Antique south east Asian Buddhist text pages 6 pages total 5 with writing back and front the wood block of seated Buddhas is single sided . largest 17" by 3.25"

Set of three woven baskets/containers originating from Burma, with black lacquer coating, two of which have small crossed pieces of wood on their bottoms and tops to act as a handle. Early 20th century. Size: (small) 3.25" tall, 5" wide (medium) 4" tall, 3.5" wide (large) 4.75" tall, 5" wide

Exquisitely, embroidery panel from the Yao, sometimes referred as the Mien, ethnic group from northwest Laos near the Vietnamese border. This piece is the back panel from of a woman’s jacket with silk embroidered thread on hand woven indigo dyed cloth and is in excellent condition (one tiny pin hole and later embroidery noted in enlargements), circa 75 years old. L: 58cm/22.8in and W: 50cm/19.8in. Free shipping Hong Registered Airmail.

Old Chin skirt, circa 1950, from the Khumi subgroup in Burma. The design is called “amtosa” although deceptively simple is really extremely complex; please note in enlargements that the reverse side of this textile does not show any of the pattern on the front. This is made on a backstrap loom of very fine homespun cotton with a beaded open work border along the selvedge. Three small repaired holes. L: 1.8m/6ft and W: 40.5cm/16in.

Descriptions:
It was a beautiful set of tea cup & Stand. Origin unknown, most likely was from Southeast Asia.

Date: Early 20th century.

Stand Width : 11cm.
Total Height:9.0cm

Unusually large lacquered betel container with two inner trays, from Karen ethnic group. Circa first half 20th century, some loss to the bottom. H:11.5cm/4.5in and D: 12.6cm/5in.

Rare and unusual Iban pottery pattern paddle carved from durable Iron Wood (Belian wood), circa 19th century. The pattern on this would be pressed into unfired clay pots to give it this design by the Iban people of Sarawak. This technique has been used since Neolithic times predating the pottery wheel, where pots were made by coiling “ropes” of clay into a shape and then using the paddle to press the coils together to make a shape...

Woman’s breast cloth from the Chin or Rakhine States, Myanmar- from the Khumi, Khami or Mro- Chin subgroup. Good condition- there is one tiny pin hole and a couple of stains. Circa 1950. L: 70cm/27.5in and W: 34cm/13.2in.

Basket from Northern Burma probaby from the Rawang or other Kachin related group. . Approximately 50 or 60 years old. Increasingly difficult to source, this is a fine example of Burmese tribal basketry. Condition: good natural polished feel to the surface, a couple of “breaks” on upper rim of basket. The hole in the handle lid seems to intentional, as it has the same wear as the rest of the piece. Dimensions: 20cm/8in height 15.5cm/6.2in diameter.

Quirky Burmese reverse glass painting incorporating colored foil of Popa Medaw, (Google Popa Medaw as there is quite a good write up on her myth), 22cm x 32 cm. Acquired in Chiang Mai over 20 years ago, it was around 30 years old at the time. Nats are spiritual beings that predate Buddhism in Myanmar but they manage to coexist without conflict.

Thai Buddhist Ayutthaya 13-16thc Copper bronze Buddha head. Nice early piece with a red copper metal surface and good green patina. Mounted to a tiny wood base mounted c 1950s. Size over all 3.5" head 2.5" w almost 1.5" wood base is 1.2" square .

Chinese or sawankhalok Blue and White lidded box fine condition with nice molded shape. Size 2" by 2.75"

Philippines Iron water bottle with Hook , unique piece with locking cap and a hanging hook . This piece was collected in Japan. Size H 10" by 7" diameter

Ancient Thailand Buddha bronze head on stand. Tint piece with green patina, most likely Ayutthaya 13-15th c . Head alone 1.5" h by .75" wide over all height 2.5"

Vintage Thailand Deity figure in cast Resin, authentic temple piece from Rural Thailand . Arm reattached . Said to be black magic piece.H 10"

Fine old rattan/bamboo splitting knife used in basket making. This has a great natural patina on the handle with decorated “butt”, circa first half 20th century. The blade still carries a sharp edge and is still quite serviceable. L: 44cm/17.2in (blade is 11cm/4.2cm). Excellent condition.

Nice old Cambodian lacquered basket. Very few things survived the reign of the Khmer Rouge which makes old baskets quite rare. Circa 70 years old, there are some old repairs noted in the enlargements. D: 30cm/11.8in and H: 11cm/4.2in.

Finely detailed woman’s full length three paneled tube sarong from Ende, Flores Island, Indonesia. I bought this in 1988, this was used when I bought in Ende and has remained in storage since then. All natural dyes and handspun, hand woven cotton. Pristine condition with soft and comfortable weave. W: 150cm/59in and L: 1400cm/55in.

Large vintage “bush knife” from Lanna Thailand, this is an all purpose tool with a thick spine and very sharp edge- quite heavy as well. The blade is fixed with a steel collar and woven rattan and comes with a bamboo basket type sheath. Total L: 54cm/22.2in (blade L: 29cm/11.5in and handle L: 25cm/10.5in). This is an artisanal village made piece and not mass produced.

Thailand vintage reverse glass eglomise zodiac painting . Early to mid 20th c depicting temples and year of the rooster. Original wood frame 11.25 by 5.25"

Chased Silver Metal Betel Nut box . South east Asian tooled metal boz, well done 2 compartments. 6.25" by 2.25"

Ming or SE Asian Blue and White glazed Jarlet , nice potting with a flowering band at the shoulder. Size 2" by 1.5"

Sawankhalok Shukokai hard paste pottery Jarlet in cream Glaze with a faint lotus pattern around base. Nice piece with a very hard smooth foot unusual. Size 2" by 2.75"

Thailand vintage reverse glass eglomise zodiac painting . Early to mid 20th c depicting temples and year of the tiger. Original wood frame 11.25 by 5.25"

Swanhalok Green crackle Glazed Jarlet with painted decoration and a spout top. The body well potted nice glaze and a band and floral decoration. The entire jar is filled with burial debris. Size 2" by 2"

Rare woman’s skirt (pukhang) from the Kachin/Jingpo ethnic group, Northeast Burma. This is two panels with supplementary weft trim on the ends made of dog hair. Mostly natural dye and indigo. It is quite a durable weave with denim like feel. There is some staining, one small hole as well as a bit of dye bleeding. I could only find examples this in “Textiles of the Hill Tribes of Burma”: Michael C. Howard (plate 107) and the Metropolitan Museum of Art: Accession Number: 2002.312...

DESCRIPTION: A complete 29-piece flatware / cutlery set, made in Thailand during the late 1940s to early 1950s. Each utensil is shaped from solid brass and encased between rosewood slab handles, the tips of each with a raised brass figure in court dress and “Siam” stamped at the base. The set consists of dining or dessert cutlery for 8 people (knives, forks & spoons), plus a serving fork & spoon, sugar spoon, and a carving set...

Semi antique blanket or sarong from the Stieng/Xtiêng ethnic group Vietnam. Over 60 years. Woven from all handspun cotton threads and is unusually large for a single panel. There is one ink stain and a small hole (see cover image- there is a stain on the right and further down and small hole). W: 100cm/39.8in and L: 185cm72in.

Two bone “knives” from the Golden Triangle. I acquired these in Chiang Mai Thailand about 20 years ago and was told that were used by a “hill tribe”, for ritual ceremonies that involved the symbolic letting of blood to heal the patient. Using bones in spiritual practices is a syncretic tradition in this region as the boundaries between Buddhism and the earlier Animist practices are blurred and seem to work in harmony with one another...

A Dance Mask Topeng representing Rumyang. Cirebon West Java. This mask is one of the five characters in Babakan solo dances. Each portrays an individual character. Rumyang represents a prince in his early adulthood. He is sanguine and his moves are quick and passionate. Some wear `height`; 7 3/4" (19.5 cm)

Rare phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival. Originally these were worn by men at the waist and were thought to protect the wearer from any harm to his penis and in a more general sense they also are believed to bring luck especially in terms of “wealth generating or protection”, so a woman might keep one in her cash box to increase your money flow or in her purse to prevent it being “snatched”...

Square Philippine Ifugao basket with cover, known as a hu'up, used at meal time for steamed rice by the Ifugaos. Purchased in the Cordillera Region of Luzon island in the mid 1980s. Age of basket not known, but probably mid-century. 11.5"x 11.5"x 5" in height. In overall good condition.

Thailand Sawankhalok Celadon Brown Glaze Pottery Jarlet 13-14thc, well potted with a nice multi tone brown glaze and a beautiful rim edge. Size 2.25" by 1.75"

Colorful Stieng woman’s wrap around skirt from the Xtiêng (Stieng), estimated population of 7000, minority Binh Duong Province and Dong Nai Province of southeastern Vietnam. Hand woven with handspun cotton field and patterns of combination synthetic and cotton commercial yarns, this piece dates to circa 1970 to 1980 (i.e. post Vietnam War era). The Keith Harring (ish) anthropomorphic images are quite unusual. Provenance- Rob C. Clark Ethnobotanist PhD...

Lovely vintage wearable woman’s dress from the Tai Dam ethnic group Vietnam. The “waist band” is all hand woven cotton cloth, while the black central panel is black raw silk, colorful silk embroidered wide bordered hem is particularly nice. Good condition, with a couple of fading streaks at the waist panel, as well as a repair in the last enlargement. Old piece- made in the 60’s or 70’s. W: 136cm/54in and L: 97cm/38in. Free shipping

Phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival...