Shoda Koho
Moonlit Sea with Clouds - Sepia version
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 9.875 x 7.125 inches.
Date: 1910-1938.
Koho seal at lower left.
Publisher: Hasegawa Takejiro/Nishinomiya Yosaku
An early marginless edition as originally issued.
"Made in Japan" stamped on bottom left verso.
Medium: Japanese woodblock print.
Condition: Back has adhesive residue. A few spots in upper sky.
Note: Examples of thi...
Tsuchiya Koitsu
Lake Yamanaka
Date: 1939.
Size: Oban. 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark upper right corner.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-62 edition.
Koitsu catalog no. TK-DH-54.
Condition: Slight fading. Very light creasing.
Modern sterling silver vase. Made by Tiffany & Co. in New York, ca 1908. Cone with flared mouth on vertical ovoid knop mounted to domed foot. Fully marked including maker’s stamp, pattern no. 17188 (first produced in 1908), and director’s letter m. Very good condition.
Dimensions: H 9 x D 3 1/4 in. Weight: 8.5 troy ounces. #BY804
Edwardian Rococo sterling silver mirror. Made by William Comyns in London in 1907. Heart-shaped beveled glass in shaped surround with pointed top and bracket supports. Embossed leafing scrolls and flowers in pell-mell, dynamic arrangement. At top scrolled cartouche engraved with the very turn-of-the-century name “Gertie”. Velvet mount with hinged easel support. A wonderful period piece with lots of charm. Fully marked. Very good condition. Velvet wear.
Dimensions: H 13 x W 10 1/2 in. #BY97...
Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs and four lion head monopodium supports. Engraved fretwork and stylized pendant flowers. Danish restraint from the perfervid fin-de-siecle. Three-letter script monogram engraved on underside. Marked with maker’s stamp, assayer’s stamp (Simon Groth), and Copenhagen Three Tower mark dated 1890. Very good condition. La...
Victorian Classical sterling silver biscuit jar. Made by Henry Holland in London in 1872. Drum form; cover flat and hinged with vasiform finial. Engraved stylized floral ornament and oval frame (vacant). Mounted to round stand with four leafing-scroll and flower supports. Beading. Fully marked. Very good condition.
Overall dimensions: H 7 1/4 x W 8 x D 7 1/8 in. Weight: 23.5 troy ounces. #BZ367
Tokuriki Tomikichiro
Sanjo Bridge
Date: Likely 1940s-50s.
Size: Tanzaku (pillar) 14.25 x 3 inches.
Signed "Tomi" at lower right.
Medium: Japanese woodblock print on decorative board as originally issued.
Condition: Slight toning near bottom.
Note: This is the only example of this wonderful design that we could locate.
Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...
Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...
Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...
Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.
Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...
Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...
Ota Shumin (1884-1950, Japanese)
Boats on River (given title).
Date: 1930s.
Size: Oban. 17.25 x 12.625 inches.
Signed "Shumin" by the artist.
Medium: Japanese watercolor.
Condition: Tonal difference at edges where formerly matted. Light creasing visible in side light.
Note: Shumin participated in a painting event at the 1936 Olympics.
Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 18...
Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice ton...
Set of 6 German 800 silver figural open salts, ca 1920. Each: A swan with erect neck and down-turned bill and pointy tail; body hollow. With fluted and scalloped frosted glass liner. Fully marked including maker’s stamp attributable to Martin Mayer. Numbered 2 (1), 42 (2), and 88 (3). Very good condition. One liner has bottom crack.
Dimensions: H 2 x L 2 1/4 x W 1 1/4 in. Total weight (silver only): 2.5 troy ounces. #BZ325
Victorian sterling silver baby cup. Made by John Aldwinckle & Thomas Slater in London in 1887. Straight and gently upward tapering sides and c-scroll handle. Ornamental borders engraved at top and bottom including ribbon-tied garlands. Festive and celebratory with plenty of room for announcing a special event. Interior gilt washed. Fully marked. Very good condition.
Dimensions: H 3 x W 3 3/8 x D 2 3/8 in. Weight: 3.4 troy ounces. #BW400
Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.
Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288