This lot includes eight marked Gorham sterling 4780 nut dishes . Two are mongrammed on the bottom( one of those has very faint etched numbers). 4" x 2-1/2" Total weight 6.8 ozs.

A collectible Scandinavian gold and amethyst pin by Kippittan Kulta of Finland. The pin is stamped with the anvil mark 585 Finland and measures 2 1/4" x 1-1/4". Weight 3.6gr.

Ohara Shoson (Koson)
Pheasants and Maple Tree
Size: Approximately 5.25 x 3.25 inches.
Date: ca. 1930s.
Shoson seal at lower right
Publisher: Watanabe Shozaburo.
Reference: AS.15 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

Lilian May Miller (1895-1943)
The Little Shrines on Quiet Hills
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Slight toning.

Tsuchiya Koitsu
Mandarin Ducks
Date: 1930s.
Size: Mitsugiri-ban. Approximately 15.75 x 7.5 inches.
Publisher: Doi Hangaten.
Reference: Koitsu catalog no. TK-DH-76.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Medium: Japanese woodblock print.
Condition: Excellent. Back top margin has tape residue.
Note: An usual subject for Koitsu.

Two pairs of German 800 silver 2-light candelabra. Made by M. H. Wilkens & Söhne in Germany, ca 1890. Each: tapering pillar on raised foot with spread c-scroll supports. Garland-entwined figure mounted to pillar top. On two, a bosomy, drapery-clad caryatid; on other two, a naked atlantes. Soft youthful flesh that contrasts with the statuary pillar. Each figure holds a stem with two open and scrolled branches terminating in single socket. Fluid and dynamic Art Nouveau mixed with frothy Rococo. ...

Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...

Equestrian-themed silver tankard with German imperial association, ca 1875. Straight and paneled sides with low-relief frieze depicting galloping riders, racing through the countryside, trees and buildings in the background; branch borders. Split-mounted s-scroll handle with thumb rest. At bottom applied branch and leaf border and open supports. Cover hinged and bellied with imbricated leaf rim; on top is cast finial in form of mounted jockey and engraved phrase citing Kaiser Wilhelm I in an all...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corporation in Providence. Tall baluster with flared rim and short foot. Overlay in form twisted tendrils entwined and overlaid with flower heads. Glass is green. Silver fully marked including maker’s stamp and no. G3219/6. Very good condition with nice patina.

Dimensions: H 14 x D 5 in. #BX622

Paul Jacoulet
The Wandering Buddhist Priest, Korea (Le Bonze Errant, Corée)
Date: 1948.
Edition 165/350. (Fewer than 50 impressions from this edition were produced.)
Print size: Approximately 18.5 x 14.375 inches.
Publisher: Self-published by the artist.
Carver: Maeda. Printer: Honda.
Signed, and sealed with the "peach" seal. PJ watermark.
Reference: No. 95, The Prints of Paul Jacoulet (Miles).
Medium: Japanese woodblock print.
Condition: Top ba...

Japanese Modern silver box on stand, ca 1930. Rectangular with curved corners. Box has straight sides and cover top is gently raised and has applied gilt medallion with dramatic dragon in low relief. Box and cover interior lined with stained-wood. Stand has wide and tapering shoulder and flat well border with open stained-wood bottom. Marked. Very good condition.

Dimensions: Box: H 2 1/2 x W 6 1/2 x D 4 3/4 in. Stand: H 7/8 x W 8 1/8 x D 6 3/8 in. #BX437

Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin in Providence. Conical mouth and neck and bellied bowl. Star cut to underside. Dense overlay in form of overlapping and entwined flowers, leaves, and scrollwork. Scrolled cartouche engraved with two-letter script monogram (SS). Glass is green. Silver marked including maker’s stamp and no. G3349. Very good condition.

Dimensions: H 6 1/2 x D 7 3/4 in. #BX402

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique. Wakasugi typically uses Shigaraki clay and porcelain clay from Kyoto in her works and says that when she first started out very few people were ma...