Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...

Ohara Koson
Two goldfish and lotus plants
Size: O-tanzaku. Approximately 14.75 x 7.5 inches.
Date: Early 20th century.
Reference: AK.21 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya.
Signed and sealed by the artist.
"Made in Japan" stamped on back.
Condition: Excellent. Marks in top margin. Slight edge indentation as shown.

Turn-of-the-century European silver bell. Tulip-bowl with twisted gadrooning. Figural handle depicting an old-fashioned countryman holding two live fowl. Here’s dinner—eventually. Substantial and tactile with melodious ting-a-ling. Marked. Very good condition with deep patina.

Dimensions: H 4 1/2 x D 1 7/8 in. Weight: 5 troy ounces. #BN700

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer.

The craftsman, Wakashima Takao (b. 1935) was born in the north of Japan in the picturesque town of Wajima. The lacquer technique particular to this region (Wajima-nuri) is rather unique in its use of an undercoating incorporating special compounds that make it exceptionally durable over time. Wakashima perfected this demanding technique and, over the course of...

Eijiro Kobayashi
Pagoda by Moonlight
Approximately 10.25 x 7.5 inches.
Date: 1938-1960.
Red "Eijiro" seal at lower right.
Publisher: Nishinomiya Yosaku. From the "Hasegawa Night Scenes" series. Hasegawa catalogue No. 1243.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Utagawa Fusatane
An evening scene from the Snow, Moon, Flower series
Date: ca. 1850s-60s.
Size: 11.75 x 9.5 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Two punch holes from original folio. Thinned area from wormhole at upper left.

Takahashi Shotei (Hiroaki)
Cold Winter Wind.
Size: Mitsugiri-ban. Approximately 15.0 x 6.5 inches.
Date: pre-1936 (Mid-1920s).
Publisher: Watanabe Shozaburo. No. 204 in 1936 Watanabe catalog. M-4 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent. On the back, there is clear tape along the top edge.

Kaoru Kawano
Two Girls
Date: 1950s-60s
Size: Approximately 16.5 x 11.5 inches.
Sealed by the artist at lower right and on verso.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed this print from its original folder.

Tsukioka Yoshitoshi (1839-1892)
In the Moonlight Under the Trees a Beautiful Woman Comes (Getsumei Rinka Bijin Majiru)
No. 59 from the series "One Hundred Aspects of the Moon"
Date: 1888
Size: Oban. Approximately 14.5 x 10 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Yamamoto.
Condition: Some spots and creasing.
"The elegantly dressed Chinese woman represents the spirit of the plum ...

Hiratsuka Un-ichi (1895 ~ 1997)
Selected Woodcuts By Un-ichi Hiratsuka
Date: 1954
Publisher: Nippon Geijyutsu Hangasha
This rare book contains 30 lithographic plates (23 black-and-white, 7 color) by the renowned sosaku hanga artist. English and Japanese text.
Size: 14.25 x 10.5 inches.
Medium: Japanese woodblock print.
Condition: Very good. Light toning and foxing.

Okuyama Gijin (Yoshito) (b. 1934)
Ginkakuji
Date: ca 1950s.
Size: 19 x 9.75 inches.
Self-published by the artist.
Signed in pencil and sealed.
Medium: Japanese woodblock print.
Condition: Excellent. Slight margin creasing and wave.

Paul Jacoulet
Le Phare de Mikimoto, Shimoda Izu (Mikimoto Lighthouse, Shimoda Izu)
Date: February 1954.
Fewer than 80 impressions made. This example is stamped "PRESENT" on the verso.
Size: 17.75 x 13 inches.
Signed and sealed with peony seal. Carver: Maeda. Printer: Onodera
Reference: No. 134 in The Prints of Paul Jacoulet by Richard Miles
Medium: Japanese woodblock print.
Condition: Toning on verso. Please see additional photos showing partially trimmed...

Takahashi Shotei (Hiroaki)
Woman returning in autumn evening
Size: Mitsugiri-ban. Approximately 15 x 6.75 inches.
Date: pre-1936.
Shotei seal at left.
Publisher: Watanabe Shozaburo.
No. 205 in 1936 Watanabe catalog. M-5 in Shotei catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Geisha and Lanterns
Date: Early postwar
Print size: Approximately 6.75 x 3 inches.
Publisher: Takemura Hideo. Seal at lower left.
A Japanese woodblock print tipped along its top edge to a filled out holiday card.
Condition: Tiny spotting in the yellow.

Pair of Retro 14K gold pins. Each: Open and shaped triangle with strapwork scroll bisected by stepped arch. Fluid and snazzy. United States, ca 1940. Hallmarked. The original Tiffany stamp was lost during conversion. Very good condition.

Dimensions: H 1 5/8 x W 1 3/8 x D 1/2 in. Total weight: 15.4 dwt. #896

Tsukioka Yoshitoshi (1839-1892)
Itsukushima Moon
No. 21 from the series "One Hundred Aspects of the Moon"
Date: 1886
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Very good. Invisible paper wear can be seen when held to back light.
- "A courtesan from the port town of Muro on the Seto Inland Sea drifts past the base of a hu...

Bertha Boynton Lum (1869-1954)
Junks Wei-Hai-Wei
Date: 1922
Size: 9.5 x 4.5 inches.
Pencil signed and copyrighted 1923 by the artist.
Edition: "44" noted at lower right.
Reference: Gravalos/Pulin No. 63.
Medium: Japanese woodblock print.
Condition: Toned paper areas primarily in margin.