Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

A key figure in the Japanese folk craft movement of the 20th century, Fujita Kyohei is credited with helping to develop a thriving glass-working community within Japan. Best known for his “dream” or “Liuli” boxes—very colorful and skillfully crafted boxes that often incorporated gold and silver leaf into their designs. Here we see a piece that would likely have been crafted earlier in his career but that demonstrates his masterful technique even then. In 1972 Fujita, along ...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Seated in meditation with open and compassionate heart, this bodhisattva is on a spiritual journey, postponing his own salvation in order to remain on earth to help others achieve enlightenment. In contrast to some images of the Japanese Bodhisattva (Bosatsu), often depicted as austere and inward looking, here, Kimura depicts the Bodhisattva as playful, carefree, and decidedly ornate. The inverted image of white contrast dye on black silk also makes for a striking composition.

A mas...

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

Rare Chrysanthemum sterling silver soup tureen. Made by Tiffany & Co. in New York. Lobed and oval bowl with scalloped and turned down scalloped rim. Bracket end handles and four splayed volute supports. Cover dulbe domed with bracket finial. Dense and textural cast ornament in form of alternating flower heads and leaves applied to rim and cover shoulder. With dense profusion of same applied to feet and wrapped and mounted to handles. A big, drool-inducing centerpiece made soon after this histori...

George VI sterling silver box. Made by WH Manton in Birmingham in 1938. Rectangular with curved corners. Cover hinged with gently curved top and tapering tab. Cedar-lined and partitioned interior; wood lined underside. Fully marked. Very good condition.

Dimensions: H 2 3/4 x W 7 1/8 x D 3 3/4 in. Gross weight: 18 troy ounces. #BZ609

Modern double picture frame. Retailed by Cartier in New York. Two vertical (portrait) rectangular windows in horizontal (landscape) rectangular surround. Sterling silver borders and sides. On front red guilloche enamel in shade of throbbing scarlet. For a hot twosome. With beveled glass, red lining, and same velvet back with hinged easel support. Marked “Cartier Sterling 925 Italy”. Very good condition with strong intact color. Velvet wear and discoloration.

Dimensions: Frame: H 3 1/2 x W ...

German 800 silver lady’s shoe, ca 1920. Plain sole and low heel, and loose-mounted c-scroll strap. Chased leafing and flowering scrolls on stippled ground. Hanau marks. Very good condition.

Dimensions: H 2 5/8 x L 7 3/4 x W 2 3/8 in. Heavy weight: 6.8 troy ounces. #BZ641

Set of 6 Belle Epoque cast 950 silver candlesticks in Louis XVI style, ca 1910. Made by J. Gruhier in France, ca 1910. Each: Spool socket with stepped and detachable bobeche. Tapering paneled shaft with stippled and elongated egg-and-dart; domed foot on octagonal base. Gadrooning and reeding. Substantial and elegant. Fully marked including Minerva head and maker’s stamp. Five have retailer’s stamp for Boin-Taburet, a Paris firm associated with adapting and reproducing historic French wares. ...

Traditional German gilt sterling silver stirrup cup, ca 1950. Conical bowl mounted with cast stag head—a furry, gaping beast with flexed-back ears and big antlers. Marked. Very good condition with nice toning.

Overall dimensions: H 6 1/4 x W 5 1/4 x D 3 in. Weight: 10.5 troy ounces. #BZ595

Tall Classical sterling silver wine ewer. Made by Moore for Tiffany & Co. at 550 Broadway, New York, ca 1855. Ovoid bowl with helmet mouth and raised round foot; cast high-looping fruiting grapevine handle. Foot rim encircled with same. Chased and engraved outsized leaves and squiggly tendrils, and bunches in relief. Irregular round frame (vacant). Early marks (1854-70) including maker’s stamp and retailer’s stamps, and pre-1860 pattern no. 488. Very good condition with deep patina.

Over...

Pair of tall Edwardian Neoclassical sterling silver candlesticks. Made by Gorham in Providence in 1908. Fluted columnar shaft on stepped square base. Composite Corinthian capital with detachable, concave, and chamfered bobeche. Beading. Fully marked including maker’s stamp, no. A3208, and date symbol. Very good condition.

Dimensions: H 12 5/8 x W 4 1/8 x D 4 1/8 in. Weighted. #BZ394

Pair of Edwardian Classical sterling silver candlesticks. Made by Gorham in Providence in 1917. Each: Fluted column and composite Corinthian capital. Bobeche detachable with chamfered rim. Stepped and square base. Beading. Fully marked including maker’s stamp, no. A3207, and date symbol. Very good condition with some pings.

Dimensions: H 10 1/2 x W 4 1/4 x D 4 1/4 in. Weighted. #BZ434

Pair of Edwardian Classical sterling silver candlesticks. Made by Gorham in Providence in 1916. Each: Fluted column and composite Corinthian capital. Bobeche detachable with chamfered rim. Stepped and square base. Beading. Fully marked including maker’s and retailer’s (Berry & Whitmore) stamps, no. A3207, and date symbol. Very good condition with some pings.

Dimensions: H 10 1/2 x W 4 1/4 x D 4 1/4 in. Weighted. #BZ433

German Cold War-era parcel gilt sterling silver globe. In c-scroll frame mounted to cast dolphin support in turn mounted to round foot. The world as it used to be with Us and Them (The Union of Soviet Socialist Republics) as well as a selection of secondary players. South America is made up of Brazil and Argentina and the Middle East of Egypt and Saudi Arabia. Anybody missing? Sure, but a great icebreaker nonetheless for office peace talks, and source of reflections on the transience of power. L...