Francis I sterling silver 3-light candelabrum. Made by Reed & Barton in Taunton. Central socket on spool base to which are mounted to reeded wraparound branches, each terminating in single socket. Branches have short leaf and flower band. Branch plug set in socket mounted to baluster shaft; raised foot. Engraved and low relief ornament with leaves and fruit and flower clusters. Sockets bellied and shaft and foot fluted. Foot and bobeche rims scrolled. Fully marked including maker’s stamp, patt...

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. Each: Central socket on bell-form base to which are mounted two leaf- and flower-wrapped scrolled and reeded arms, each terminating in single socket. Arms have threaded plug set in socket on raised foot. Low relief ornament with leaves and fruit and flower clusters. Fluting. Sockets bellied and rims scrolled. Fully marked including maker’s stamp, pattern name, and X5691. Very good condition.

Dim...

Pair of German 800 silver figural bird bowl, ca 1920. Each: Swan with ovoid body, upturned tail, and scaly-s-scroll neck terminating in in closed bill. Imbricated feathers and hinged plumy wings that can be opened to suggest flight. Hollow gilt-washed interior for holding treats. German marks including Hanau maker’s stamp (Gebrüder Neumann) and American importer’s stamp (Buchholz & Zelt). Very good condition.

Dimensions: H 5 1/4 x L 6 3/4 x W 3 1/4 in. Wingspan: 8 1/2 in. Total weight: 1...

Romantic Edwardian Art Nouveau sterling silver frame. Made by Tiffany & Co. in New York. Heart-shaped window in same and curved surround flowing into bracket feet. Acid-etched leafing scrollwork and flowers. At top shaped cartouche vacant for engraving a lovey-dovey message. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 14282, and director’s letter C (1902-7). Excellent condition with stro...

Edwardian mixed metal sterling silver ewer. Made by Tiffany & Co. in New York. Helmet mouth with high looping leaf-mounted handle; ovoid body on domed foot. Mouth, neck, and foot have copper ground. Applied meandering border on shoulder. Acid-etched palmette and leaf-and-dart borders as well as scrollwork heightened with copper; scrolled frame with acid-etched interlaced script monogram. A stylish mix of Japonesque technique and early 20th-century Classicism. Fully marked including maker’s st...

Set of 12 Edwardian sterling silver holders. Made by Schofield in Baltimore, ca 1910. Each: Round and curved bowl with floral repousse; open bottom and plain spread foot. High-looping side handles with case repousse-style floral ornament. With: Cream porcelain inserts with gilt rim bands. Originally intended for bouillon but perfect for rich treats like ice cream and custard. Holders marked “Sterling” with maker’s mark. Inserts have maker's mark (Lenox). Very good condition.

Overall dime...

Winthrop sterling silver drinks set. Made by Tiffany & Co. in New York, ca 1925. This set comprises pitcher, 6 goblets and tray. The pitcher has curved and tapering bowl, raised foot, scrolled-bracket handle, and helmet mouth. The goblets have conical bowl with tapering stem, and gently raised round foot. Tray Round with narrow shoulder and flat rim. Acid-etched Regency Revival ornament. Bowls have bands comprising laurel wreaths inset with flower heads between tooled lines, and stylized imbrica...

Pair of Art Deco Classical jade and gilt sterling silver candelabra. Made by Lebkuecher in Newark, ca 1920. Each: Cylindrical jade shaft on same octagonal base with carved petal flutes and fretwork. Curvilinear silver gilt arms with block volute terminals mounted to shaft with same; each terminates in single jade socket on silver gilt leaf-and-dart mount. Raised central socket same. Ornamented silver gilt mounts on shaft top and base. Rests on silver gilt foot with block volute supports.

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Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs and four lion head monopodium supports. Engraved fretwork and stylized pendant flowers. Danish restraint from the perfervid fin-de-siecle. Three-letter script monogram engraved on underside. Marked with maker’s stamp, assayer’s stamp (Simon Groth), and Copenhagen Three Tower mark dated 1890. Very good condition. La...

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

Traditional sterling silver coffee set. Made by Tiffany & Co. in New York, ca 1925. This set comprises coffeepot, creamer, and sugar. Curved and tapering bodies on round and stepped foot. Covers raised with vasiform finial and handles high-looping. Coffeepot finial and handle stained wood. Coffeepot has vertical s-spout and creamer has lip spout. Fully marked including maker’s stamp, pattern nos. 20638 (coffeepot and creamer) and 20639 (sugar), and director’s letter m. Both patterns first pr...

German Classical 800 silver centerpiece, ca 1910. Solid oval well and curved sides with reeded rim, open basketweave, and chased and engraved ornament: Leafing scroll frames inhabited by cherubs feasting on grapes in company of a goat as well as waving torches and hoisting flower baskets overhead. Cast double-scroll end handles surmounted by cast figures of same, precariously perched and drapery-clad cherubs. Four scroll- and flower-mounted stepped supports. Gilt-washed interior. Fully marked ...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s premier Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano�...

Market-fresh Japonesque mixed metal and sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1879. Gently curved bowl and inset undulating rim with wide lip spout and integral scroll handle with tendril mounts that wraparound mouth rim. Handle has lily pad “cap” with crouching figure of frog. Applied leaves with copper-inlaid veins with one overlapping bold and scrolling interlaced acid-etched monogram on neck. A solitary beetle meanders along near the bottom. Dense allover s...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...