A Japanese Ko Imari plate of moulded shape. Decoration in colours and gilt of bamboo on a red ground, and birds within underglaze blue Ruyi reserves, c 1850. Diameter "8¾/ 22 cm. Condition: some wear to the surface, a chip to under side of rim and to foot rim as seen on photo.

A fine pair of large fan shaped sweetmeat dishes decorated with a design of vase or censer flanked by a pair of square suiban on a veranda containing arrangements of Cherry, Camelia, Chrysanthemums and Pinkes. The dishes are strikingly similar in form and decoration to some examples in the Dresden collection with inventory marks indicating that they were acquired before 1721. See Reichel “Altjapanisches Porzellan” illustration no 60 “Konfektschalen”, and the notes thereto at page 151...

A Chinese porcelain moulded dish of sixteen petaloid form, (chrysanthemum form, kikugata) decorated with panels of flowers, Chrysanthemums, Plum Blossom, brocade bands and Tea flowers to the centre. The reverse painted with sprigs in iron red and underglaze blue. The dish dates to the late Kangxi circa 1700-1720. The dish measures 18.5cms in diameter...

A small Imari porcelain teapot of rectangular form with an arch-shaped handle ending in a blossom. Beautifully decorated with a hare and a dragon in a cartouche between flowery motifs in iron red, green, yellow and gold, the top with auspicious longevity characters in underglaze blue. The flat base without glaze. Condition: fine, only the knob of the lid with a tiny loss. Dimension: c. 14.6 cm high, 12.5 cm long.

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center...

1700s

An example of “Kenjo” Imari presentation ware, having high quality enamel decoration in reds, green, aubergine and gilding surrounding underglaze cobalt blue. There is a fine, lightly stained crackle to the interior and exterior base. This piece was made for domestic use in Japan and was not intended for export. Overall good condition. Purchased in Kyoto ca. 1974.

Diameter: 7 ¼ in., Height: 3 in.

A rare Ko Imari rice bowl and cover decorated with European figures in a garden landscape one bald and holding a vase and the other with a broad rimed hat and a walking cane. The interior of both the bowl and the cover painted with a diaper band with demi-florets and an image of a “Dolphin” on a raised roundel. Both the cover and the bowl are quite delicately potted and the enamelling and painting is of a very high standard...

A high quality "Porcelain for Palaces" type Arita dish with foliate rim in Imari export style decorated in the full Imari five colour palette principally with Irises, Peonies and Chrysanthemums, with Fence-work and Plum trees and a central motif of Peonies. The reverse decorated with flowering Plum and Rock peonies and an Artemesia leaf. For a set of thirteen dishes with the same pattern in the Royal Collection see C&J : Ayers, J., 2016...

An attractive Arita dish made for export to Europe decorated with conventionalised panels of Hoo birds and Paulonia flowers and stylised Peony flowers inset within an underglaze blue brocade ground to the cavetto, and a central motif of Chrysanthemum. The presence of gilt outlined enamels and colloidal pink in the palette indicate that the plate is from the Kyoho period or slightly later. The plate measures 21 cm or 8.25 inches in diameter and stand 3.3cm, or 1.25 inches high at the rim...

A dish decorated in a Chinese literati style with a composition featuring principally a scholar’s refuge, Ting (Chinese), Teshi (Japanese ) beneath a rather curious gnarled tree with fan like foliage, presumably a Pine, and an auspicious ruyi (lingzhi) cloud pattern. This cloud motif, unki-zu, is essentially Chinese, xiangyun, relying on the homophone yun, yun, cloud, which sounds like yun, good luck or fortune, combined with Tian, heaven, so signifying heaven sent good luck...

An early 19th century Imari charger or shallow bowl measuring 18" x 2.5"

The piece is signed on the bottom and is in excellent condition.

A Japanese Imari Tokuri. Decorated in the typical palette with alternate panels of a Carp leaping a waterfall and a Dragon in clouds above a Tiger 19thC. Height: 7 3/8″ (18.7 cm). Condition: excellent, light wear to gilding

A well decorated Chinese Imari export plate with underglaze blue and overglaze red, orange and gold. The scene of flowering plants and a Chinese fence covers the face of the plate, from the rim on one side, across the center and onto the opposite rim. There is a single blue line at the outer border and a brown edge. The back is decorated with blue and red trailing flowers and has an unglazed foot. Probably the first quarter of the 18th century...

1900's Japanese Yokohama Studio Vase with Cranes Marked "Dai Nihon Takasaka zo"

It is 14.4 inches (37 cm) tall by 9.05 inches (23 cm) wide. It is 11 Lb.

It has skip glazes dark spots, stains, and surface wears and scratches (as seen in the photos).

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Antique Japanese set of 10 imari plates with foliate edges, underglaze motifs of and scrolling vines with gilt accents. The underside features cobalt blue underglaze auspicious objects and a four character signature.

Size: 9.5" W x 1.75" H

Two small Japanese porcelain dishes used for small side servings or morsels - both decorated with blue underglaze and polychrome overglaze enamels. One with asymmetric floral decoration and gilt foliate rim and spurious Chenghua mark inside the foot. The other octagonal with dragon decoration in the cavetto surrounded by flowering karakusa enclosed within alternating red and blue panels and the verso with geometric patterns...

A fine quality five colour Arita shallow saucer dish decorated with Cherry branches and storm waves, arashi-nami, awash with fallen rafts of cherry blossom. Presumably the design is a play on the words nami, wave, and hannami, cherry viewing, and the design derived from a contemporary or earlier textile pattern. The reverse of the dish simply decorated with cherry blossom. Dating early Eighteenth century, circa 1700-20. The dish is in good condition with no cracks chips or restoration...

This is a beautiful Japanese Imari bowl. It is not only rare to see a bowl of this size but the enameled crane design is also rare. Overall the bowl is in outstanding condition. It measures 12 1/4 across and 4 3/4 tall.

A good Arta dish of awabigata form decorated in somenishikide style with a pattern of various shellfish and plants with a seascape of waves and plovers above. A brocade band of Karakusa scroll in iron red and gilt inset in a “pea green” enamel ground framing the composition combined with gilding to rim. The exterior painted with waves and boats...

Large Japanese Kutani serving bowl featuring 2 separate scenes. In very good antique condition, there is some minor fritting around the outer edge of the rim. This rare Japanese bowl measures 10 inches in diameter and about 3.25" high. Dates late Edo, Circa 1800.

A dish of auspicious shuronagata, hemp palm form, decorated in gilt outlined enamels with Bamboo and Prunus, emblematic of the season of Spring and the New Year...

Rare Japanese Imari Blue & White Sake Cup with Landscape Design made in the second half of 19 century. Unlike soba cups, Imari sake cups from Meiji period are rare to find. Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Size Width 1.8in ( 4.5cm ) Length 1.8in ( 4.5cm ) Height 2in ( 5cm ) Weight 50g Condition Overall good. Used.

A shallow dish of octagonal form decorated with a design based on the so-called mesiande grid painted in reverse style, kakiwake, with a central motif of a stylised viewing rock and chrysanthemums, bordered by a series of eight tab like reserves containing further stylised vegetal motifs, apparently fusions of shida and warabi fern croziers and fronds with pine branches, matsu, and flowers, each framed by a stylised wave border. The design is exploring an autumnal or winter theme and reflects ...

This porcelain plate was produced in England by Royal Crown Derby in 1896. The date cipher indicates this year. The plate measures 8 3/4 inches in diameter. It is made of fine, white bone china. The rim is slightly scalloped with a molded, gadrooned border. It is decorated in Japanese Imari style. Cobalt blue, rust red and bright gold are used in this floral design. The flowers are painted in a stylized, bold manner. Condition: There is a bit of scuffing to the gilding of the flower...

The size of Bowl: 7 1/2" Dia x 3 1/8" High. Most unusual and attractive Japanese Ko Imari Sometsuke Porcelain Bowl. The bowl is made from fine quality porcelain as well as the fine glazing. It has pretty design of Shiranuki design and flower design outside which used blank area with nice contrast. Shiranuki Design is special work on the design with blue background where white design area has the blue underglaze knocked out. Inside has very intricately painted Senbiki(lineworks) flower design wit...

Early 19th century small Japanese porcelain Imari plate with enamel decoration of a boy wearing haori (short jacket) with a basket full of greens on his back sitting on a buffalo and playing a flute. The subject is bokudo - a theme of a perfect peace of mind, and one of the stages of a journey towards Buddhahood. Underglaze blue decoration in cavetto and on the outside. Wonderful painting perfectly capturing serene mood of the scene, beautiful design with tomato red brocade border, great detaili...

A rare Arita zhadou form sake cup warmer. These unusually shaped vessels following the form of zhadou, Chinese lays jar, were used for the warming of sake cups, and as flower vases. The form of these cup warmers seem to follow Chinese Song precedents, an example of the Japanese preference for more classical Chinese forms, rather than later Ming and Qing examples, which characteristically have much wider openings. This particular example dates to around the Genroku period circa 1690-1710 and is d...

Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients. These bowls fall into that category and were made for Hichozan, by the H...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen. Boy avatars,...

This is nice Japanese Imari cup pair 3 3/4 in diameter 2 3/8 in height is in very good condition with No damage I have other set total of 4 if you are interested other set please let me know Pair of cup has some original kiln pin hole and some gold wear to the top from Edo era If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you very much

This is an early Japanese Imari vase from the last quarter of the 1800's. The leaves and flowers are painted in thick colorful enamels. There are also some gold highlights. The vase is very heavy and stoutly made. It is 10 inches tall and 8 1/2 inches wide. Condition is very good with some expected wear. Still a very fine old display piece.

This is a fine Japanese Imari blue and white transfer porcelain plate with cobalt blue scattered floral and brocade panels inside a stylized fan design on chrysanthemum ground, the base having three spur marks with cobalt floral decoration on rim. Meiji Period Condition: excellent. Measurement: 9 in.

An interesting dish of moulded Kraak form decorated with a partially obscured Chinese four toed Dragon painted in underglaze cobalt blue with gilt outlined enamelled auspicious clouds framed by a band of stylised Chrysanthemum demi-florets to the rim. The reverse of the dish is decorated in underglaze blue with stylised Chinese style auspicious clouds and a six character mark for the Emperor Yongzheng. An identical dish appears in the Shibata collection dated circa 1750-80, although I think the ...

An Arita long dish of sampan form somewhat deeper and narrower than usually found. Painted with an idealised Chinese style landscape incorporating the elements of water and land. The cavetto painted with stylised lotus flowers enmeshed within a Hagi-karakusa, Bush clover vine arabesque. Gobenka with karakusa motifs to the sides of the dish, and a similar auspicious Lozenge (one of the Eight Precious objects) with karakusa at each end. A four character fukichosun mark to the interior of the foo...

An unusual rhomboid quadrilobed form dish decorated with a landscape of islands with Pagodas within a lake or estuarine setting conceivably a composition based on the “Eight views of the Xiao and the Xiang rivers”, Shosho hakkei. The design produced largely through the use of a stencil with additional applications of wash. The technique of using paper stencils, katagamni zuri, to reproduce patterns was also used at the Nabeshima kiln. The reverse of the dish is painted with a lotus scroll ...

The dish has an unusual square form with indented corners and a raised almost vertical rim which suggests that it was probably intended to be used for the serving of sashimi, sliced raw fish. This type of dish is described in Japanese as a shihou-sumioshi sara. By the late Mid Edo period sashimi had been growing in popularity being prepared by professional chefs, and was served both in aristocratic and in wealthy households and Ryokan. The somewhat surreal landscape contains a pair of Cranes,...