Six Victorian Classical sterling silver goblets. Made by Charles Stuart Harris in London, 1884-9. Medici urn bowl with bellied bottom and flared rim. Spool shaft with flange flowing into raised foot. Chased and engraved garlands and two leaf and cattail wreath frames of which 1 vacant and 1 with applied coat of arms. Super fancy and capacious for ceremony or dining. Very much the special occasion set. Fully marked including date letters 1884 (2), 1886 (1), 1888 (1), and 1889 (2). Excellent cond...

Classical coin silver christening mug. Made by Tifft & Whiting in North Attleboro, Mass., ca 1850. Straight and tapering sides with beaded rims. Three names and 3 birthyears (1851, 1877, and 1908) engraved in leafing scrolled frame. Leaf-capped s-scroll handle. Maker’s stamp and phrase “Pure Silver Coin”. Good condition with attractive period wear and nicely sunk engraving.

Overall dimensions: H 3 1/4 x W 3 3/4 x D 2 1/2 in. Weight: 2 troy ounces. #BR811

Edwardian sterling silver porringer. Made by McChesney in Newark, ca 1910. Round with straight sides, flat rim, and curved bottom; Tapering handle; center open and inset with curvilinear ornament. Sides exterior have engraved and acid-etched Mother Goose scenes including Old King Cole, Simple Simon, and Little Tom Tucker, cherished characters in olden days pre-industrial fashion, with the men wearing breeches, their woolen-stockinged calves dangling out of the rectangular frames. A goose balance...

Victorian Classical sterling silver loving cup, ca 1890. Baluster bowl with flared rim and raised foot. High-looping capped double-scroll handles. Exuberant embossed and cast ornament with scrolling leaves and scallop shells contained by fluted frames. Fully marked including maker’s (Frank W. Smith) and retailer’s (Theodore B. Starr) stamps, no. 1334B, and volume (6 1/2 pts). Very good condition with deep patina.

Overall dimensions: H 10 1/2 x W 10 x D 6 in. Heavy weight: 46.8 troy ounce...

Craftsman sterling silver bowl. Made by Lebkuecher in Newark, ca 1920. Ovoid with reeded rim and small c-scroll handles. Fluting and ogee-form frames (vacant). A traditional pottery form with visible hand hammering. Fully marked including maker’s and retailer’s (Grogan Company) and no. 02907HCD. Very good condition with nice shimmer.

Dimensions: H 6 1/4 x W 10 3/8 x D 8 3/4 in. Heavy weight: 39.7 troy ounces. #BX864

A striking 14K Gold Three Tiered Chain Necklace featuring Oval shaped Semi Precious Stones of varying sizes. These stones include Chrysophase, Citrine, Moonstone & Amethyst. The graduating gold chains measure 18 inches, 19 inches, and 20 ½ inches respectively and all connect to a rectangular bar clasp at the nape of the neck. American. Circa 1930’s. Excellent Condition.

Victorian Regency sterling silver salver. Made by John Aldwinckle and James Slater in London in 1880. Round and solid well engraved with stylized garland frame (vacant) in ornamental surround. Shoulder has applied ribbon-tied garland with pendant patera and open colonnade; beaded rim. Three c-scroll supports with open colonnade and applied garland. Fully marked. Very good condition.

Dimensions: H 2 1/8 x D 18 1/4 in. Heavy weight: 78 troy ounces. #BY506

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

Aesthetic coin silver baby cup. Made by Juergens & Andersen in Chicago. Tapering and inset sides engraved with stylized ornament, including swags and scrolls, centered on oval frame (vacant) bordered by beading and dentil interspersed with trefoils. Top and bottom have ornamental borders on ribbed ground. Thick scroll bracket handle. Marked “Coin” and “Chicago” with maker’s stamp (1857-71). Very good condition.

Dimensions: H 3 3/8 x W 4 1/8 x D 3 in. Weight: 3 troy ounces. #BT449 ...

Pretty Edwardian Classical sterling silver water pitcher. Made by Graff, Washbourne & Dunn in New York, ca 1910. Wide-bodied baluster with helmet mouth, leaf-capped high-looping handle, and 4 leaf-mounted volute scroll supports. Chased frames (vacant) entwined with flowers and leafing scrolls Mouth rim has applied leafing scrolls and flowers. Voluptuous form with nice heft. Fully marked including maker’s and retailer’s (JE Caldwell) stamps and no. 626. Very good condition.

Overall dimensio...

Victorian sterling silver pitcher. Made by Dominick & Haff in New York in 1894. Ovoid body with chased fruiting grapevines forming 2 irregular frames (vacant). Helmet mouth and raised and round foot with same applied to rims. High-looping branch-form handle. Tall and tactile with succulent bunches. Holds 5 1/2 pints. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), no. 275, and volume. Very good condition.

Dimensions: 15 1/4 x W 8 1/2 x D 6 in. Weight: 38.5 troy...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

Here is a rare complete set of nine lithograph/prints including one of Senator McGovern during his presidential run that year as well as eight others signifying campaign issues.The content page lists the artists with a small box picture of their work/issues. It is noted that the prints are issued in offset lithography in a numbered edition of 375, and signed in print by each artist with the EXCEPTION of the McGovern print.Each Measures 16" x 19.5" They include: 1)McGovern by Paul Giovanopolis, ...

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research. In some cases however, this proves to be a fruitless task and I am left only to appreciate the beauty and form of the object without having access to too many d...

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

Pair of striking midcentury Classical coin silver ewers. Made by Gorham in Providence, ca 1860. Each: Ovoid bowl with helmet mouth and raised foot. On neck applied frieze with ring of Bacchic boys gripping drapery swags; below applied bead-and-reel border. High-rising handle with cast cupbearer mounted to volute terminal; bottom mount in form of male head in stylized leaf and scroll surround. On front engraved armorial in form of winged gryphon. Both have variant leaf-and-dart ornament. Not iden...

Seated in meditation with open and compassionate heart, this bodhisattva is on a spiritual journey, postponing his own salvation in order to remain on earth to help others achieve enlightenment. In contrast to some images of the Japanese Bodhisattva (Bosatsu), often depicted as austere and inward looking, here, Kimura depicts the Bodhisattva as playful, carefree, and decidedly ornate. The inverted image of white contrast dye on black silk also makes for a striking composition.

A mas...