Mochizuki Gyokusei(1900−1951）was a Japanese painter born in Kyoto. He was a pupil of prominent artists Nishiyama Suisho (1879-1958) as well as his father Mochizuki Gyokukei (1874-1938). Gyokusei graduated from and taught at the Kyoto Municipal School of Arts and Crafts and the Kyoto Municipal Special School of Painting for further art education in Kyoto...

The hermit seems to be relaxing under the plum tree, as if meditating. It is depicted with so much presence that he almost pop off the screen. The soft hair is made with plenty of gofun(which is slightly lost), and the work is beautifully painted in detail, as if we can feel the texture of the skin.

Mori Shumei(1892-1951) was born into a family of priests, he aspired to become a Japanese pai...

Ishii Kinryo(1842-1926) was a Japanese painter active during Meiji(1868-1912) - Taisho era(1912-1926)in Japan. He was a pupil of a prominent artist Furuichi Kinga(1805-1880) and Okamoto Shuki(1807-1862). Kinryo travelled all over the country and taught students at his art school after he got back to Okayama prefecture. After 1903 he moved to Osaka and established his art studio...

Katsuda Tetsu(1896-1980) was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989). He studied Western painting at Tokyo School of Fine Arts (now Tokyo University of the Arts). He turned to Japanese painting and became an apprentice to Yamamoto Shunkyo(1872-1933) in 1923. He graduated from Kyoto City Painting College (currently Kyoto City University of Arts) in 1930.His history ...

Yano Kyoson(1890-1965)was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989). In 1921 he founded Nippon Nangain with some famed and leading artists during the time such as Mitsui Hanzan, Kono Shuson(1890-1987), Komuro Suiun(1874-1945), Ikeda Keisen(1863-1931), and Mizuta Chikuho(1883-1958), and also studied at the private Osaka Art School with Fukuoka Seiran(1879-1954) and Western painter ...

Some insignificant light marks are present on the painting and mounting, otherwise the piece is in very good condition. It is accompanied by a paulownia wood storage box.

Painting: 10 1/4” x 42 1/2” (26cm x 108cm)
Scroll: 15”x 71 1/4” (38cm x 181cm)

Bodhidharma is a monk who is said to be the founder of Zen Buddhism in China. Although there are many legends about him, and some things are unknown during his lifetime, it is certain that he was a real person, and he is important as the founder of Zen Buddhism, a form of Buddhism that developed independently in China and then Japan.

Kanokogi Takeshiro(1870-1941) studied painting techniques with Sangorō Matsuyama in his homet...

Katsuda Tetsu(1896-1980) was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989). He studied Western painting at Tokyo School of Fine Arts (now Tokyo University of the Arts). He turned to Japanese painting and became an apprentice to Yamamoto Shunkyo(1872-1933) in 1923. He graduated from Kyoto City Painting College (currently Kyoto City University of Arts) in 1930.His history paintings ``Amak...

Ichiyo Kannon/guanyin Bodhisattva, the Goddess of Mercy with heart sutra. Painted with ink and pigments on silk. Signed and sealed. It is dated as painted in 1922.

It is based on a legend that is said the Kannon Bodhisattva saved Zen Master Dogen(1200-1253) while he was traveling to China for Zen Buddhism. On the way home, he was hit by a terrible storm, so he recited the kannon heart Sutra with all the heart, the Kannon Bodhisattva appeared on the lotus petal, and the wind and rain cal...

Some insignificant light marks, insignificant light crease and foxing are present on the both painting, insignificant light marks are present on the mounting, otherwise the piece is in very good vintage/antique condition with the age. It is accompanied by an aged paulownia wood storage box.

Painting: W12 1/4” x H51 1/8” (W31cm x H130cm)
Scroll: W16” x H76 3/4” (W40.5cmx H195cm)

Mid-20th century or a little later.

Mounting: H 67 x W 23.5 in. (inc. scroll ends)
Painting: H 42 x W 16 in.

Very good condition. Scroll ends are plastic, imitating ivory.

Comes with the original wooden storage box. Inscription outside: Kyokojitsu (Rising sun). I...

Ink and mineral colors on silk, in a gold brocade mounting with bone scroll ends.

Signed in lower right: Shogai. Two red seals: Tani-shi Hidemasa; Shogai no in.

Silk: H 49 x W 16.5 in.
Mounting: H 77 x W 21.5 in.
W at the ...

Unsigned. After a four-page book illustration by Keisai Eisen (see photo 6, which is NOT offered for sale here).
Japan, Meiji period.

Height: 12 ¾”; width: 18 ¼”; total height mounting: 47 ¾” (32.4 x 46.3; 121.3 cm).

Typ...

Signed: Shoto …utsutsu. Seal: Moroku sensei.

Black ink and mineral color on paper.

Japan, Taisho era, 1910s, perhaps 1920s.

Painted area: ca. 52 x 13.5 in. (132 x 34.5 cm).
Total length ca. 77 inches (195 cm).

Few light stains and tiny spots, some foxing in mounting...

Image: H 43.25 x...

Few old water stains on brocade, few tiny stabilized damages in paper, some damage to embroidery, all in all very good cond...