A small Japanese mimikuchi shaped vase, with spiral design, used to hold the burn incense sticks. The burner is about 3 7/8" tall x 4" in diameter and dates to the turn of the Century. The condition is excellent/perfect, and it has been polished. The asking price includes shipping within the USA.

Jiaqing Period, ca. late 1700s

Each vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...

Ca. 1700s

This vase has a graceful, slightly tapering long neck rising from a bulbous body – a classic Song Dynasty form, but this one was produced in the Qing Dynasty in the Song style. The dark “iron wire” crackle pattern covers the entire exterior, including the base, and extends in the the mouth. The interior is also glazed. The glaze is of a thick pale grayish-green celadon type, thinning slightly to a paler gray tone on the mouthrim and stopping just above the footring where th...

Ca. early 1800s

These vases of tapering square form are decorated overall in famille rose and noir enamels, each having four cartouches depicting courting scenes, surrounded by geometric and floral designs. There are four smaller cartouches on the necks with scenes of scholars and young men. The rims are thinly glazed, and the bases are unglazed. There is professional restoration to the base of the neck on one vase, and a small chip to the base of the other that was also professionally res...

A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937). Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s. Late Meiji to Early Showa, 20th cent. H. 26, 5 x Diam 7,5 cm. Condition: Fine. **** Ito Tozan I (1846-1920) started his artistic career as ...

Kangxi style, but probably early 1800s

This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...

This early 20th century carved jade brush rest is 8 ¾” long, 3” high and 1 ¼” thick. It depicts three playful PiXiu facing each other. PiXiu are Chinese mythical creatures who are considered to be very powerful protectors in the practice of Feng Shui. Not only can they protect an individual or a family, they will also draw wealth from all directions. The PiXiu resembles a winged lion and is the ninth offspring of the dragon. It has a pair of bulging eyes, a long, bushy tail and one ...

A fantastic Chinese silver caddy of hexagonal shape, applied with a profusion of enameled birds perched on foliage and flowers, all against a filigree ground . Studs of turquoise and coral further enhance the opulence of this extravaganza. Stamped SILVER on the base. Age: first quarter of 20 C. size: 6 9/10 inches (17.5 cm ) high. condition: Excellent, it appears untouched, unpolished and unused for a long time, thus remaining in pristine and undamaged state.

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

Blue & White Soft Paste Vase with Pomegranates, 18th Century

The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.

It has hairline cracks, glaze crazing, stains, numbers written at the bottom, and surface wears and scratches (as seen in the photos).

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A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

A Chinese 'Longquan' kiln celadon-glazed arrow vase, probably Yuan/Ming Dynasty. Height: 15 cm Width / Diameter: 7.7 cm

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

A Chinese blue and white incense burner, bombe shaped and decorated with a vibrant underglaze blue and a continuous scene of three figures in a mountainous background , buildings and trees. Buddhist precious Objects decorate a band under the rim and the censer stands on three feet. It is a highly desirable item and a fine example of Kangxi blue and white porcelain. Age: 1662-1722. size 24.8 cm . in diameter. condition: the body is free from damage and restoration, there are glaze losses and a co...

Patrice gathers semi precious stones, antique glass and metals to design heirloom pieces such as this set. It has a striking combination of yellow jade with amathyst on brass and also Chinese turquoise and carnelian. The necklace is 17" end to end, the pendant is 2" by 1 1/2", clip earrings are 1" by 5/8".

A great vase in fantastic condition. Marked "Hall for the celebration of Jade" in the base. Showing a scenery of a pond with different ducks and birds. Flowers in pink red and green make a very attractive painting on this Daoguang vase. Condition: perfect condition. Measurement: Height 26 cm = 10.2 in

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Fine LARGE Chinese Neolithic Banpo Cord-Impressed Pottery Amphora with Oxford TL Test

This fine and incredibly ancient pottery vessel was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province. This form is probably the most well-known of Banpo pottery, if not of all Chinese Neolithic pottery, and no serious collection of Chinese ceramics should be without an example!

It has a tall cup-shaped mouth and a pointed base....

Chinese Ming Dynasty Glazed Pottery Sedan Chair (16th Century)

A pottery model of a sedan chair made during the 16th century (c.1550 - 1600). Made from a hard creamy-white pottery and coated in complimentary green and yellow glazes. A nice example with good detail, especially to the pagoda-shaped roof. There is an unusual incised pattern to the flat base, possibly a lotus blossom (?).

Height 24 cm. The roof has been re-stuck (it was probably originally attached to the chair just by the g...