Vintage bronze vase with patterns of butterflies made by an artist named, Nobuharu. The piece contains an inscription dating to March of 1953 where students from Tojo Photo Studio gave the vase to their teacher in celebrating the 40th anniversary of their studio. Age: Late Showa era (1953) Size: Diameter: 13.5" Height: 10.5"

Rare Artist's Proof by Japanese Woodblock Print Artist, Gen Yamaguchi (1896 - 1976): Poetry of Early Autumn (1948). Illustrated in Yamaguchi, pl. 61. This is the artist's proof of this image, created for the artist's approval before the set of fifty prints were created. Yamaguchi achieved an international reputation when he was awarded first prize at the International Print Biennale in Ljubljana, Yugoslavia, 1957, and a grand prix at Lugano, Switzerland in 1958...

Rare Image by Japanese Woodblock Print Artist, Saito Kiyoshi (1907 - 1997). The Saito Kiyoshi Museum in Japan is devoted entirely to the work of this artist, and his work is in many other museums, including the Cincinnati Art Museum, the Philadelphia Museum of Art, and the Art Institute of Chicago. His work was exhibited at the Salon Printemps in 1948, and in 1951 he received first prize at the inaugural Sao Paolo Bienniale...

A pair of gold and silver Koi fish or carp paper weight by Hisamatsu Koshun (1926-1989). Signed. There are some abrasions; otherwise it is in good condition.

Gold: H 1 1/4”x　W 5 3/8” x D 1 1/8” (H3.0cm x W13.5cm x D2.8cm)
Silver: H 1 5/8”x　W 7 1/8” x D 1 1/4” (H4.0cm x W18.0cm x D3.0cm)

Two Japanese pottery yunomi. One cylindrical with a warm terra cotta colored glaze with white dripping on a coarse, light buff body burnt to an earthy orange where the bottom meets the glaze - the ring foot notched beside an impressed, three character artist's mark. Height 3 3/16 inches (8.1 cm), Diameter 2 3/8 inches (6.03 cm)...

A small, decorative Satsuma dish. Figures in Spring landscape. One of the five lakes vicinity Mt. Fuji. Flowers, wisteria, torii gate and structures. Anonymous. Good condition. Diameter 6 1/8 inches (15.55 cm)

Japanese pottery tsubo vase. An earthy, drab gray-green glaze on porcelaneous body with thin iron wash and with bold, rich red iron oxide glaze painted floral decoration on opposing sides of the tsubo form with thickly potted shoulder rising to a broad, everted rim. Two character impressed artist's mark inside the foot appears to read Kazan ('Ka' being the 10 stroke character also read as "hana".) A pleasant, substantial feel when held. Excellent condition. Height, 9 3/4 inches (24.76 cm)

Japanese porcelain fruit bowl, delicately painted with rural landscape of huts near a lake, trees and mountains, on one side are a pair of cranes, signed Sakano Shokai, Showa Period. Size: 11 3/4" wide (including handles) x 5 3/4" high

An interesting modern, abstract koro. The compressed sphere with elliptical, off centered opening. A warm, brown temmoku glaze with darker brown glaze dripping from the top and stopping in controlled fashion above a well - continuing to form the unglazed foot in ogee fashion. An artist seal (three or four stylized Kanji characters within an oval) is impressed into the concave base near the foot rim. Very good condition. Some burnt on kiln residue on the foot goes to 'wabi'...

Brilliant folk art piece. A clay 'Fushimi Ningyo' sumo doll from the 1930s. Fushimi Ningyo dolls were sought after souvenirs by visitors to Kyoto. Fushimi Inari being one of the must see great shrines of southern Kyoto. The detail of the arms and fabulous facial expression make this a collector's piece. Excellent condition with normal age wear on the head and top knot. H: 11" x W:6 " . Ask for shipping quote.

This carved ivory okimono of Daikoku is a mid 20th century product. It depicts a smiling Daikoku holding a mallet (Japanese called Uchide no Kozuchi) or a lucky hammer over his head in his left hand. In his right hand, he holds a cloth bag of rice. Daikoku is one of seven gods or immortals in Japanese culture. He represents wealth and fortune. It is 5 ¼” high, 2 ¼” wide and 1 ½” thick. The artist’s signature is on the bottom...

An original painting on shikishi paper by Suda Kyochu (1908 - 1964), depicting a frog in a pond. Painted in ink and with natural pigments. Suda Kyochu was a pupil of Seison Maeda (1885 - 1977), one of the greatest contemporary Japanese painters and one of the founders of the Nihonga movement. Signed and with original folder. Condition: fine. Dimension: 17 cm x 24.2 cm.

1930's Japanese Satsuma Earthenware Feet Box with Millefleur & Karako Signed Kawaguri 川栗

It is 3.8 inches (8.9 cm) tall by 3.6 inches (9.2 cm) wide. It is 0.9 Lb.

It has stains, rubbing of gold and paint, small and flea bite chips at the rims of the lid and bottom, and surface wears (as seen in the photos).

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This is Japanese Indigo dye Stripe and weave beautiful hitoe kimono textile from the Taisho era to the Showa era(1910-1950). The material is silk and cotton. It does not have a stain and damage. It is in a very good state. size:140cm x 120cm(55.1" x 47.2)

This charming primer was published in 1933, and used throughout Japan for 2nd year students...some pages have a few hand written English translations. At the time when this book was used, Japanese kenji and Chinese calligraphy characters were very similar...over 100 pages many with artwork

A 20th Century Japanese porcelain Fukagawa vase with flowering hydrangea in pink and leaves in several colors of underglaze blue. The vase measures 10 1/2" tall x 4" in diameter and dates from the 1970's. The bottom shows the Fukagawa mark. Condition: the condition is good with a few scratches on the gold rim. Free shipping within the USA.

Magnificent master work by Hirata Gōyō II (1903 - 1981) of a Bijin (young beauty). It features a wonderfully carved head and body cover with many layers of gofun oyster shell lacquer, with sumptuous brocade with gold thread wave pattern and applied chirimen silk with painted image of waves and cherry blossoms. circa 1945. 14.5 inches (37cm) tall...

A decorative black lacquer box by the Ryukyu Lacquer Ware Company, c 1920. The inside red, the knobbed lid with a carved lacquer banana plant - flowers, fruit and leaves - in colours. Stamped company mark. Diameter "3¾/ 9,7 cm. Condition: small nick to the rim of box and lid (cf. picture).

Signed on the bottom, KANINKOSO, this bronze 'koro' incense burner is from the Showa Period 1950-1960. The main body has a flock of cranes in supurb relief, as well as a lid with a hexagonal turtle diaper and a turtle on top.

A night in the summer when fireflies wink their light. The exquisite moment at dusk is finely depicted on the decorative gold leaf background. It is in excellent condition. This piece is a pair with another fan item# 1118796.

H 9 1/2” x W 9 3/4” (H 24cm x W 24.5cm)

Fine decorative fan featuring two white rabbits under the gleam of the moon. The sumptuous gold background is producing a shimmering effect. Rabbit is often appeared in East Asian folklore as a messenger from the moon, where it is seen pounding in a mortar and pestle...

Japanese carved boxwood netsuke, depicting a frog sitting on a leaf in form of a scoop, inlaid eyes, intricately and delicately carved, Signed on the side by the artist. Size: This item has length of 3.5 inches. Condition Report: Excellent condition.

Japanese carved boxwood netsuke, depicting a mouse in sitting position holding a pumpkin, inlaid eyes, intricately and delicately carved. Size: This item has length of 2 1/4 inches. Condition Report: Excellent condition.

Japanese carved boxwood figure, depicting a Foo Lion in standing position holding an object, inlaid eyes, intricately and delicately carved. Size: This item has a height of 3.25 inches. Condition Report: Excellent condition.

A vintage Japanese split bamboo Ikebana (flower arranging) basket. This 12-1/2" decorative flower arranging basket measures 6-1/2" across the bottom, it is unsigned and it in excellent condition with no cracks, splits, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Surface tracked shipping to the U.S...

A whimsical khaki green-yellow glazed Japanese pottery figural sake pot depicting a tanuki trying to make off with a proportionately larger sake barrel. Early 20th century to turn of that century. Good condition. Height 3 1/2 inches (8.89cm). About 4 1/2 inches (11.4cm) length from tanuki's nose.

Kokeshi, Tsuchiyuu-kei, Fukushima Prefecture, by Jinnohara Kazunori. H.11.75” x Dia.1.75” (30cm x 4.5cm.) Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still p...

Kokeshi, Yajiro-kei, Miyagi Prefecture, by Niiyama Keiimi (a rare kokeshi made by a woman.) H.12”(30.5cm) x Dia.1.875”(4.75cm.) Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600...

Kokeshi, Togatta-kei, Miyagi Prefecture, by Satou Tetsurou. Birthdate = Showa 7 (1932) Jan. 25. H.11.75” x Dia.1.5”(30 x 4.5 cm) Dated (collector's date): 55.5.27 = 1980. Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have bee...

Kokeshi, Tsuchiyuu-kei, Fukushima Prefecture, by Abe Ichiro. H.11.5”(29cm) x Dia.1.75”(4.5cm.) Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still produced and...

Kokeshi, Yamagata-kei, Yamagata Prefecture, by Kobayashi Seijiro. Birth date=Taisho 7 (1917) July 14. H.11.75” x Dia.2”(30 x 5 cm). Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (...

Kokeshi, Togatta-kei, by Satou Jirou, Miyagi Prefecture. Birth date = Taisho 4 (1915) July 13. H.9.5” x Dia.1.375”(24 x 3.5 cm) Dated: 59-sai (59 yrs old)=1974. Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around si...

Kokeshi, Yajiro-kei, by Niiyama Shinji, Miyagi Prefecture. H.9.5” x Dia.1.25”. Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still produced and sold today at...

Kokeshi, Naruko-kei, Miyagi Prefecture, by Itou Shouichi. H.9.5” x Dia.1.875” ca. 1970-1980. Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still produced and so...

Kokeshi, Sakunami-kei, Miyagi Prefecture, by Hiraga Teruyuki. Showa 47 (1972) March 1. H.11.75” x Dia.1.5”(24 x 3.25 cm) Inscription: Nagoya Kokeshi-kai, nihyaku kai, Hesei 7-gatsu, 9-nichi. (Nagoya Kokeshi Club, 200th Meeting, July 9, 1995) Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one...

Kashigata (wooden sweet mold,) kanji characters "Daiou" (Great) motif; Japan, early 20th C. 2-piece Paddle-type mold to make 5 sweets. L.16.75"(42.5cm) x W.2.375"(6cm) x H.1"(2.5cm.) "Daiou" could be symbolic of any type of "greatness," but was most likely a reference to the country during the Japanese Imperial era. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; co...