Edwardian sterling silver gravy boat. Made by S. Kirk & Son in Baltimore, ca 1940. Ovoid with helmet mouth and raised oval foot; dense floral repousse on stippled ground. Cast leaf-capped and -mounted high-looping handle with low-relief flowers. Fully marked including maker’s stamp (1932-61), no. 278F, and phrase “Hand Decorated”. Very good condition.

Overall dimensions: H 6 x L 8 1/2 x W 4 in. Weight: 9.6 troy ounces. #BY992

Exotic sterling silver 3-piece Turkish coffee set. Made by Tiffany & Co. in New York, ca 1910. This set comprises coffeepot, creamer, and sugar. Coffeepot: Upward tapering neck and round bowl.

Ovoid ball cover hinged-mounted to c-scroll handle applied with ribbed thumb rest; vertical scrolled spout. Creamer: Ovoid with high-looping handle and helmet mouth. Sugar: Round and tapering bowl with c-scroll side handles; cover domed with cast slightly anthropomorphic scroll finial. Acid-etched orname...

Danish Midcentury Modern sterling silver compote. Wide and round bowl mounted to shaft with understated Classical ornament: Urn with bold and stylized leaf-and-dart ornament on sides, in turn mounted to baluster with half fluting; wavy borders. Domed foot. Visible hand hammering. Fully marked including maker’s stamp for Roif Fritiof Bratland, who was active from 1956-73, as well as no. 85A. Very good condition.

Dimensions: H 11 3/4 x D 10 1/2 in. Weight: 33 troy ounces. #BY987

Royal Danish sterling silver sauce bowl on stand. Made by International in Meriden, Conn. Ovoid bowl with tapering sides and short inset foot. Stand has oval well and wide and tapering sides. At ends are open and embossed acorns and scrolls. Fully marked including maker’s stamp, pattern name, and nos. G23/2 (bowl) and G39 (stand). Very good condition.

Dimensions: Bowl: H 3 1/8 x W 8 1/4 x D 4 5/8 in. Stand: H 1 1/4 x W 9 1/8 x D 5 1/4 in. Total weight: 14 troy ounces. #BY775

Midcentury Modern sterling silver compote. Made by William G. DeMatteo in Bergenfield, New Jersey. Round and wide bowl on twisted shaft mounted to domed and beaded foot. Mounted to bowl underside is floral band comprising seed-spilling buds. Visible hand hammering. Marked “Sterling” with maker’s stamp. Very good condition.

Dimensions: H 6 5/8 x D 6 3/4 in. Weight: 12.5 troy ounces. #BZ145

George II sterling silver mug. Made Thomas Tearle in London in 1735. Baluster bowl with leaf-capped double-scroll handle and spread raised foot. Later ornament in form of chased and engraved scrolls, flowers, and scallop shells on stippled ground. Scrolled frame (vacant). Fully marked. Very good condition with deep patina.

Overall dimensions: H 4 1/8 x W 5 x D 3 1/8 in. Weight: 7.2 troy ounces. #BY964

English Art Deco sterling silver serving tray, 1938. Retailed by Harrods in London. Round with curved and tapering sides. Reeded bracket handles mounted vertically to sides. Capacious with nice balance and heft. Fully marked including retailer’s stamp and London assay stamp. Very good condition.

Overall dimensions: H 2 5/8 x W 18 5/8 x D 16 in. Heavy weight: 78 troy ounces. #BY889

Classical coin silver christening mug, ca 1850. Baluster bowl with high-looping leaf-capped s-scroll handle and round stepped foot. Large scrolled frame (vacant) surrounded by rural idyll with house and barn set in bosky landscape. In foreground a hunter takes aim at a fox. No vermin allowed in paradise. New York retailer’s stamp (Ball, Black & Co.) and star and eagle associated with Hartford production. Very good condition with nice patina.

Overall dimensions: H 5 x W 5 x D 3 1/8 in. Weight...

Edwardian glass sugar caster with sterling silver cover. Made by the Merrill Shops in New York, ca 1910. Bowl has upward tapering sides with cut ferns and stars, and leaf mouth rim. Cover domed and pierced. Fully marked including maker’s stamp and no. 2103. Very good condition.

Dimensions: H 5 3/8 x D 2 1/2 in. #BY824

Set of 4 European gilt 935 silver and glass figural Buddha place card holders, ca 1925. Each: Contemplative and cross-legged figure of the Zen-man himself in molded glass. For a Siddhartha serene dinner party. Colors are green, blue, orange, and clear. Chamfered rectangular base and u-form back support. In leather-bound case with fitted velvet and silk lining. Marked. Very good condition.

Dimensions: H 1 5/8 x W 7/8 x D 3/4 in. Case: H 1 1/2 x W 5 3/4 x D 2 5/8 in. #BY940

Set of 4 Victorian sterling silver place card holders. Made by Saunders and Shepherd in Chester in 1899. Each: A rifle is propped against a shilling coin dated 1899, the year war broke out in South Africa between the British and Dutch colonial settlements. The rifle is the famous Lee-Metford, which was by then a tad old fashioned, but still considered reliable by British as well as Dutch troops, who made use of captured specimens. Open lunette base with vertical support. Fully marked including d...

Edwardian Modern Classical sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1907. Bombe form. Curved and overhanging mouth with lip spout and cylindrical bowl; round and stepped foot and c-scroll handle. Acid-etched ornament: Meandering ivy on mouth and handle and half-fluting on bowl. Fully marked including maker’s stamp, pattern no. 16867B (first produced in 1907), director’s letter m, and volume (5 1/2 pts). Very good condition.

Dimensions: H 10 x W 8 3/4 x D 7 in. W...

George V sterling silver figural place card holders. Made by William Suckling, Ltd in Birmingham in 1931 Each: Cast canine figure with plain silhouette back mounted to oval base. Each dog different as they are in real life. For a special “pack” night with a few close friends. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Jewellers / Nathan & Co / Birmingham”). Very good condition.

Tallest: H 1 1/8 x W 1 5/8 x D 1 1/4 in. Case: H 3 x W 7 7/8 x ...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Cactus sterling silver dinner set. Made by Georg Jensen in Copenhagen. This set comprises 84 pieces (dimensions in inches):

Forks: 12 dinner forks (7 3/4), 12 luncheon forks (6 1/2), and 12 seafood forks (6 1/4);

Spoons: 12 dessert spoons (6 3/4) and 12 teaspoons (6);

Knives: 12 dinner knives (9) and 12 butter spreaders (6 1/8).

Dinner knife blades are stainless steel.

For a special dinner party. Cactus was designed by Gundorph Albertus (1887-1970) and first produced in 1930.

Fully...

Finest quality Victorian repousse silver water pitcher. Made by S. Kirk & Son in Baltimore. Tall with scrolled helmet mouth and curved bottom. Cast leaf-capped and -wrapped high-looping s-scroll handle and raised foot with stippled fluting. Repousse with roses, calla lilies, and water lilies as well as scrolling leaves and spikey fronds. Fully marked including maker’s stamp (1880-90), no. 315, and alloy (“11 OZ”), that is 11/12 or 916 silver. Excellent condition with deep patina.

Overall...

Super luxurious Modern sterling silver colander. Retailed by Cartier in New York. Round bowl with two bracket side handles and 3 scrolled supports. Four pierced stars. A practical kitchen accessory wrought in precious metal. Fully marked including retailer’s stamp and phrase “Hand-Made”. Excellent condition.

Dimensions: H 6 1/2 x W 14 x D 10 1/2 in. Weight: 45 troy ounces. #BY860

Midcentury Modern sterling silver picture frame. Made by Watrous Mfg. Co. (part of International) in Wallingford, Conn. Rectangular window in clean and unadorned flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 30. Very good condition.

Dimensions: Frame: H 10 1/4 x W 7 1/2 in. Window: H 8 5/8 x W 6 in. #BY262

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Set of 3 Modern sterling silver open salts. Made by Georg Jensen in Copenhagen. Each: Curved and shallow bowl with tapering and high-looping split-mounted handle with bead terminals. Fully marked including maker’s stamp and no. 110. Two have postwar maker’s stamp (1945-77) and one has maker’s stamp “Georg Jensen / Silversmiths Ltd” and letter E in lozenge. Very good condition. Overall dimensions: H 1 x W 3 x D 2 in.

With: Set of 3 Acorn sterling silver salt spoons. Made by Georg Jens...

Francis I sterling silver 3-light candelabrum. Made by Reed & Barton in Taunton. Central socket on spool base to which are mounted to reeded wraparound branches, each terminating in single socket. Branches have short leaf and flower band. Branch plug set in socket mounted to baluster shaft; raised foot. Engraved and low relief ornament with leaves and fruit and flower clusters. Sockets bellied and shaft and foot fluted. Foot and bobeche rims scrolled. Fully marked including maker’s stamp, patt...

American Midcentury Modern sterling silver picture frame. Retailed by Cartier in New York. Rectangular window in same surround with convex front and flat sides. In hard-to-find landscape form with regal gold crown applied to top rail. With glass, silk lining, and velvet back and hinged easel support. Fully marked including retailer’s stamp, no. 47CC, and phrase “Hand Made”. Very good condition.

Dimensions: Frame: H 7 7/8 x W 9 7/8 in. Window: H 6 3/8 x W 8 1/4 in. #BY629

Edwardian sterling silver tray. Made by S. Kirk & Son Inc. in Baltimore. Oval well and wide shoulder with repousse floral garland on stippled ground; imbricated leaf rim. Fully marked including maker’s stamp (1925-32), no. 2517, and phrase “Hand Decorated”. Very good condition.

Dimensions: H 1 x W 17 x D 11 3/4 in. Weight: 38.3 troy ounces. #BY473

Super stylish Art Deco sterling silver compote. Round bowl with flared rim and curved and tapering sides. Ovoid support with Bakelite band to round foot with same. Visible hand hammering with nice shimmer. Italian marks (1934-44) including unidentified Roman maker’s stamp (14 Roma) and Milan retailer’s stamp (Fratelli Veneziani). Good condition. Bakelite crack on foot.

Dimensions: H 5 x D 9 3/4 in. Gross weight: 22 troy ounces. #BY685

Modern sterling silver tray. Made by Arthur Stone in Gardner, Mass., ca 1930. Round well with curved sides, tapering shoulder, and molded rim. Fully marked including maker’s stamp and craftsman’s initial T for Herbert A. Taylor, who was active from 1908-37. Very good condition.

Dimensions: H 3/4 x D 12 1/8 in. Weight: 23.7 troy ounces. #BX526

Set of 10 Acorn sterling silver place card holders. Made by Georg Jensen in Copenhagen. Each: Double-sided stylized acorn mounted to rectangle, in turn, mounted to larger rectangle. Marks including maker’s stamp (1945-77), designer’s stamp (Johan Rohde), and no. 62. Very good condition.

Dimensions: H 1 x W 1 1/8 x D 7/8 in. Total weight: 5.7 troy ounces. #BY846

Chippendale sterling silver tray. Made by Reed & Barton in Taunton, Mass. Round with molded curvilinear ogee piecrust rim. Fully marked including maker’s stamp, pattern name, and no. X365. Very good condition.

Dimensions: H 7/8 x D 12 in. Weight: 20.4 troy ounces. #BX721

Victorian sterling silver drinks set. Made by Gorham in Providence in 1888. This set comprises pitcher and mug on tray.

Pitcher and mug have curved bodies and split-mounted branch handles. Tray lobed quatrefoil. Applied scroll rims. For fermented refreshment as indicated by the on-message fruiting grapevines in tactile relief. Hefty rusticity wrought from precious metal. Each has engraved script monogram. Fully marked including maker’s stamp, date symbol, and nos. 230 (tray), 1520 (pitcher),...

Alexandria sterling silver bread and butter plates. Made by Fisher Silversmiths in Jersey City, New Jersey. Each: Round well and concave shoulder interspersed with 4 open leafing tendrils mounted to cutout triangles. Fully marked including maker’s stamp, pattern name, and no. 2646. Very good condition.

Dimensions: H 1/4 x D 6 5/8 in. Total weight: 47 troy ounces. #BY647

A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as being by the legendary potter Ninsei (17th C.). Though the potter’s mark suggests this could be the case, there is no way to confirm for certain other than by its age and undeniably elegant craftsmanship. Believing it to be quite precious, the previous owner bestowed it with the poetic name "Ibitsu" which means "warped" or "cu...

A beautiful and very old Hagi tea bowl; showing signs of long use and appreciation. The gold repairs add to the overall composition and highlight the important role this piece played in someone’s tea practice. Though still functional to be used as a ceremonial implement, this would fit much better as a treasured display object.

In excellent condition this tea bowl is 5.1 inches in diameter at its widest point (13cm), and stands 3.1 inches tall (8cm). It comes with a pe...

Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his son, his pieces have a grace and elegance all their own as demonstrated here with this charming tea bowl. With its milky crackled glaze and split foot (wari-kodai) showing the rich clay this piece was fashioned from, it possesses strong character and has a calming presence, bringing a sense of stability. Perfect for those deepen...