George IV sterling silver bowl. Made by Elder & Co. in Edinburgh in 1831. Round with tapering sides and raised round foot. Scalloped frames with chased leaf and flower border on stippled ground, surmounted by open fruiting grapevine border; cast flower and leaf rim. Elegant Scottish Regency Classicism. Fully marked. Very good condition with nice patina.

Dimensions: H 3 x D 10 3/4 in. Weight: 18.6 troy ounces. #BX610

Super snazzy sterling silver cocktail shaker. Made by Tiffany & Co. in New York, ca 1929. Gently curved and upward tapering sides and flat cover with same-form finial. Bracket handle. Stubby spout with chained cap. Built-in strainer. A late prohibition-era Art Deco classic. Fully marked including maker’s stamp, pattern no. 21374 (first produced in 1929), and director’s letter m. Very good condition.

Dimensions: H 10 1/4 x W 6 3/4 x D 4 1/2 in. Weight: 25.4 troy ounces. #BY310

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan. The print is set behind glass in a large frame, and the back of the frame lists artist: ...

Japonesque mixed metal napkin ring. Made by Gorham in Providence in 1882. Hand-hammered sterling silver ring applied with cooper ornament: A man in pointy hat is seated on the ground, smoking while a small dog approaches from behind, interrupting the opium-induced serenity. Above is a darting butterfly. Engraved name “Edward Hegeler”. Hegeler (1835-1910) was a German-born American industrialist and publisher. Fully marked including maker’s stamp, no. 675, and date letter. Very good conditi...

Set of 4 Edwardian sterling silver place card holders. Made by Sampson Mordan & Co. Ltd. in Chester, 1904-6. Each: Two flat discs mounted to flat and circular base. Front disc smaller and enameled with fox loping through forest. In leather-bound case with fitted velvet and silk lining; lining has gilt retailer’s stamp (Arnold & Lewis, Manchester). Fully marked including date letters 1904 (3) and 1906 (1), and design nos. 402227 (2) and 429790 (2). Very good condition with strong color.

Dimen...

Set of 8 Wedgwood sterling silver goblets. Made by International Silver Co. in Meriden, Conn., ca 1920. Each: Ovoid bowl on cylindrical stem with base knop mounted to raised foot. At mouth rim raised band with Neoclassical ornament, including paterae and amphorae, entwined with flowers and scrolls between beaded and Vitruvian scroll borders. At foot border alternating volute scrolls and W’s. Seven goblets have gilt-washed interior. An elegant tribute to the historic English pottery firm. Fully...

Set of 4 Edwardian sterling silver figural place card holders. Made by Levi & Salaman in Birmingham 1906. Each: Pair of perched owls with scrolled back clip; raised and round base. Wise birds standing ready to tamp down excessive dinner party levity. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Leighton / Lancaster”). Fully marked. Very good condition.

Dimensions: H 1 3/4 x D 1 1/2 in. Gross weight: 2.3 troy ounces. #BW863

Set of 8 American Modern sterling silver matchbox holders, ca 1920. Retailed by Udall & Ballou in New York. Rectangular with open ends; sides have cutout tubes. On each is applied enameled dog. Five breeds represented. On back engraved block presentation: “J.G.R. / FROM / M.A.P.” In original leather-bound case with fitted velvet, silk, and gilt-stamped retailer’s stamp. A great canine collectible. Very good condition. Scottie has minor enamel loss on tail.

Dimensions: H 3/8 x W 1 7/8 x D...

This tall and lovely Hagi chawan rests firmly on a wari kodai or “split foot” pedestal that is unglazed—displaying the coarse rich clay. The crackled milky glaze covers the curves and contours of the bowl, contrasting dramatically between the foot and the clay body. Hagi-ware such as this is part of a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, ...

Victorian sterling silver wine cooler. Deep ovoid bowl on raised foot. Leaf-capped dolphin scroll-bracket side handles. Bead-and-reel and leaf-and-dart borders. Chased frieze depicting garland-entwined, barefooted, long-tressed nymphs, their loose drapery suggestive of overflowing abundance. Fin-de-siecle Classicism for a new age.

This piece was two or three years old when it was exhibited at the World’s Columbian Exposition in Chicago in 1893.

Fully marked including maker’s stamp, patte...

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

Fabulous Chrysanthemum sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises 5 pieces: coffeepot, teapot, creamer, sugar, and waste bowl.

In the celebrated pattern that is an American interpretation of a Japanese motif. To Baroque forms are applied a profusion of climbing, wrapping, and bunching flower heads. Chrysanthemum was introduced in 1880 and this set dates from the first quarter century of its production.

All pieces fully marked including maker’...

Engraved Hampton sterling silver hot water kettle on stand. Made by Tiffany & Co. in New York, ca 1912. Kettle curved and rectilinear with concave corners faceted s-scroll handle, and swing-mounted handle; cover domed and side-hinged with finial. Stand has open and faceted u-form supports mounted to stepped rectangular base with concave corners on same supports. Heating element in open center. The classic form with acid-etched Adams-style ornament: Shaped frames with rosette diaper, scallop shel...

Olympian sterling silver wine cooler. Made by Tiffany & Co. in New York. Each: Round with gently tapering sides and three reeded c-scroll handles with leaf mounts and caps. Foot ring with beading and bead-and-reel ornament, and 3 paw supports with leafy volute-scroll mounts. At bottom a dense repousse frieze of love-making, harp-strumming nymphs, gods, and cherubs. Gilt-washed interior. A beautiful early piece in the celebrated Beaux-Arts pattern that was conceived by French designer F. Antoine ...

The poem etched on the side of this exceptional piece reads: "As a pastime ― bringing clumsy, fragile things to sell ― at Uruma Market ― how lonely!"  A very significant poem as it conveys a bit of irony; for the Edo period nun who inscribed this poem would go on to create a legacy of art, beauty, and philosophy that endures even today. The poem also suggests that this is one of her earlier works that would have been produced before she became renowned throughout Japan for her...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Pair of Edwardian Georgian sterling silver covered serving dishes. Made by John Round & Son Ltd in Sheffield in 1904. Each: Rectangular with chamfered corners and tapering sides. Cover raised and chamfered with twist-lock ring handle. Handle, covers, and rim gadrooned with scallop shells and leafing scrolls. A gorgeous twosome—make that foursome because the covers convert to bowls. Fully marked. Excellent condition.

Overall dimensions: H 6 1/4 x W 13 x D 9 1/2 in. Heavy total weight: 115 t...

Lovely Edwardian Art Nouveau sterling silver picture frame. Made by Mauser Mfg. Co. in New York, ca 1900. Oval window in same surround. Front has engraved leafing scrollwork and tubular cartouche (vacant) at top; sides plain. Open bracket supports. With glass, silk lining, and red velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 1418A. Very good condition.

Dimensions: Frame: 9 3/4 x W 6 5/8 in. Window: H 8 3/8 x W 5 5/8 in. #...

Pair of Victorian Neoclassical sterling silver 3-light candelabra. Made by Walker & Hall in Sheffield in 1898. Tapering and fluted shaft on raised square foot. Central socket on knopped base to which are mounted two leaf-capped and -wrapped scrolled arms, each terminating in single socket munted to wax pan. Sockets urn form on raised foot. Beading, ribboned swags, garlands, paterae, ram’s heads, and leaf-and-dart ornament. Fully marked. Very good condition.

Dimensions: H 18 1/4 x W 15 x D 5 ...

Art Nouveau sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Rectangular window in flat surround. Surround front has acid-etched fronds and flowers alternating with tubular cartouches (vacant). Sides have tooled rectilinear ornament. With glass, silk lining, and velvet back with hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 17695G, and director’s letter m. Very good condition with strong definition

Dimensio...

Two pairs of Edwardian Regency sterling silver salt & pepper shakers. Made by Graff, Washbourne & Dunn in New York, ca 1909. Each: Ovoid body with engraved scrolled frames inset with flowers and leaves. One frame engraved with interlaced script monogram. Short neck and pierced and domed cover with vasiform finial. Foot raised with tubular piercing overlaid with swags, and open heraldic shields inset with flowers. Fully marked including maker’s stamp, no. 5542/47, and patent year 1909. Very goo...

The poem accompanying the artwork on this antique scroll reads: Fishing little trout—Precious drops of dew glisten—Flowing with the blossoms—The mountains and rivers of spring ( Rengetsu, age 78 ). A rather later and mature work by Rengetsu, this piece was created right as Edo ended and Meiji began, marking a major turning point in Japanese history and culture.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki fam...

Fairfax sterling silver coffee and tea set on tray. Made by Durham, which was part of Gorham, in Concord, ca 1926. This set comprises 7 pieces: Hot water kettle on stand, coffeepot, teapot, creamer, sugar, and waste bowl on tray.

Each: Chamfered. Rectilinear and tapering body on same foot. Handles scroll bracket. Covers gently raised with soft faceting (pot covers hinged). Finials chamfered with bead. Spouts faceted except for creamer, which has u-form spout. Tray rectangular with molded rim, ...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims. Fully marke...

Set of 6 Chrysanthemum sterling silver bouillon bowl holders. Made by Tiffany & Co. in New York, ca 1910. Each: Curved and open sides comprising joined stem flowers. Flower-capped looping side handles. Foot ring with 4 scallop-shell supports. Fully marked including maker’s stamp, pattern no. 14782, and director’s letter m. Very good condition. Dimensions: H 2 x W 5 1/4 x D 3 1/4 in. Total weight: 18 troy ounces.

With: Set of 6 original porcelain bowls. Made by Lenox in New Jersey, ca 1910....

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

Edwardian Regency sterling silver box. Made by Gorham in Providence in 1917. Square with straight sides. Cover hinged with gently curved top and scrolled top. Allover engine-turned wave ornament on box sides and cover top, which also has engraved garland and wreath (vacant) with pendant flowers; cover sides plain with pointille borders. Interior velvet lines. Perfect for jewelry and keepsakes. Fully marked including maker’s stamp, date symbol, no. 7113, and letter R. Excellent condition.

Ove...

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s and retailer’s (Grogan Company) stamps...

Engraved Hampton sterling silver coffee and tea set. Made by Tiffany & Co. in New York, ca 1920. This set comprises 8 pieces: Hot water kettle on stand, coffeepot, teapot, hot milk pot, creamer, sugar, and waste bowl on tray.

Rectilinear with tapering sides, concave corners, and stepped rim. Covers domed (pot covers hinged). Handles scroll bracket. Coffeepot and teapot spouts faceted and s-form; milk pot has short u-spout and creamer has lip spout. Tray rectilinear with concave corners and han...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...