An Arts and Crafts period 800 silver and cut glass claret jug circa 1900. This antique large claret decanter has a heavy silver handle and hinged top with a ball thumb rest setd on a cut crystal decanter. It measures 13-7/8" in height and 5-1/2" across the base. It is stamped Gebr. Friedland, a Berlin jewellery retai firml, operated by the sons after the death of the founder Friedland in 1829. It has the German silver quality marks (post-1888 crescent & crown stamp), 800 silver, 49961 and the m...
Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...
Chinese Ming Dynasty Blue & White Porcelain Bowl (mark)
This attractive and very interesting blue and white porcelain bowl was made in the 16th century. It is decorated in underglaze blue of very good colour. The centre is decorated with a male figure standing next to a deer. The decoration to the outer wall is quite elaborate and includes a varied landscape, two male figures and one female figure. To the base is a mark (not translated).
Diameter 12 cm. There is no repair or restoration...
Fine Tall Chinese Tang Dynasty Painted Pottery Lady with Oxford TL Test (44cm)
Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.
The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...
The last rare Joseon Dynasty Munjado-Chaekgeori combination screen offered for sale was a decade ago at auction. It will likely be at least that long until you see another, if you ever see one for sale again at all. Even most museums have been unable to find one to acquire. The Cleveland Museum has a fine example. This rare combination of Munjado and Chaekgeori was painted only in the Gangwon Province.
Munjado screens have eight pictorial ideographs depicting the Eight Confucian Virtues: Hyo ...
A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.
The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.
A rare to...
Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....
A rare model of Ghurra composed of a chain with 2 square links whose upper link carries an ancestor seated at its top who seems to be in a meditation position. The lower link shows on each of its 4 faces naive sculptures of various mythical animals, elephant, deer, cow, dog and peacock. The ancestor measures 9 cm high, his face measures 3 cm. Superb hard inlaid patina. Presented on an iron stand. Note that this ghurra has undergone several discreet local repairs. This ghurra comes from Western N...
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...
Very Rare LARGE Chinese Qin Dynasty Pottery Cocoon / Listening Jar with Oxford TL Test
This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...
The size of Vase : 14" High x 8 7/8" Dia, 4 5/16" Top Dia
35.5 cm x 22.5 cm, 11 cm top dia.
This very fine Japanese Porcelain Vase done with
Yomon (relief works, raised works) with pale yellow green glaze,
in design of Ho-O bird intricately done in Yomon(relief) works.
It is made same era of Seifu Yohei 4th. The vase
is very similar to Seifu. The vase is made from Taisho to Showa.
It came with Kiriwood Tomobako as well as wooden stand.
Inside cover has Ja...
Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...
A rare Worcester porcelain coffee can, tapering slightly toward the base and molded with corrugated ribs above a finely scalloped foot, the lobed rim with a slight flare, and the double scroll handle with a pointed thumbrest. Painted in the Chinese style with flowering plants, the border with half-flowerheads linked by a red line above leafy tendrils.
Excellent condition with vibrant colors, no chips, cracks, or restoration. A slight paint skip is on one petal of one half-flowerhead, shown in...
Antique, 19th century, Russian Orthodox icon of Saint Sergius of Radonezh. The icon is finely hand-painted with egg tempera, gold leaf, and gesso on a wooden panel with a splint (shponk) inserted in the back.
The icon depicts the Russian Orthodox saint Sergius of Radonezh. On the upper left side, Christ Pantocrator is shown blessing the saint, with the Gospels labeled in the Old Church Slavonic alphabet at the top.
The edges are painted with eight different saints, the family's patron s...
Ca. 1700s / early 1800s
This circular box is lacquered in brownish black with mother of pearl inlay encircling the lid which is well-fitted to the bottom box. The top is painted in slightly-raised gilt lacquer with two characters: “fu” and “shou,” for happiness and longevity. There is light wear to the edges of the lid, inner rims and to the base, as would be expected, and also a few minor touch-ups. Overall, considering the age and use, the box is in good condition with the mother...
A rare Chinese enamel on copper medallion bowl decorated with three red-crowned cranes each holding a lingzhi, against a pink background. The interior with flowering peony. 18Th ~ 19th century.
The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.
Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...
Pair Korean Scholar's Book Chests, four(4) claws Korean Dragon and Phoenix Bird are battling in the flame, inlaid with Mother of Pearl, twisted Brass and faux tortoise shell, 41" high, 27" wide, 12 1/2" deep each in the background of dark brown lacquer with gold powder sparkling finish. Inlaid design of the wings of Phoenix Bird and Dragon are spread out into both sides, and the back is plain dark brown lacquer finish. Whole Book Chest supported by scrolling feet, shows continuous inlaid work....
