A unique and heavy sterling turquoise squash blossom necklace and earring set by Navajo artisan Hemerson Brown. The silver has been "antiqued" . The necklace measures 23" while the naja measures 2-1/2" x 2-1/2". The earrings (for pierced ears) are 2-1/4" x 1-1/2. Total weight 5.4ozs.

Austrian Rococo silver candle snuffer, 1827. Hinged with flower-head mount and flat vertical blade that fits into rectangular box with curved and lobed top. Ring handles on s-scroll mounts. Three baluster supports. Marks include year and alloy, which is 13 loths (that is 812 silver). Very good condition. Dimensions: H 6 1/2 x W 2 1/4 x D 1 5/8 in.

With: Austrian Rococo silver stand, 1847. Waisted rectangle with dynamic scrollwork surrounding plain and lobed well. Marks include year and initial...

Modern carving pair with knife and fork. Made by Christofle in France, ca 1970. Tapering easy-grip silver-plated handles. Knife blade and 3-tine shank are stainless steel. Handy for the holidays and all the days in between. Marked. Good condition.

Dimensions: Knife: H 12 3/4 x W 1 1/2 x D 1/2 in. Fork: H 10 1/8 x W 1 1/8 x D 1/2 in. #BX127

Handsome European stone trinket box, ca 1910. Rectangular with straight sides and sharp corners. Shoulder and base chamfered. Cover hinged, inset, and chamfered. Silver-plated mouth and cover rims. Cover has cabled border and filigree scrolled tab. Stone mottled red. Very good condition.

Dimensions: H 2 x W 4 x D 2 1/2 in. #BX269

Turn-of-the-century Art Nouveau glass flask with engraved silver overlay. Flat with curved sides. Overlay in form of grain stalks and fruiting grapevine. Asymmetrical cartouche engraved with script monogram. Silver neck collar and hinged and cork-lined cover. Glass is clear. Lady’s medicinal size. Can be held in one small gloved hand. Marked “Sterling” and numbered “232”. Excellent condition.

Dimensions: H 4 3/4 x W 2 3/4 x D 1 in. #BW418

La Rochelle silver dinner set for 12. Made by Tetard Frères in France. This set comprises 90 pieces (dimensions in inches):

Knives: 12 dinner knives (9 3/4) and 12 fish knives (8 1/8);

Forks: 12 dinner forks (8 1/4), 12 dessert forks (6 7/8), and 12 fish forks (6 7/8);

Spoons: 12 soup spoons (6 7/8) and 12 teaspoons (5 3/4);

Serving pieces: gravy ladle (6 7/8), spoon (8), sugar spoon (5 1/2), cold meat fork (9 5/8), butter spreader (6 1/2), and pie server (10 7/8).

Dinner knives, butt...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

Pair of Retro 14K gold pins. Each: Open and shaped triangle with strapwork scroll bisected by stepped arch. Fluid and snazzy. United States, ca 1940. Hallmarked. The original Tiffany stamp was lost during conversion. Very good condition.

Dimensions: H 1 5/8 x W 1 3/8 x D 1/2 in. Total weight: 15.4 dwt. #896

A green turquoise pendant with matching chain. The center turquoise appears to be stabilized with an epoxy film. The silver and dyed howlite bead chain measures 20"; the pendant 2" x 1-5/8". Ganadonegro has been creating jewelry since 1984. The pendant is signed on the back.

A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe. Sakata very actively exhibits his pieces and looks for interesting c...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

German 800 silver cow creamer, ca 1910. Stocky body, flexed ears, flicked-back tail handle, and hinged and stippled back flap with engraved wreath and applied fly finial. A gentle face with red-glass eyes and gaping-mouth spout. A capacious dispenser on four firmly planted hoofs. German marks and American importer’s mark for Buchholz & Zelt in New York. Very good condition.

Overall dimensions: H 7 1/2 x L 10 x W 3 1/8 in. Weight: 17.5 troy ounces. #BX770

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

Pair of German 800 silver figural bird bowl, ca 1920. Each: Swan with ovoid body, upturned tail, and scaly-s-scroll neck terminating in in closed bill. Imbricated feathers and hinged plumy wings that can be opened to suggest flight. Hollow gilt-washed interior for holding treats. German marks including Hanau maker’s stamp (Gebrüder Neumann) and American importer’s stamp (Buchholz & Zelt). Very good condition.

Dimensions: H 5 1/4 x L 6 3/4 x W 3 1/4 in. Wingspan: 8 1/2 in. Total weight: 1...

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.

In excellent condition, this piece is 5.5 in...

Pair of German silver wedding cups. Imported to England by Martin Sugar in 1891. Each: Snug-fitting bodice and raised arms holding aloft scrolled brackets with swing-mounted double-domed bowl. Larger bowl in form of skirt. Chased and engraved strapwork and leafing scrolls. On back is a Green Man between conch-blowing cherubs. One in form of bosomy woman with crown. The other in form of hirsute man with wreath.

Hanau maker’s stamp (Neresheimer) and English sterling standard import marks with ...