Century sterling silver fish serving pair. Made by Dominick & Haff in New York, ca 1900. Each: Threaded and tapering stem with scroll and shell terminal. The slice has a scroll shaped blade. The fork has shaped shank and four scrolled tines. Edwardian Classicism for the new century. Fully marked including maker’s and retailer’s (Hansel, Sloan & Co.) stamps, and patent year (1900). Very good condition.
Dimensions: Slice: H 11 in. Fork: H 9 in. Total weight: 9.5 troy ounces. #BX815
Edwardian Modern sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Rectangular window in same plain and flat surround; bottom rail canted. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 11878, and director’s letter m. Very good condition.
Dimensions: Frame: H 10 3/4 x W 8 in. Window: H 9 1/4 x W 6 1/2 in. #BY329
Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.
Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.
A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...
Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.
Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284
Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.
Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199
Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with central oval cartouche (vacant). Sides open and engraved with same. Well solid. Four leaf-mounted scroll supports. Fully marked including maker’s stamp, pattern no. 16202, and director’s letter m. Very good condition.
Dimensions: H (with handle) 12 x W 13 x D 8 3/8 in. Weight: 28 troy ounces. #BY224
Neoclassical sterling silver tray, ca 1950. Round with beaded and curvilinear ogee rim. Nice heft with plenty of room for engraving. Marked “Silver / 925 [in oval]”. Very good condition.
Dimensions: H 1/4 x D 12 1/4 in. Weight: 23 troy ounces. #BY064
George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved armorial in leaf and flower surround. Four hoof supports. Fully marked. Very good condition.
Dimensions: H 1 1/2 x D 14 in. Weight: 36.3 troy ounces. #BY071
Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...
During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...
Pair of Victorian Georgian sterling silver serving trays. Made by William Ker Reid in London in 1846. Each: Serpentine and gadrooned with oval well. On shoulder engraved armorial with lion rampant and Latin motto “Vive Ut Vivas” (Live That You May Live). Sturdy with nice heft and balance. Fine examples of the enduring popularity of 18th-century design well into the reign of the young queen. Fully marked. Very good condition.
Dimensions: H 1 x W 13 1/4 x D 9 3/8 in. Heavy total weight: 68.8...
Traditional sterling silver Revere bowl. Made by Gorham in Providence in 1957. Curved sides, flared rim, and stepped foot. A historic form that can suit many modern uses. Fully marked including maker’s stamp, date code, no. 41659, and phrase “P. Revere / Reproduction”. Very good condition.
Dimensions: H 4 1/4 x D 7 3/8 in. Weight: 16.2 troy ounces. #BX518
Pair of traditional Georgian sterling silver 4-light candelabra. Made by Asprey in London, 1992-3. Each: Four capped and curvilinear arms each terminating in single faceted socket with same wax pan and baluster pendant. Arms mounted to tall and faceted baluster finial set in girdled and knopped baluster shaft on square, stepped, and chamfered foot. A stylish step back in time by a noted maker.
Fully marked including date letters for 1992 (bases) and 1993 (arms). Excellent condition.
Dimensi...
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...
Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...