German sterling silver place card holders. This set comprises 8 holders in 3 designs. One holder features an elegant courtly couple executing a cozy minuet. Three holders feature spirited country jiggers. Four holders feature entwined Bacchic babes, and are gilt. Marked “Sterling” and “Germany”. Very good condition.

Dimensions: H 1 3/4 x W 1 1/2 x D 1 in. Total weight: 2.7 troy ounces. #BQ399

Pair of Retro 14K gold pins. Each: Open and shaped triangle with strapwork scroll bisected by stepped arch. Fluid and snazzy. United States, ca 1940. Hallmarked. The original Tiffany stamp was lost during conversion. Very good condition.

Dimensions: H 1 5/8 x W 1 3/8 x D 1/2 in. Total weight: 15.4 dwt. #896

Japonesque sterling silver inkwell. Made by Tiffany & Co. in New York, ca 1882. Drum form with curved shoulder, short neck, and hinged and cork-lined bayonet cover. Leaves and tendrils and butterflies, too, applied to honeycomb hand-hammered ground. Bonus bug (a modish beetle) on cover. Interior glass lined. Fully marked including pattern no. 6771 (first produced in 1882), director’s letter M (1873-91), and phrase “Sterling-Silver”. Excellent condition and patina.

Large dimensions: H 4...

American Colonial sterling silver bowl. Made by Tiffany in New York, ca 1965. Bowl has curved sides and straight circular foot. Spare historic design that works equally well in Modern interiors. Hallmark includes pattern no. 19750 and phrase: Reproduction / Original by / Joseph Conyers / Boston / about 1700. Fine condition.

Dimensions: H 4 x D 9 in. Weight: 22.5 troy ounces. #BQ855

Regency Revival sterling silver tea caddy. Retailed by Tiffany & Co. at 550 Broadway, New York. Rectangular with straight sides and curved corners. Sloping rim and hinged and overlapping double covers with cutout scrolled rims. Stationary bracket handle. Fretwork rims. Handle same with beaded borders. Engraved on sides are floral garlands and oval frames with interlaced monogram. Covers have armorial frames (vacant) and flowers, and stylized floral border. Partitioned interior for holding two ...

Nautical sterling silver and enamel cigarette case. Made by Thomae in Attleboro, Mass., ca 1960. Rectangular and hinged. Signal flags enameled on front. Gilt interior. Hallmarked. Very good condition with intact color.

Dimensions: H 3 1/8 x W 4 3/8 x D 1/4. Weight: 4.8 troy ounces. #BQ946

Rare mixed metal pitcher with lots of bugs. Made by Tiffany & Co. in New York, ca 1880. Globular with drum-form neck, small lip spout, and c-scroll handle. Modish insects—dragon fly, grasshopper, and butterfly—creep and dart among fluid and interlaced grass stalks applied to hand-hammered sterling silver ground heightened with floral engraving and copper inlay. A superb integration of Japonesque and Craftsman. Interlaced script monogram engraved to underside. Fully marked including pattern n...

Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant lines and functional properties.

This tea bowl was fired in the kilns of one of Kyoto’s best known Raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln...

Sweet 14k white and yellow gold ring with rose-cut diamond in square mount (0.4 carats). United States, ca 1940s. Very good condition.

Size: 7 1/2. #1141

Delightful 18k gold figural pin. Stylized owl with ribbed crown, rose-diamond eyes set in concave disc sockets, sweet wing flaps, and branch-gripped talons. Breast inset with turquoise stone. A symbol of wisdom in the advanced taste. United states, ca 1930. Stamped “750”. Very good condition with great color.

Dimensions: H 1 5/8 x W 7/8 x D 1/2 in. #873

Beautiful 14k gold flower brooch comprising petals inset with 33 rubies (approx. 3 carats) on white-gold stem encrusted with pave diamonds. The flower is framed by 3 scrolled yellow gold leaves. United States, ca 1940s. Very good condition.

Dimensions: H 2 x W 1 3/8 in. #675

Pair of Modern 14k gold clip-on earrings. Each: Strands comprising rope and beads forming semi-abstract scrolled leaf. Snazzy Midcentury style. United States, ca 1960s. Marked. Very good condition with nice finish.

Dimensions: H 1/2 x L 1 1/4 x W 7/8 in. Total weight: 12.8 DWT (20 g). #1145

Modern sterling silver bowl. Made by Tiffany & Co. in New York. Tapering sides and flared rim. Short and straight foot. Spare and fluid. Hallmark includes pattern no. 16667F, director’s letter m (1907-47), and wartime star (1943-45). Very good condition.

Dimensions: H 4 1/2 x D 9 1/8 in. Weight: 28 troy ounces. #BQ772

American crossover cocktail ring in 14K white and yellow gold, ca. 1970. Double-headed with juxtaposing turquoise beads and pave diamonds (3.4 cts). Excellent condition.

Approx. size: 6 1/2. #5040

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...

Unlike many of the pieces in the genre of Kyo-ware, this tea bowl is decidedly demure in appearance. Milky, flowing glaze pools in places along a backdrop of ivory and coral pink sides, contrasting nicely with the rough, unrefined clay of the base. In the center of the kodai is a decorative swirl pattern reminiscent of the yin and yang.

The potter, Kanpu Kawanabe (1873 - 1947) was born into a family of weavers but went on to be trained in many of the arts related to tea ceremony. A...

A gypsy style three strand necklace with faux stamped silver coins, balls,spacers and glass coral. 32"

This piece is described on the box as a Hikidashi Kuro Chawan. In Japanese hikidashi means “a pull-out drawer” and the term first came into use at Mino kilns in the 16th century to describe individual pieces that were pulled out of the wood kiln at the peak of firing to gauge if the batch was ready. The rapid cooling of such pieces often creates dramatic effects, with the most noted being rich varieties of deep black. Today this practice has fallen out of use and and only a handful of master...