Fairfax sterling silver coffee and tea set on tray. Made by Durham, which was part of Gorham, in Concord, ca 1926. This set comprises 7 pieces: Hot water kettle on stand, coffeepot, teapot, creamer, sugar, and waste bowl on tray.

Each: Chamfered. Rectilinear and tapering body on same foot. Handles scroll bracket. Covers gently raised with soft faceting (pot covers hinged). Finials chamfered with bead. Spouts faceted except for creamer, which has u-form spout. Tray rectangular with molded rim, ...

Pair of Old Country sterling silver candlesticks. Made by Elgin Silversmith Co., Inc. in New York, ca 1950. Each: Bellied socket on baluster shaft; domed foot with three embossed scroll supports. Naif-style pointille ornament. Marked “ESCO / Sterling”. Very good condition.

Dimensions: H 13 1/8 x D 5 7/8 in. Total weight: 18 troy ounces. #BY595

Engraved Hampton sterling silver coffee and tea set. Made by Tiffany & Co. in New York, ca 1920. This set comprises 8 pieces: Hot water kettle on stand, coffeepot, teapot, hot milk pot, creamer, sugar, and waste bowl on tray.

Rectilinear with tapering sides, concave corners, and stepped rim. Covers domed (pot covers hinged). Handles scroll bracket. Coffeepot and teapot spouts faceted and s-form; milk pot has short u-spout and creamer has lip spout. Tray rectilinear with concave corners and han...

English Victorian cologne bottle, 1880. Cut-glass cylinder with short and threaded inset neck. Ball cover in form of male head with big ears, receding hairline, tronie-style grimace, and red bead eyes. Fully marked including London assay stamp and unidentified maker’s initials “T.S” in oval. Very good condition.

Dimensions: H 6 x D 2 1/4 in. #BW614

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...

Pair of Edwardian Georgian sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1915. Each: Tapering shaft with base knop on stepped and raised foot. Socket has straight sides and detachable bobeche. Faceted. Traditional form with showy gilding. Fully marked including maker’s stamp, pattern no. 18910 (first produced in 1915), and director’s letter m. Very good condition with nice toning.

Dimensions: H 9 x W 4 3/4 x D 4 1/4 in. Total weight: 15 troy ounces. #BW772

George V covered urn. Made by Lionel Alfred Crichton in London in 1930. Girdled urn on stepped, raised, and gadrooned foot; s-scroll side handles with leaf cap and pendant flower heads. Cover domed with gadrooned rim and finial. Cutout strapwork applied to bowl and cover. Traditional Classical form in Britannia (that is, 958) silver. Fully marked. Very good condition.

Dimensions: H 7 x W 5 7/8 x D 3 5/8 in. Heavy weight: 16.5 troy ounces. #BY618

George V covered urn. Made by Lionel Alfred Crichton in London in 1930. Girdled urn on stepped, raised, and gadrooned foot; s-scroll side handles with leaf cap and pendant flower heads. Cover domed with gadrooned rim and finial. Cutout strapwork applied to bowl and cover. Traditional Classical form in Britannia (that is, 958) silver. Fully marked. Very good condition.

Dimensions: H 7 x W 5 7/8 x D 3 5/8 in. Heavy weight: 16.2 troy ounces. #BY619

George V sterling silver trophy cup. Made by Charles & Richard Comyns in London in 1922. Urn with ovoid bottom on raised and stepped foot; leaf-capped high-looping double-scroll side handles. Cover stepped and domed with cast flame finial. Traditional form with lots of room for engraving. Fully marked. Very good condition.

Overall dimensions: H 13 3/4 x W 11 1/4 x D 6 1/4 in. Weight: 37.7 troy ounces. #BY557

Pair of English Retro Deco sterling silver wine coolers, 2014. Each: Chamfered and tapering bowl; stained-wood side handles with stepped sterling silver mounts. Tapering and stepped support mounted to chamfered square base. All planes and angles for holding a round bottle. Super stylish style-of barware. Fully marked including unidentified maker’s stamp (R&SN) and London assay stamp. Very good condition.

Dimensions: H 10 3/8 x W 8 5/8 x D 7 1/2 in. Heavy gross weight: 170 troy ounces. #BZ651...

In the tranquil pond, a solitary turtle finds repose upon a weathered rock. With its ancient shell glistening under the gentle sunlight, it sits in serene contemplation. The stillness of the water mirrors the turtle's quiet presence, as it basks in the harmony of its surroundings. In this harmonious scene, time seems to slow, and the turtle becomes a symbol of patience and tranquility amidst the ever-changing world.

Deep in the water A serene heart resides Floating above it...

George V sterling silver covered urn. Made by Mappin & Webb in Sheffield in 1917. Oval bowl mounted to lobed knop on domed foot. Cover double-domed with acorn finial. Leaf-wrapped and mounted scroll bracket side handles with cast leaf-and-berry ornament. Bowl rim has dense flower rondel border. Bold and fluid leaf-and-dart borders embossed on bowl bottom and foot top. Smaller and more controlled version of same on cover. Striking and traditional Neoclassicism in supersized proportions. Enough ro...

Pair of Neoclassical-style gilt sterling silver tea urns. Each: Ovoid bowl on raised foot mounted to round base. Cover domed with knopped top terminating in bud finial. Swags and acanthus leaves as well as beading and leaf and dart. Fluted spout with carved leaf twist tap (one in black and one in white). Traditional vessels revved up with scaly and entwined snake handles. One marked “Sterling Silver” and the other marked “Sterling”. Very good condition with rich color.

Dimensions: H ...

Gorgeous Victorian Japonesque sterling silver baby cup. Made by William Hunter in London in 1877. Straight and upward tapering sides; leaf-mounted bamboo-style c-scroll handle. Dense and stylized acid-etched ornament with birds flitting amongst leafing and blossoming branches. Vertical arabesque frame (vacant). Gilt interior. Fully marked. Very good condition.

Dimensions: H 3 3/4 x W 4 x D 2 3/4 in. Weight: 5.6 troy ounces. #BZ391

Rare Japonesque mixed metal tray. Made by Tiffany & Co. in New York, ca 1878. Square with curved sides and straight edges. Two birds soar and glide. One is viewed from below and the other from above (that is, from bird’s eye). An original and jokey design incorporating the exotic flattened Japanese perspective. Feathers are gold, and beaks, eyes, and wispy, dangly talons are copper. Crescent frame engraved with calligraphy-style presentation dated 1879. Ground hand hammered. Corner leaf-and-sc...

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...