1970's Chinese Famille Rose Porcelain Vase with Landscape Marked

It is 13.5 inches (34.3 cm) tall by 5.95 inches (15.1 cm) wide. It is 3.3 Lb.

It has dark spots, surface wears and scratches (as seen in the photos).

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Milo Boughman black leather sofa with Brazilian book matched rosewood. Milo Boughman (1923-2003) born in Goodland, Kansas, was a pioneer in modern design and one of the leading modern furniture designers of the second half of the 20th century.

Age: c.1970

A simple design paired with a harmonious and powerful symmetry with the rectangular shapes of the eyes and mouth, this mask exemplifies the design of many Himalayan masks. Very hard wood blackened by smoke with irregular deposits of soot. This mask comes from Eastern Nepal. Obvious signs of good aging circa mid 20th H24.5 cm, 15 cm

A very fine large sized solid ghurra, with superb patina and precisely carved basketry patterns on the rotating plate. Age is at least from mid 20th, H 36 cm, diameter 12 cm More information on request Double click on pictures to get highest enlargements

The top shows 3 ancestors flat faces who are protectors of the family, they are surmounted by a conical crown with carved geometrical lines. The middle part is a “Dorgi”, the symbol of cosmic power. The down part is triangular blade with an intelace of snakes, used as a knife to nail the bad spirits while the shaman is fighting with devils and demons. The white cloth strips wrapped around the middle part are to protect the shaman hands against the high energy during his fight...

Statue showing a female ^rotector with the hands joined in the namaste gesture, very peculair psoition of the legs, several damages due to long term exposure to water erosion . H51 cm More information on request

Two types of masks: At First Mesa, a white case mask with beak, owl wings in place of ears. At Second and Third Mesas. a case mask covered with rabbit fur, "horns" of jackrabbit tails, beak. Fox skin ruff. Kilt, sash, fox skin, buckskin over back. White body paint. Carries a bow and a yucca whip. Appears in Mixed Kachina Dance, or in an ordinary kachina dance where he spies on the clowns...

Tamba-yaki, with its origins reaching back as far as the end of the Heian Era or early Kamakura Period (1180-1230), is one of the six ancient pottery centers of Japan along with Seto, Tokoname, Shigaraki, Bizen, and Echizen. The pottery of Tamba is said to have an elegant simplicity and an understated beauty that stems from its calm simple lines...

徐悲鴻（1895-1953）松鶴圖 水墨設色紙本手卷 1942年作 款識：澄辳先生惠教。壬午初夏，悲鴻。鈐印：徐悲鴻。Hanging Scroll of Cranes & Pine-Trees / Xu Beihong (1895-1953) Dated 1942 Ink & Color on Paper 51 1/2 X 24 inches 130.8 X 61 cm Inscribed, signed & sealed by the artist. Condition: Hand-Painted, Good Condition Provenance: Property of a Vancour collection Dimensions: 51 1/2 X 24 inches 130.8 X 61 cm Artist Name: Xu Beihong (1895-1953) Medium: Ink & ...

Rare large bronze temple dragon spout. Kurama Temple in Northern Kyoto has a very similar one at the entrance to the temple with water running from the dragon's mouth into a large granite water basin where people can purify mouth and hands before entering the temple. Ca. 1950. 30" wide; 3ft tall and 18" deep. Great condition. Ask for shipping quote from CA warehouse.

Nice flat and thin primitive mask with a white painted trisul on the front. Hard black patina, the eyes and mouth are under-ligned with an old white paint. Hairs are fixed with glue. Note a laocal repair with iron wire mostly visible from the back side. Hard wood H 23 cm wide 16.5 cm Good age at least from first mid of the 20th A custom iron stand can be offered More information on request Please double click on pictures to get the highest enlargements

This mask figure a demon and is made with a kind of wild pumpkin, vegetal fibers has been further fixed with glue , holes for moth and eyes have pieces through, circa mid 20th, very good condition. Inside diameter from 24 to 26 cm cm more information on request

This is a truly beautiful large pair of Japanese cloisonne vases. They stand 8 inches tall and are 8 1/2 inches across. The workmanship on these is tip-top quality. Not signed but were probably made by Ando or Gonda.Condition is excellent and the rims are silver.

Chinese round table of natural gnarled, twisted hardwood roots, and a transparent russet lacquer. The table is constructed in two parts- The trunk-like pedestal base and the rooted edge, round top. This type of natural root furniture goes back to the 12th century aesthetic. Here is an example of the round center table produced during the Republic period, bearing the colonial form true to the Victorian Era.

Republic Period

Dimensions: 30" high x 42" wide diameter

A spectacular pair of large jadeite paradise flycatchers measuring over 15 inches tall and on stand over 17" high. Carved from the same block of jadeite, they weigh over 30 lbs. The flycatchers are standing on rocks with intricately pierced and carved open peony, floral buds, flower branches, and butterflies. An apple green butterfly is perched on the male’s head. The jadeite is a pale lavender having lots of apple green striations with some small emerald and dark green markings...

Very beautiful dark wood phurbu richly carved, the top shows 3 beautiful faces of protective ancestors of exceptional sculptural quality, each face measures 5 to 6 cm high. The top shows a miniature animal head (1.5 cm high), probably that of the mythical horse Hayagriva. The central part is a beautiful dorgi very finely carved. The triangular point shows a trunk wrapped in the mouth of Makara, each hand of which holds the head of a snake which rise from the point of the Phurbu; H 28.5 cm

Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman's old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Katsina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa they are said to sing Zuni songs. Length 3 1/8" X Width at the shoulders 1"

Clearly this a very early ghurra showing greatly achieved carving art combined with thick crusted patina and significant signs of wear. The sculpture motifs represent on both side of the ghurra a scene of churning, supported by an interlacing which could represent snakes which it is however difficult to formally identify as the deposit is important and hides the details. The front and back sides of the ghurra are symmetrical H 31 cm, , width 9.5 cm , Thickness 3 cm