American Modern sterling silver flask, ca 1920. Rectilinear and curved; cover hinged, threaded, and cork-lined. Front engraved with a camel, a paragon of drought survival, standing on parched ground with scattered shoots of greenery. In background are palm trees and pyramids. Drink up to survive the desert—physical or metaphorical. Back vacant for engraving. Marked “Sterling”. Very good condition with strong definition.

Dimensions: H 7 x W 5 x D 7/8 in. Weight: 9 troy ounces. #BX740 ...

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

This lot includes eight marked Gorham sterling 4780 nut dishes . Two are mongrammed on the bottom( one of those has very faint etched numbers). 4" x 2-1/2" Total weight 6.8 ozs.

A collectible Scandinavian gold and amethyst pin by Kippittan Kulta of Finland. The pin is stamped with the anvil mark 585 Finland and measures 2 1/4" x 1-1/4". Weight 3.6gr.

Ohara Shoson (Koson)
Pheasants and Maple Tree
Size: Approximately 5.25 x 3.25 inches.
Date: ca. 1930s.
Shoson seal at lower right
Publisher: Watanabe Shozaburo.
Reference: AS.15 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

Two sterling silver flower head bowls. One is collage-style with 3 graduated layers of fluted, striated, and irregular petals and beaded center. The other has fluted and irregular petals with collage-style center comprising 2 graduated and scalloped layers. In cloth-bound case with fitted velvet and silk lining silver-stamped “Gianmaria / Buccellati”. Both marked “Gianmaria Buccellati” with post-1967 Italian mark for Bolognese maker Clementi di Giovanni Mantel. Excellent condition.

Dim...

French Belle Epoque Classical 950 silver tea urn, ca 1900. Ovoid with turned stained-wood handles with silver scroll and leaf mounts. Scaly fish spout with tail mount and gaping mouth spout and turned stained wood and silver scroll tap. Double-domed cover with berry finial. Three double-scroll supports with leaf mounts and feet mounted to stepped and stained-wood drum-form blocks. Heating element set in scroll-mounted ring. Twisted fluting and lobing. Vitruvian scroll and leaf borders. Engraved...

Lilian May Miller (1895-1943)
The Little Shrines on Quiet Hills
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Slight toning.

German 800 silver box, ca 1910. Oval and lobed. Cover hinged and raised with scroll tab. Sides have chased and engraved fruits and foliage on stippled ground in curvilinear frames alternating with plain lobes. Cover top same with beaded frames. Gilt-washed interior. Marked. Very good condition.

Dimensions: H 3 1/4 x W 7 x D 5 1/2 in. Weight: 13.7 troy ounces. #BX430

Tsuchiya Koitsu
Mandarin Ducks
Date: 1930s.
Size: Mitsugiri-ban. Approximately 15.75 x 7.5 inches.
Publisher: Doi Hangaten.
Reference: Koitsu catalog no. TK-DH-76.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Medium: Japanese woodblock print.
Condition: Excellent. Back top margin has tape residue.
Note: An usual subject for Koitsu.

Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...

English Victorian Modern sterling silver smoking box 1885. Rectangular with straight sides. Scroll-bracket handle mounted to central panel between two hinged covers. On one in blue enamel “Cigars”; on other “Cigarettes”. Cedar lined. Felt-lined underside. Fully marked including London assay stamp and maker’s initials “T.W”. Very good condition.

Dimensions: H 4 x W 7 3/4 x D 6 1/2 in. Gross weight: 28.3 troy ounces. #BX649

English Georgian sterling silver salver, 1727. Square with molded rim and curvilinear corners. Engraved armorial in well center. Rests on 4 corner hoof supports. Substantial with nice heft from the year the first Hanoverian king George I died and was succeeded by his son George II. A really nice piece of native craftsmanship from the early years of the German ascension. Worn marks including London assay stamp. Very good condition.

Dimensions: H 1 3/4 x W 13 x D 13 in. Heavy weight: 61.7 troy o...

German Classical silver beaker cup, 18th century. At top leafing scrollwork and scallop shells; at bottom twisted leaf-and dart border. Ornament chased and heightened with engraving. Interior gilt washed. Maker’s mark comprising letters S and I. Condition: Minor dent on bottom otherwise very good with excellent patina.

Dimensions: H 3 3/4 x D 3 in. Weight: 3 troy ounces. #BX624

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...