Pair of George III sterling silver tureens. Made by William Pitts in London in 1785. Each: Ovoid body with upturned ends on oval foot; high looping tapering and leaf-mounted end handles. Cover raised with leaf-capped vasiform finial in pointille and pendant flower surround as well as engraved armorial. Beading. Elegant Georgian Neoclassicism. Fully marked. Very good condition.

Overall dimensions: H 6 x W 9 3/4 x D 4 1/2 in. Total weight: 42.4 troy ounces. #BY312

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.

Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284

Fancy Victorian sterling silver cake plate. Made by Gorham in Providence, ca 1890. Round and deep well engraved with leafing scrolls and flowers; center vacant. Applied and cast wide and open rim with same. Fully marked including maker’s stamp and no. 111S. Very good condition with deep patina.

Dimensions: H 1 x D 12 1/4 in. Heavy weight: 29 troy ounces. #BY105

Victorian Classical sterling silver bowl. Made by Tiffany & Co. in New York. Solid oval well with chased scalloped border. Sides tapering open diaper and applied pendant flowers. Dim has applied scallop shells alternating with could c-scrolls. Fully marked including maker’s stamp, pattern no. 11547 (first produced in 1893), and director’s letter T (1892-1902). Excellent condition.

Dimensions: H 1 5/8 x W 10 3/4 x D 8 5/8 in. Weight: 18 troy ounces. #BY281

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199

George III sterling silver salver. Made by Ebenezer Coker in London in 1765. Round with molded scrolled rim interspersed with alternating large and small shells. Armorial with lion rampant in lozenge frame with leafing and flowering branch surround. Three hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/4 x D 12 1/4 in. Weight: 23.6 troy ounces. #BY060

Japonesque mixed metal napkin ring. Made by Gorham in Providence in 1882. Hand-hammered sterling silver ring applied with cooper ornament: A man in pointy hat is seated on the ground, smoking while a small dog approaches from behind, interrupting the opium-induced serenity. Above is a darting butterfly. Engraved name “Edward Hegeler”. Hegeler (1835-1910) was a German-born American industrialist and publisher. Fully marked including maker’s stamp, no. 675, and date letter. Very good conditi...

Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with central oval cartouche (vacant). Sides open and engraved with same. Well solid. Four leaf-mounted scroll supports. Fully marked including maker’s stamp, pattern no. 16202, and director’s letter m. Very good condition.

Dimensions: H (with handle) 12 x W 13 x D 8 3/8 in. Weight: 28 troy ounces. #BY224

Neoclassical sterling silver tray, ca 1950. Round with beaded and curvilinear ogee rim. Nice heft with plenty of room for engraving. Marked “Silver / 925 [in oval]”. Very good condition.

Dimensions: H 1/4 x D 12 1/4 in. Weight: 23 troy ounces. #BY064

George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved armorial in leaf and flower surround. Four hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/2 x D 14 in. Weight: 36.3 troy ounces. #BY071

Edwardian Classical sterling silver bowl. Made by Tiffany & Co. in New York, ca 1910. Flared rim and curved and fluted sides below chased swag border; stepped and inset foot. Reeding. Fully marked including maker’s stamp, pattern no. 48319, and director’s letter m. Excellent condition.

Dimensions: H 4 x D 10 in. Heavy weight: 34.5 troy ounces. #BX519

Set of 3 George VI sterling silver napkin rings. Made by Turner & Simpson Ltd in Birmingham in 1939. Hexagonal with allover engine-turned ornament in thin plain frames. Letter block monogram on lined ground. Each has a different letter: F, G, and L. Fully marked. Very good condition with deep patina.

Dimensions: H 1 3/8 x W 1 7/8 x D 1 5/8 in. Total weight: 4.3 troy ounces. #BY221

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

This stunning bracelet by the famous Antonio Pineda showcases his remarkable design skill and quality craftmanship. The round links are hinged at the top and bottom and each holds two uniquely cut deep toned Carnelian stones at the side. Measures 7 1/2" long by 7/8" wide and weighs 55.6 grams. Hallmarked with the Antonio Taxco Crown, Hecho en Mexico, 970 and the eagle 17. Gem set box clasp and attached safety chain. A rare and special bracelet by one of the Masters.

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...