Olympian sterling silver wine cooler. Made by Tiffany & Co. in New York. Each: Round with gently tapering sides and three reeded c-scroll handles with leaf mounts and caps. Foot ring with beading and bead-and-reel ornament, and 3 paw supports with leafy volute-scroll mounts. At bottom a dense repousse frieze of love-making, harp-strumming nymphs, gods, and cherubs. Gilt-washed interior. A beautiful early piece in the celebrated Beaux-Arts pattern that was conceived by French designer F. Antoine ...

Antique accessories have unique style and flair. This pair of art deco–style silver wine coolers features straight sides, reeded rims, and faceted corners. They also have ring handles and triangular mounts, making them distinct among antique wine coolers. Chill wine as you entertain guests at cocktail parties and other gatherings. You don’t want to miss this excellent pair of art deco–style silver wine coolers from our collection.

Excellent condition. Dimensions: H 12 x W 8 1/2 x D ...

Pair of English Retro Deco sterling silver wine coolers, 2014. Each: Chamfered and tapering bowl; stained-wood side handles with stepped sterling silver mounts. Tapering and stepped support mounted to chamfered square base. All planes and angles for holding a round bottle. Super stylish style-of barware. Fully marked including unidentified maker’s stamp (R&SN) and London assay stamp. Very good condition.

Dimensions: H 10 3/8 x W 8 5/8 x D 7 1/2 in. Heavy gross weight: 170 troy ounces. #BZ651...

English King sterling silver wine bottle coaster. Made by Tiffany & Co. in New York. Round well with chased wavy borders. Applied bead-and-reel rim interspersed with scallop shells. Interlaced script monogram engraved in well. Fully marked including maker’s stamp, pattern no. 11161 and director’s letter C (1902-7). Very good condition.

Dimensions: H 3/4 x D 6 1/2 in. Well diameter: 4 in. Weight: 5.4 troy ounces. #BY833

English King sterling silver wine bottle coaster. Made by Tiffany & Co. in New York. Round well with chased wavy borders. Applied bead-and-reel rim interspersed with scallop shells. Interlaced script monogram engraved in well. Fully marked including maker’s stamp, pattern no. 11161 and director’s letter C (1902-7). Very good condition.

Dimensions: H 3/4 x D 6 1/2 in. Well diameter: 4 in. Total weight: 5.4 troy ounces. #BY832

Pair of Edwardian Classical silver-plated wine bottle coasters. Made by Tiffany & Co. in New York. Each: Round well with concentric rings. Sides have open scrollwork. Flared rim with applied scrolls and scallop shells. Fully marked including maker’s stamp, pattern no. 11743 (first produced in 1893), director’s letter T (1892-1902), and phrase “Silver-Soldered-E.P.”. Very good condition.

Dimensions: H 2 1/4 x D 6 3/8 in. #BY797

English Georgian Regency sterling silver bowl. Made by Rebecca Emes and Edward Barnard in London, ca 1830. Bellied bowl with chased and stippled leaf and flower bowl. Concave neck and turned-down leaf-and-dart rim. Leaf-capped and -wrapped side handles with oak branch mounts. Short knopped support with egg-and-dart and leaf-and dart borders on lobed and stippled foot with applied leaves. Plain and square base. Opulent Classical centerpiece for flowers or wine. Marks worn. Excellent condition...

Gorgeous museum-quality Japonesque sterling silver trophy bowl. Made by Gorham in Providence in 1884. Large and round with allover ornament in relief. Horned serpents swim slack-jawed through the water. Talons and heads “puncture” the surface to form side handles. Astride one sits an artist, brush in hand recording the thrashing undulations and roiling waves. At mouth rim are applied strewn shells. Foot in form of entwined snakes.

Modish exoticism a world away from the fresh air and fair p...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...

A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe. Sakata very actively exhibits his pieces and looks for interesting c...

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Generously proportioned though not too heavy in the hand, the wide base ensures stability while the upward curvature of the sides breaks with convention and offers a unique and decidedly modern flair.

Born in Kyoto as the 4th son of a famous lacquer artist named Shogo, Banura Shiro (1941-2001) followed suit and went i...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts.

Born in 1929, at the age of 17 Tsuboshima took an appre...

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degree of mastery, both in form and glazing technique. For the collector who has always wanted a Hazan but has never been lucky enough to chance upon one, this may be a worthy acquisition. Although much of Inoue’s work is quite different in style to that of Hazan’s, you can find a number of pieces where the influence is unmistakeable—th...

Rare Edwardian 14k gold picture frame. Made by Tiffany & Co. in New York, ca 1915. Oval window in plain and flat surround. With glass, silk lining, and stained-wood back with hinged easel support. Fully marked including maker’s stamp, pattern no. 18880 (first produced in 1915), and director’s letter m. Very good condition with nice toning.

Dimensions: Frame: H 5 7/8 x W 4 1/4 in. Window: H 5 1/8 x W 3 1/2 in. Weight (gold only): 48.7 grams. #BZ802

American Modern sterling silver vase. Tapering and faceted bowl and raised round foot. Support in form of two interlaced Cs. C is for Cartier, the world-famous retailer of super stylish wares. Marked “Cartier / Hand Made / Sterling”. Very good condition.

Dimensions: H 8 1/4 x D 2 1/2 in. Weight: 5 troy ounces. #BZ768

Set of 12 Queen Elizabeth sterling silver goblets. Made by Reed & Barton in Taunton, Mass. Each: Ovoid bowl with flared rim; slender cylindrical stem on raised and round foot. Holds 2 ounces. Fully marked including maker’s stamp and no. H121. Ten have date symbols: 1953 (1), 1955 (7), and 1956 (2). Very good condition.

Small dimensions: H 4 1/4 x D 2 in. Total weight: 20.5 troy ounces. #BZ680

Edwardian Regency sterling silver water pitcher. Made by Graff, Washbourne & Dunn in New York, ca 1909. Lobed and ovoid bowl on domed foot; helmet mouth and high-looping leaf-mounted handle with leaf-and-flower cap. Chased and engraved ornament including ribboned swags and four strapwork frames of which three inset with flowers and the other engraved with interlaced monogram. Foot has tubular piercing overlaid with swags and open strapwork frames inset with pendant flowers. Engraved in block on ...

Palmette sterling silver bowl. Made by Tiffany & Co. in New York. Curved sides and flared rim. Rests on 4 side-mounted stylized floral supports. Each support radiates 3 incised vertical lines. An early piece in this pattern (no. 23238), which was first produced in 1947. Fully marked including maker’s stamp, pattern number, and director’s letter M (1947-56). Very good condition.

Dimensions: H 4 x D 8 3/8 in. Weight: 23.6 troy ounces. #BZ778

Danish Modern Classical sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular with straight sides; short inset foot with engraved egg-and-dart. Cover hinged with open bracket finial; to has flat raised border. Fully marked including maker’s stamp (1945-77) and no. 825. Very good condition.

Dimensions: H 7/8 x W 5 1/4 x D 3 3/8 in. Weight: 10 troy ounces. #BZ777

Danish Modern sterling silver box. Made by Georg Jensen in Copenhagen. Long and rectangular with straight sides; square corner supports. Cover flat and hinged with cutout stepped tab. An austere Classical design by Harald Nielsen. Fully marked including maker’s (1945-77) and designer’s stamps, and no. 883. Very good condition.

Overall dimensions: H 1/4 x L 6 3/4 x W 3 3/8 in. Weight: 10.5 troy ounces. #BZ774

Midcentury Modern sterling silver bowl. Made by Alfredo Sciarrotta for Cartier in New York. Oval with curved sides; allover spot hammering. Open oval foot comprising four joined s-scrolls. A gorgeous centerpiece. Fully marked including maker’s and retailer’s stamps, and no. 154. Very good condition with nice shimmer.

Dimensions: H 4 1/2 x W 11 5/8 x D 7 5/8 in. Weight: 25.3 troy ounces. #BZ707  

Pair of English Georgian Neoclassical sterling silver goblets, 1783. Each: Ovoid bowl on cylindrical stem flowing into raised foot with incised bands and reeded foot. Fully marked including maker’s initials WB (attributable to Walter Brind) and London assay stamp. Very good condition.

Dimensions: H 6 x D 3 3/8 in. Total weight: 13 troy ounces. #BZ735

Edwardian Classical sterling silver baby cup. Made by Tiffany & Co. in New York. Straight sides with high-looping s-scroll handle and inset foot. Cast scroll and reeded borders at top and bottom. Fully marked including maker’s stamp, pattern no. 15097, and director’s letter T (1892-1902). Very good condition.

Dimensions: H 3 3/4 x W 4 3/8 x D 3 in. Weight: 7.3 troy ounces. #BZ362

Pair of American Edwardian glass candlesticks with sterling silver mounts, ca 1910. Faceted socket; wide and flat rim with cut flower heads over radiating ribbing. Shaft upward tapering with half-fluting at top and engraved leafing and flowering scrollwork at bottom. Raised and stepped sterling silver foot. Glass attributable to Hawkes. Silver marked “Sterling / 56 PWTS”. Very good condition.

Dimensions: H 13 x D 4 3/4 in. #BZ332

Pair of American Edwardian glass candlesticks with sterling silver mounts, ca 1910. Faceted socket; wide and flat rim with cut flower heads over radiating ribbing. Shaft upward tapering with half-fluting at top and engraved leafing and flowering scrollwork at bottom. Raised and stepped sterling silver foot. Glass attributable to Hawkes. Silver marked “Sterling / 56 PWTS”. Very good condition.

Dimensions: H 13 x D 4 3/4 in. #BZ331

The classic sterling silver Louvre bowl. Made by Georg Jensen in Copenhagen. Round and curved; Overhanding rim interspersed with scallops. Open support comprising alternating vertical leaves and tendrils. Raised foot. Visible hand hammering. Designed ca 1910, it reflects the master’s love of nature. So-called the Louvre bowl because an example in that museum’s collection. Fully marked including maker’s stamp (1945-77) and no. 19A. Very good condition.

Dimensions: H 6 7/8 x D 8 in. Weight...

Traditional sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1938. Gently curved body with helmet mouth, high-looping handle, and round and stepped foot. Ample with nice heft. Holds 4 1/2 pints. Fully marked including maker’s stamp, pattern no. 22625 (first produced in 1938), director’s letter m (1907-47), and volume. Very good condition.

Dimensions: H 10 1/2 x W 8 3/4 x D 5 1/4 in. Weight: 32.7 troy ounces. #BZ758

Edwardian Art Nouveau sterling silver basket. Made by Gorham in Providence, ca 1910. Scrolled and turned-down rim with engraved grape bunches and leaves overlapping open lunette frames. Stationary c-scroll handle with same; handle top vacant. Visible hand hammering. Fully marked including maker’s stamp and code TFC. Very good condition.

Dimensions: H 11 3/4 x L 13 1/4 x W 7 in. Weight: 31 troy ounces. #BZ743

Pair of Georgian-style sterling silver candlesticks. Made by Currier & Roby in New York, ca 1920. Each: Faceted and tapering shaft with knops and flanges on raised foot in concave circle set in square base. Spool socket with detachable bobeche. Gadrooning and reeding. Fully marked including maker’s mark and no. 2628. Excellent condition.

Dimensions: H 10 x W 4 5/8 x D 4 5/8 in. Total weight:36 troy ounces. #BZ690

Modern Classical sterling silver box. Made by Ferdinand Richard Wilm in Berlin, ca 1930. Rectangular with wraparound reeded sides; cover flat and hinged with paneled top. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 7/8 x W 6 x D 3 7/8 in. Weight: 13 troy ounces. #BZ772

Edwardian Classical sterling silver and glass picture frame. Made by Hawkes in Corning, New York, ca 1910. Oval window with reeded sterling silver border in rectilinear glass surround with curved top. alternating reeded and diaper lines and four clear rondels with acid-etched flower baskets and cornucopia. With glass, silk lining, and silk back with hinged easel support. Silver marked “Sterling”. Glass unmarked. Very good condition with strong definition.

Dimensions: Frame: H 11 1/4 x W 7 ...

Ornamental sterling silver letter opener. Made by Georg Jensen in Denmark, ca 1925. Looped tendril handle with seed and leaf terminal. Shaft terminates in flat stylized bud to which is mounted blade with curved sides. Early marks including maker’s stamp, pattern no. 122, Copenhagen Three Tower stamp dated 1925, and Christian F. Heise assayer’s stamp (1904-32). Very good condition.

Dimensions: H 5 5/8 x W 7/8 x D 3/8 in. #BZ699

Modern Classical sterling silver bowl. Made by Tiffany & Co. in New York, ca 1924. Conical with reeded rim, short and straight support, and raised round foot. Acid-etched curvilinear borders with fleurs de lys. Support has scroll-and-dart ornament alternating with squares (vacant). Fully marked including maker’s stamp, pattern no. 20393G (first produced in 1924), and director’s letter m. Very good condition.

Dimensions: H 5 5/8 x D 9 in. Weight: 24 troy ounces. #BZ706

Classical sterling silver urn. Made by Currier & Roby in New York, ca 1930. Traditional form with girdle and domed foot; leaf-capped double-scroll side handles. Cover domed with vasiform finial. Plenty of room for engraving. Fully marked including maker’s stamp and no. 9553. Very good condition.

Dimensions: H 9 1/4 x W 8 x D 4 3/4 in. Weight: 20.5 troy ounces. #BZ770

Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with split bud mounts and bud and seed terminal. Open support comprising large vertical leaves and turned-down grape bunches; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrat...

Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with applied tendril and grape bunch. Open support comprising large vertical leaves and turned-down small leaves; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrated to Canada...

German Rococo 930 silver sweet meat coach. Imported to England by David Bridge in 1894. A round coach harnessed to a prancing reindeer with large antlers. A trumpet-blowing cherub holds the reins, and two more cherubs support an armorial in strapwork frame. Chased scenes depicting pastoral landscapes and frolics. Wheels rotate for a quick journey around the table. Fully marked with Hanau maker’s marks and English import marks, including London assay stamp. Very good condition.

Overall dimens...

Danish Modern sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular with straight sides. Cover hinged and raised with flat border. Square corner supports. Fully marked including maker’s (1945-77) and designer’s (Harald Nielsen) stamps, and no. 827. Very good condition.

Overall dimensions: H 7/8 x W 8 1/8 x D 3 1/2 in. Heavy weight: 17.5 troy ounces. #BZ773

Modern sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular; straight sides bisected by wraparound rectilinear band. Corner bracket supports. Cover flat and hinged with stepped rim. Midcentury Danish design by Harald Nielsen. Fully marked including Georg Jensen & Wendel maker’s stamp (ca 1945-51), which was limited to wares sold in Copenhagen, and designer’s stamp. Very good condition.

Dimensions: H 1 1/2 x W 6 1/4 x D 3 1/4 in. Weight: 15 troy ounces. #BZ775

Modern sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1907. Ovoid body, stepped foot, short neck, and helmet mouth; soft bracket handle with trefoil shaped tail mount. A spare full-bodied vessel. Nice heft. Fully marked including maker’s stamp, pattern no. 16974 (first produced in 1907), director’s letter m, and volume (4 pts). Very good condition.

Dimensions: H 8 1/4 x W 7 1/2 x D 5 1/8 in. Weight: 28.5 troy ounces. #BZ676

Modern sterling silver hinged double picture frame. Each: Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support. Fully marked including stamp for Web Silver Co., a Philadelphia maker active from the 1950s to 1970s. Very good condition.

Dimensions: Each frame: H 10 1/4 x W 8 1/8 in. Each window: 8 7/8 x W 6 7/8 in. #BZ723

Set of 12 Modern sterling silver place card holders. Retailed by Cartier in New York. Each: Folded disc with turned down front mounted to round base. Fully marked including retailer’s stamp. Very good condition.

Dimensions: H 7/8 x W 1 x D 3/8 in. Total weight: 3 troy ounces. #BZ695

Elizabeth II sterling silver box. Made by Padgett & Braham Ltd in Birmingham in 1980. Rectangular with straight sides. Cover hinged and tabbed; on top stand a horse and jockey in a faint surround suggestive of a cloud (of dust?). Box interior cedar-lined and partitioned. Box underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 x L 8 1/8 x D 3 5/8 in. Gross weight: 19 troy ounces. #BZ737

Edwardian Georgian sterling silver mug. Made by Tiffany & Co. in New York, ca 1916. Baluster bowl with leaf-capped double-scroll handle and round stepped foot. Large with nice heft and plenty of room for engraving. Fully marked including maker’s stamp and pattern no. 19191 (first produced in 1916). Very good condition.

Dimensions: H 5 1/4 x W 5 3/4 x D 3 3/4 in. Weight: 12.5 troy ounces. #BZ554

Japanese silver centerpiece bowl, ca 1900. Round and curved. Flat mouth rim with long and low scallops. Raised and spread foot. Applied iris flowers with loose and crisscrossing tendrils and stems in eddying water. Foot has cutout flower heads and engraved wraparound tendrils. Gorgeous period motif on spot-hammered ground. Double-walled. Meiji-era Art Nouveau centerpiece for the cosmopolitan West. Marked. Very good condition.

Dimensions: H 8 3/4 x D 12 3/4 in. Weight: 78 troy ounces. #BZ691 ...

American Midcentury Modern sterling silver picture frame. Retailed by Cartier in New York. Rectangular window in wide and flat surround. With glass, paper lining, and wood laminate back for portrait (vertical) or landscape (horizontal) display. Liner has retailer’s stamp. Frame fully marked including retailer’s stamp, no. 53, and phrase “Hand Made”. Very good condition.

Dimensions: Frame: H 12 x W 10 in. Window: H 10 x W 8 in. #BZ570

Pair of George III sterling silver goblets. Made by Henry Chawner in London in 1793. Ovoid bowl on cylindrical stem flowing into raised foot. Bowl underside and foot rim reeded. Bowl interior gilt. Spare Neoclassical form that works on traditional and Modern tables. Fully marked. Very good condition.

Dimensions: H 5 7/8 x D 3 1/4 in. Total weight: 14 troy ounces. #BZ791

Large and pretty Edwardian sterling silver basket. Made by Stieff in Baltimore in 1917. Flared mouth “tugged” close by fixed and shaped handle; cylindrical body on round foot. Allover floral repousse on stippled ground. Mouth rim has applied scrolls. Foot rim plain. Fully marked including maker’s stamp, date, and no. 502. Very good condition.

Dimensions: H 18 1/4 x W 13 3/4 x D 7 3/8 in. Heavy weight: 48 troy ounces. #BZ550

Edwardian Regency sterling silver box. Made by Tiffany & Co. in New York, ca 1909. Oval with straight sides. Cover hinged and tabbed; top overhanging with chased patera; center (vacant) has bead-and-reel border, radiating flutes, and stylized flowerheads. Interior has traces of gilt wash. Fully marked including maker’s stamp, pattern no. 17518 (first produced in 1909), and director’s letter m. Very good condition.

Dimensions: H 1 3/4 x W 5 1/4 x D 3 3/8 in. Weight: 5.8 troy ounces. #BZ517...