reference: Hotei #264.
Medium: Japanese woodblock print.
Condition: Excellent. Original drying pinhole in margin. Pencil note at back bottom margin. A margin crease.

Takahashi Shotei (1871-1945)
Moon from a Harbor (Minato no tsuki)
Date: pre-1916.
Size: Mitsugiri-ban. Approximately 15 x 6.75 inches.
Shotei double red square seal and title at upper left.
Publisher: Watanabe Shozaburo.
Reference: M-110 in Shotei catalog.
Note: Blocks destroyed in 1923 earthquake.
Medium: Japanese woodblock print.
Condition: The faint mark at the far right corresponds to a mark on the back of the print.

Kawase Hasui
Kiyomizu Temple Kyoto
Date: 1933.
Publisher: Watanabe Shozaburo. Publisher's 6mm seal at lower left. A lifetime edition (printed 1946-1957).
Signed and sealed by the artist.
Size: Oban. 15.25 by 10.25 inches.
Reference: Hotei #324.
Medium: Japanese woodblock print.
Condition: Margins and back are toned. Slight creasing at upper left corner.
This is the only print that features Hasui in self-portrait.

Kawase Hasui
Morning at Okayama Castle, 1955
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Bears the red 6 mm seal (lower right corner), which is consistent with a first edition.
This seal was used between 1946 and 1957.
Reference: Hotei #605.
Medium: Japanese woodblock print.
Condition: Excellent. Lower left margin corner has faint spot. Original drying pinholes at left margin.

A refined and elegant work of Hagi-ware done by a master potter who is not only a direct descent of the Hagi forebears, but who also credited with having revive the tradition when it fell out of practice. This piece features a well-formed kodai (foot), an exceptionally nice Hagi glaze and several “ishi-haze” or marks from small stones that partially explode in the kiln...

Kawase Hasui
Shichirigahama, Soshu
Size: Oban. Approximately 15.375 x 10.375 inches.
Date: 1930.
Publisher: Watanabe Shozaburo: Watanabe round, 6 mm seal at lower right indicating a lifetime printing (1946-57).
Artist's signature and seal lower right.
Reference: Hotei #200.
Condition: Excellent. Removed from original folder...

Ohara Koson
Cawing Crow
Size: Dai-oban. Approximately 17 x 11.5 inches.
Date: 1930s. This edition post-1950.
Reference: K5.15 and page 140 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Japanese isho tansu (clothing chest) in three sections. This piece is made of kiri (paulownia) wood and has beautiful lacquered hardware. The top section has sliding panels and a drop in panel made all of keyaki (elm) wood and six small drawers of various sizes. The sliders have pretty plum blossom shaped pulls. The middle section has 3 large full width drawers. The bottom section has 2 large drawers and 2 small drawers in the lower right hand corner...

A heavily jeweled Austrian jewelry box, lined in deep green velvet, unusual in that there are even jewels on the legs; 5 1/2" by 4 1/4" by 3 1/4". Excellent condition.

Yoshijiro Urushibara
Stonehenge in Moonlight
Size: Oban. Approximately 14.75 x 9.75 inches.
Date: 1910s-20s.
Publisher: "Ken Hoshino & Co. 57-58 Chancery Lane, W.C." at lower margin.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Please also see our Dawn view of this design (Urushibar016).

Lovely Rene Lalique molded bowl with a slightly raised and frosted romaine leaf motif and a sterling silver rim. The bowl measures 9 1/2" in diameter and is 3 5/8" high. It is marked R. Lalique France in the center interior of the bowl. The condition is excellent. Circa 1920.

Ohara Shoson (Koson) (1877~1945)
Rabbits under bush clover and full moon.
Date: 1931.
Publisher: Watanabe Shozaburo. Bears the Watanabe C (sausage) seal, which was in use between 1929-1942 and is consistent with a first/early edition.
Size: Oban. Approximately 15 x 10 inches.
"Made in Japan" stamped on verso.
Reference: S41.7 in Crows, Cranes & Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

A beautiful vintage Chinese 22K gold ring with a Burmese jadeite in excellent condition. Signed. Size 6, Weight 6.3g $1400 Pending

his is a wonderful Japanese Cloisonne lidded bowl, done in the Plique A Jour style. Lidded bowls like this are very difficult to come across. The piece is fairly large in size measuring 4 7/8" across and is 3 1/2" tall. An array of colorful and bright flowers and leaves decorate this exquisite bowl both top and bottom. The enamel is very thick and the decorations appear to have layered over top of the translucent inner layer. . It stands on 3 enameled and silver feet...

Ohara Koson
Cawing Crow
Size: Dai-oban. Approximately 16.5 x 10.5 inches.
Date: Early 20th century.
Reference: K5.15 and page 140 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland).
Signed and sealed by the artist.
Publisher: Believed to be the earlier Daikokuya version alluded to in the catalog...

Charles W. Bartlett
Ushibuse (aka. Sleeping Buddah)
Date: 1916
Size: Oban. approximately 14.75 x 9.75.
Signed in red by Bartlett. Monogrammed and well-sealed.
Very good condition. On the verso, so thinning of paper in sky and top and bottom margin. A few small light brown spots.

Kawase Hasui
Mount Inari, Nagano Prefecture (Nagano-ken, Inariyama)
Date: 1947.
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Black 6 mm Watanabe seal in the lower right corner, indicating a first state printed between 1946-1957.
Stamped "Original Works of Art", a seal that sometimes appears on the verso.
Reference: Hotei #500.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Spring Snow, Kiyomizu Temple, Kyoto
Date: 1932.
Size: Oban 15.0 x 10.5 inches.
Hasui signature and seal lower right.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Edition: Early postwar (1950-63).
Reference: Hotei No. 276.
Medium: Japanese woodblock print.
Condition: Top margin partially trimmed. Toning at lower left corner. Slight margin creasing.

Tsuchiya Koitsu
Sunset at Maiko
Date: 1936. First and only edition.
Size: Mitsugiri-ban. Approximately 15.5 x 7.75 inches.
Publisher: Takemura Hideo. Seals on front and back.
Signed and sealed by Koitsu at lower left.
Koitsu catalog no.: TK-TM-11
Medium: Japanese woodblock print.
Condition: Excellent with surface scratch near bottom.
Wonderfully preserved color, especially the delicate green of the sky.

Japanese 20th century bronze vase with gold and silver inlays. The inlays are in a geometric design. Made by KASAI TAIZO, born 1922. From Takaoka City. Signed TAIZO on bottom. Comes with TOMOBAKO, original artist signed wooden storage box. 14 1/4" tall by 5" wide at its widest.

Hardwood and iron. H. 38 cm. Provenance: Robert van der Heijden, Amsterdam, Srdjan Sremac, The Hague.

An elegant celadon receptacle with custom made black lacquered lid by important female potter Suwa Sozan II titled Seiji Mizusashi and enclosed in a wooden box annotated by the third generation head of the family. The Taru shape (a traditional bound shallow wood bucket) is surmounted at the rim with lily pads upon which rests a tiny frog. In the center of the base is her circular stamp. It is 24 cm (9-1/2 inches) diameter, 12 cm (5 inches) tall and in excellent condition...

Ohara Koson
Crow eating a persimmon while sitting on a branch
Size: O-tanzaku. Approximately 14 x 7.5 inches.
Date: ca. pre-1910.
Publisher: Kokkeido.
Artist's signature and seal and publisher's seal at lower left.
Reference: K5.13 in Crows, Cranes and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Ginza in Rain, 1933.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: Koitsu catalogue no. TK-DH-9.
Medium: Japanese woodblock print.
Condition: Fading in yellows and greens.
Note: This print is rare in any edition. Old cars are seldom seen in shin hanga.