Charming Edwardian sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Oval window in same flat surround. On front acid-etched daisy chain with dense leaf and flower arrangement; tubular cartouche (vacant). Sides plain with tooled linear borders. With glass, silk lining, and stained-wood back and hinged easel support. For portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 16401A, and director’s letter m. Excellent condition with strong defin...

Large and Modern sterling silver serving tray. Made by Tiffany & Co. in New York, ca 1923. Oval with deep well, wide shoulder, and molded rim. Fully marked including maker’s stamp, pattern no. 20182 (first produced in 1923), and director’s letter m. Very good condition.

Dimensions: H 7/8 x W 18 x D 13 in. Heavy weight: 50 troy ounces. #BY134

Large and Modern sterling silver serving tray. Made by Tiffany & Co. in New York, ca 1923. Oval with deep well, wide shoulder, and molded rim. Fully marked including maker’s stamp, pattern no. 20182 (first produced in 1923), and director’s letter m. Very good condition.

Dimensions: H 7/8 x W 18 x D 13 in. Heavy weight: 53 troy ounces. #BY135

Unusual American Modern 18k gold chain, ca 1980. Small yellow gold links interspersed with large tooled ovals with central wraparound band as well as thick and solid rose ovals. With clasp. Very good condition.

Length: 32 in. Weight: 21.7 dwt/33.8 g. #1232

George V sterling silver box. Made by Henry Matthews in Birmingham in 1930. Rectangular with straight sides. Corner posts on ball support. Cover flat and hinged; on top horizontal engine-turned bands bordered by plain and wraparound engine-turned bands. Sides same with plain borders. Box interior wood-lined and partitioned. Open leather-lined bottom. Fully marked. Good condition.

Dimensions: H 3 x W 7 x D 3 3/4 in. Gross weight: 23 troy ounces. #BW000

American Modern ring with cabochon tiger eye in 14k yellow gold setting; brilliant-cut diamond on each shoulder. Hallmarked. Excellent condition.

Size: 8 1/2. Weight: 10.5 dwt (16.3 g). #1223

Modern sterling silver bowl. Made by Tiffany & Co. in New York, ca 1937. Round with curved and fluted sides. Rim flat and applied with incised band. Short foot ring with same. Fully marked including maker’s stamp, pattern no. 22392 (first produced in 1937), and director’s letter m. Very good condition.

Dimensions: H 3 1/2 x D 9 1/4 in. Weight: 19.5 troy ounces. #BX604

Francis I sterling silver teapot. Made by Reed & Barton in Taunton, Mass. Bellied ovoid body on domed foot, high-looping leaf-capped scroll handle, and leaf-capped s-scroll handle; cover hinged and domed with leafing-scroll quatrefoil finial. Strapwork frames (vacant) on front and back between cornucopias and pendant ribbon-tied flowers. Rims irregular with applied leaves and scrolls. Fully marked including maker’s stamp, pattern name, no. 570A, and phrase “Hand Chased”. Very good conditio...

Midcentury Modern sterling silver monteith bowl. Made by Tiffany & Co. in New York. Curved sides and reeded curvilinear rim; raised and spread foot. Stylish for serving and presentation. Plenty of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23881. Very good condition.

Dimensions: H 5 1/4 x D 9 3/8 in. Heavy weight: 30 troy ounces. #BP797

Traditional Georgian-style sterling silver candlesticks, ca 1950. Each: Spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marked including stamp for Prill Silver Co., Inc. a New York maker active from 1930s-1970s. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 4 1/4 in. Total weight: 35 troy ounces. #BX825

Traditional Georgian-style sterling silver candlesticks, ca 1950. Each: Spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marked including stamp for Prill Silver Co., Inc. a New York maker active from 1930s-1970s. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 4 1/4 in. Total weight: 34 troy ounces. #BX824

Victorian ring in platinum on 18k gold with rose-cut diamonds and rubies in crisscross design. England, ca 1880. Hallmarked. Excellent condition.

Size: 4 1/2. Weight: 2.1 dwt (3.2 g). #1221

George III sterling silver epergne. Made by Thomas Pitts in London in 1774.

Reeded and beaded oval frame; at base swags threaded through fixed rings with pendant oval vase medallions, overlapping four split-mounted leafing supports terminating in pierced and scrolled oval feet. Four reeded and scrolling leaf-capped and -wrapped arms, each terminating in oval basket, mounted to frame base alternating with four reeded and scrolling leaf-wrapped arms, each terminating in round basket, mounted to ...

English Modern sterling silver cigar box, 1919. Rectangular with plain straight sides. Cover hinged with tapering tab; top gently curved with engine-turned wave ornament bordered by fretwork, and centrally mounted gold ring inset with word “CIGARS”. Interior cedar lined and partitioned. Underside leather lined.

Fully marked including Birmingham assay stamp and mark for WC Griffiths, a silversmith and retailer. Very good condition.

Dimensions: H 5 3/8 x W 10 1/8 x D 5 3/4 in. Gross weigh...

Modern sterling silver serving tray. Made by Tiffany & Co. in New York. Round with stepped rim. Smart and functional with nice heft. Fully marked including maker’s stamp, pattern no. 21252, director’s letter m (1907-47), and wartime star (1943-5). Very good condition.

Dimensions: H 1/2 x D 10 in. Weight: 16.2 troy ounces. #BX445

Victorian sterling silver letter opener. Made by George Neal & George Neal in London in 1900. In form and with dimensions of a 12-inch ruler. Tapering point for getting underneath the fold. A stylish and useful desk novelty. Fully marked. Very good condition. Weight: 2.5 troy ounces. #BW008

Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23617. Very good condition.

Dimensions: H 3 7/8 x D 7 3/4 in. Weight: 14.2 troy ounces. #BX699

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...

An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...

Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to raised and faceted octagonal foot; fixed curvilinear handle. Engraved ornament with fluted and paterae curvilinear borders forming frames of which four vacant and the others inset with garlands, scrollwork, and vases. Handle has pendant flowers and oval frames inset with paterae. Fully marked including maker’s stamp ...

American Modern sterling silver flask, ca 1920. Rectilinear and curved; cover hinged, threaded, and cork-lined. Front engraved with a camel, a paragon of drought survival, standing on parched ground with scattered shoots of greenery. In background are palm trees and pyramids. Drink up to survive the desert—physical or metaphorical. Back vacant for engraving. Marked “Sterling”. Very good condition with strong definition.

Dimensions: H 7 x W 5 x D 7/8 in. Weight: 9 troy ounces. #BX740 ...

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

A collectible Scandinavian gold and amethyst pin by Kippittan Kulta of Finland. The pin is stamped with the anvil mark 585 Finland and measures 2 1/4" x 1-1/4". Weight 3.6gr.

Two sterling silver flower head bowls. One is collage-style with 3 graduated layers of fluted, striated, and irregular petals and beaded center. The other has fluted and irregular petals with collage-style center comprising 2 graduated and scalloped layers. In cloth-bound case with fitted velvet and silk lining silver-stamped “Gianmaria / Buccellati”. Both marked “Gianmaria Buccellati” with post-1967 Italian mark for Bolognese maker Clementi di Giovanni Mantel. Excellent condition.

Dim...

Edwardian Regency sterling silver jewelry box. Made by William B. Durgin in Concord, ca 1910. Rectangular with straight sides and hinged drop-front. Cover hinged and flat. On sides, wraparound garland held-up by sweet bare-bottomed cherubs. Cover top encircled with same (center vacant). Reeded rims. Interior velvet-lined. Fully marked including maker’s stamp and no. 1809. Very good condition.

Dimensions: H 4 x W 9 3/8 x D 4 1/2 in. Heavy gross weight: 40.6 troy ounces. #BX652

Pair of George III sterling silver gravy boats. Made by William Bond in Dublin in 1794. Each: Ovoid with helmet mouth and gadrooned rim. Leaf-capped double-scroll handle mounted to scrolled end. Three scallop-shell mounted leaf supports. Engraved armorial. Gorgeous Georgian Neoclassicism from across the Irish Sea. Fully marked. Very good condition with nice patina.

Overall dimensions: H 6 3/4 x W 8 3/4 x D 4 3/4 in. Total weight: 39.7 troy ounces. #BW160

George V sterling silver covered urn. Made by Mappin & Webb in Sheffield in 1917. Oval bowl mounted to lobed knop on domed foot. Cover double-domed with acorn finial. Leaf-wrapped and mounted scroll bracket side handles with cast leaf-and-berry ornament. Bowl rim has dense flower rondel border. Bold and fluid leaf-and-dart borders embossed on bowl bottom and foot top. Smaller and more controlled version of same on cover. Striking and traditional Neoclassicism in supersized proportions. Enough ro...

English Victorian Modern sterling silver smoking box 1885. Rectangular with straight sides. Scroll-bracket handle mounted to central panel between two hinged covers. On one in blue enamel “Cigars”; on other “Cigarettes”. Cedar lined. Felt-lined underside. Fully marked including London assay stamp and maker’s initials “T.W”. Very good condition.

Dimensions: H 4 x W 7 3/4 x D 6 1/2 in. Gross weight: 28.3 troy ounces. #BX649

Romantic Edwardian Art Nouveau sterling silver frame. Made by Tiffany & Co. in New York. Heart-shaped window in same and curved surround flowing into bracket feet. Acid-etched leafing scrollwork and flowers. At top shaped cartouche vacant for engraving a lovey-dovey message. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 14282, and director’s letter C (1902-7). Excellent condition with stro...

Chippendale sterling silver serving tray. Made by Gorham in Providence in 1944. Round with flat curvilinear ogee rim. A large and heavy piece in this pattern. Fully marked including maker’s stamp, no. 42613, and date code. Very good condition.

Dimensions: H 1/2 x D 13 3/4 in. Weight: 38.4 troy ounces. #BW956

George II sterling silver salver. Made by Robert Abercromby in London 1741. Molded scroll and shell rim and 4 scroll-mounted hoof supports. Armorial engraved in well center. Great heft and balance. Fully marked. Very good condition with period patina.

Dimensions: H 1 1/2 x D 12 3/8 in. Weight: 28.7 troy ounces. #BX211

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...