Japanese black jacquard woven kimono with an allover criss-cross pattern with silver thread triangular accents, lined with an ivory fabric with pale pink and mauve geometric patterns. Taisho period (1912-1925) Size: 32.5" height, 46" width

Japanese bronze usubata in the form of an open natural lotus, standing on a coiled stem with a lotus bud. Usubata are used for beautiful flower arrangements, an art form known as ikebana.

Size: 9" L x 9" W x 6" H

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. Kogin-sashi is one kind of needlework (sashiko), stitches with white cotton yarn go horizontally and make geometrical patterns. It makes the hemp kimono warm with thick kogin in the cold district like Aomori, where it is hard to cultivate cotton. Both sleeves are "tsutsu-sode...

Unusual Japanese painted pewter scroll weight in a form of a seated boy wearing a shishi costume used in shishimai dance, one of his legs outstretched. Very well cast, pleasantly heavy, nicely painted, some wear to paint as can be seen on photos. Feels very nice in a palm, very appropriate piece for scholar’s desk. Length 2 1/4 inches.

Japanese Washi Paper Book, Ca. Meiji Period 1894, 10 1/2" x 7 1/2" wide, approximately 106 pages of Japanese Kanji on double Washi Paper, shows wear and tears.

Japanese woven suiban. This low, shallow container is used for ikebana flower arranging. Rectangular in form, this suiban is raised on low feet. A grain or leaf-like design is woven into all sides and the corners have intricate knot work. An oval shaped metal container sits perfectly inside for holding water.

Taisho Period

Dimensions: 4 1/2" high x 19 1/2" long x 12" wide

This is a striking Japanese uchikake, wedding gown. The design on this gown is the sacred pine tree, “Yogo no Matsu”, and golden clouds. Pines in gold or gold clouds are often painted on silk screens or used as the background for a noh play stage. The wall paintings in the Kyoto Nijo castle, Kyoto, which were painted by Kano, Tanyu (1602-74) when he was in his mid 20s, are quite famous.

There is no visible image of God in Shinto religion, the oldest form of religion in Japan...

Toshi Yoshida (1911-1995)
Winter from the Birds of the Seasons series.
"Sitting Under Snow-covered Leaves"
Date: ca. 1980.
Size: 21.5 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist in the image.
Medium: Japanese woodblock print.
Condition: Top back margin has tape. Very slight toning.

THE MAN OF ALL MEN

Unique and scarce Japanese folk ceramic toy in kimono with such full of humour, attached with the set of a "pedestal" (lacquerer's spatula) and a celluloid sea bream. Showa period, Pre-1950s. Man: approx. H 9 x W 10 x D 5cm (3.54 x 3.93 x 1.96in), Spatula: approx. L 17cm (6.69in), Sea bream: approx...

Netsuke of an abstract bird. Superb stylish carving wonderfully capturing the essence of the creature. Beautiful clean piece carved out of ivory and horn. Signed MHB on inlaid solid gold plaque - Michael Henry Birch (1926-2008) was one of the best 20th century netsuke carvers. Length 3.22 inches.

Japanese woven Bamboo Ikebana flower Basket, Ca. 1930, 11" high include handle, 9" x 7 1/2" wide, signed "Japan" on the bottom, shows wear and some scratches on the bamboo, no major damages.

Kikuchi Yuichi
Figure Walking in Snow
Date: Early 1950s.
Woodblock print is tipped at the top to an original 1950s Japanese holiday card.
Size: Approximately 5.75 x 3.75 inches.
Condition: Excellent.

Japanese framed print by artist Tsuyoshi (Go) Yayanagi (born 1933), numbered 13/50, titled "Journal Des Animaux Prefers (S)" and signed in pencil.

Dated 1973

Size: 19.75" L x 25.6" H (entire frame)

Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day...

Mimura Kazuhiro(b.1931) is a nerikomi (multi-colored marbled ware) specialist who has had a very successful career exhibiting throughout Japan and at juried exhibitions as well, especially at the prestigious yearly Japan Traditional Arts and Crafts Exhibition. This museum quality work dates to the late 70`s and is remarkable for the nerikomi technique on such a large form; in perfect condition at 45.7cm x 45.7cm x 7 cm. Stamped on bottom. Ask for shipping quote.

Rather unusual Japanese porcelain obidome / netsuke in a shape of a mask of a female theatrical character Waka-Onna. Obidome is worn on an obi cord that holds the obi sash together, and is the only type of jewelry worn by Japanese women on formal occasions. Very clever design, excellent modeling and enameling - see her crisp features and delicate toning of the face. Bar on the back for an obi or netsuke cord, in perfect condition. Signed KOSUZU on the back...

Sophisticated Hagi Chawan by Living National Treasure Miwa Kyusetsu X (Kyuwa) (1885-1981) with warekodai made 70 years ago.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan. This chawan has a rare warekodai with only one split.

Miwa Kyusetsu X was a member of the group around Rosansin an Arakawa, which revived the momoyama ceramic...

A 1920's Wakasa lacquer clam trinket box. Both sides match and the two pieces fit together perfectly. Dating from the 1920's, it measures 4.75" across, 2.25" high, 3.75" front to back. Wakasa craftsman developed the process of layering lacquer coats of different colors during the Edo period.