A mature work by an artist who’s career as a potter has spanned over 55 years. This beautiful white Hagi bowl by Takenouchi Akihiro (1937-) displays a quiet elegance that sets the mind at ease...

A captivating piece described on the box as “aka e sakana bun” which can be loosely translated as, Depiction of Fish with Red Overglaze. Okuda (1920-1999) was a student of both Hamada Shoji and Kawaii Kanjiro and his kiln was visited by a number of well-known artists including the likes of Bernard Leach...

An original piece by the second in the line of Choraku potters. This bowl is stamped twice on the side and once on the pedestal with the mark of Ogawa Choraku II (1912-1991).

The Choraku line began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

Ohara Shoson (Koson)
Little egret on the bough of a willow tree
Size: Chuban. Image size is approximately 9.75 x 6.75 inches.
Date: ca. 1930s.
Publisher: Watanabe Shozaburo.
Illustrated as S14.7 on page 207 of "Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland)."
Tipped at top edge to original cardstock.
Condition: Excellent.

Japanese framed woodblock print by sōsaku hanga artist Haku Maki (1924-2000). This print is titled "Hantou - 75", number 32 in its series and signed with a red cartouche. Depicted is a glossy, embossed vase with silver embossed flower buds. Size: (entire frame)14" height, 11.25" width (artwork only) 9" height, 6.25" width

Boro futonji whose ground cloth and most of the mending patches are hand-spun and natural indigo dyed cotton. It used to be a futon cover so that it still has cotton dust. Late 19th to mid 20th century. 63cm x 144cm

A large framed woodblock print by artist Ouchi Makoto (1926-1989). Ukiyo-e style images of fierce warriors and a demon appear in the two front paper blocks, and have kanji that has been cut from the tops. A beautiful maiden appears in the third block, while a large wave appears in the last, a nod to the famous woodblock artist Hokusai. Ouchi has created great depth with his techniques of color gradation, shading, and perspective. The piece is signed at the bottom in pencil, and numbered 5/60...

Hotei
Crow on Cherry Branch
Date: 1920s.
Size: O-tanzaku. Approximately 15.25 x 6.75 inches.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Torii Gate on a Snowy Day
Date: 1930s
Size: Approximately 5.75 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Tipped at top to original cardstock.
Condition: Excellent.

Very beautiful Kinsai Iroe Shino ware tea bowl, signed and inclosed in its original wooden box. It was made about 60 years ago and it is decorated with a shiny gold leaf design and images of grass and plum trees.

The bowl is in excellent condition with no chips, cracks or restoration. Signature on base.

Size: 8 cm height x 11 cm in diameter.

Shipping included

Antique Japanese Yamato or Ichimatsu-ningyo dolls. Typically depicting a girl about six years of age dressed in traditional kimono. Ichimatsu - ningyo have been treasured for years as playthings and objects of beauty. This wonderful and excellent example of Ichimatsu-ningyo is very charming with great attention to detail. Fitted naturally dyed kimono is traditionally worn and the doll stands upon a hardwood stand. Lovely original condition...

Fantastic tea bowl by Kingyoku Nakata, the best specialist of Chibu art, made 40 years ago.

This bowl is designed with a granular white painting called 'Shiro (white)-Chibu, which is very rare in Kutani. (Ao (blue)-Chibu was made more often. Please take a look on an Ao-Chibu Tea Bowl - our item # 0188)

Beside the Shiro-Chibu there is a golden arabesque design, which is called Kin-Karakusa.

The Tea Bowl is offered together with its original wood box...

Kawase Hasui
Shirozaki, Tajima, 1924.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe C (sausage) seal indicating printing between 1929-1942.
Signed in purple and sealed in red by the artist.
Condition: Excellent.

Japanese woodblock print by Kiyoshi Saito (1907-1997) of a winter scene, with dark figures walking through a quiet village with a snow-capped mountain looming in the far background. Signed in pencil with artist's stamp. Size:11.25" height, 15.75" width

Katsuhira Tokushi
Kamado (Cooking Stove)
Customs of Akita series.
Date: 1939.
Self-published by the artist.
Size: Oban. Approximately 16.0 x 11.5 inches.
Medium: Japanese woodblock print.
Condition: Very good. Outstanding color. Toning at margins, back and upper right corner. Tape at back top margin.

This is a contemporary, excellently carved polychrome netsuke depicting a standing Goddess Benzaiten, also know as Benten, the only female member of the Seven Gods of Good Fortune, who is known as the Water Goddess, and Patroness of Music, Poetry and Learning. She is holding a Chrysanthemum flower on her right hand. Intricate detail and vivid colors characterize this wonderful miniature sculpture carved by Akihiro Zusuki, a netsuke artist currently living in Hokkaido, Japan...