Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan. The print is set behind glass in a large frame, and the back of the frame lists artist: ...

Antique ukiyo-e woodblock print of an anxious person in a brown checkered kimono, with light blue trim and obi with black flowers, assisting a rather bored looking woman in a gorgeous, long black kimono with pink and blue blows, blue trim, and a pink under kimono and obi. By artist Ichiyosai Toyokuni Okada. Size: (entire frame) 21.5" height, 17" width (artwork only) 14.75" height, 9.5" width

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set of sake cups he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly uniqu...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sake set he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly unique pieces...

Rare Japonesque mixed metal tray. Made by Tiffany & Co. in New York, ca 1878. Square with curved sides and straight edges. Two birds soar and glide. One is viewed from below and the other from above (that is, from bird’s eye). An original and jokey design incorporating the exotic flattened Japanese perspective. Feathers are gold, and beaks, eyes, and wispy, dangly talons are copper. Crescent frame engraved with calligraphy-style presentation dated 1879. Ground hand hammered. Corner leaf-and-sc...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

Fine quality Japanese Meiji silver incense burner, ca 1890. Barrel-form with solid top and bottom and open sides; applied chrysanthemums heightened with gold and silver. Cover oval and flush; finial in form of big loosely-tied bow with tassels. Ends plain and studded; copper and gold ornament with central mons encircled by two scaly, taloned dragons. Scrolled cradle mounted to pillar with brackets on four scroll supports. Applied leafing and flowering tendrils.

Appears to be unmarked. Very goo...

A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degree of mastery, both in form and glazing technique. For the collector who has always wanted a Hazan but has never been lucky enough to chance upon one, this may be a worthy acquisition. Although much of Inoue’s work is quite different in style to that of Hazan’s, you can find a number of pieces where the influence is unmistakeable—th...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.

Born in Nagano, Kosei Matsui (1927-20...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...

Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku. Th...

Rare Edwardian 14k gold picture frame. Made by Tiffany & Co. in New York, ca 1915. Oval window in plain and flat surround. With glass, silk lining, and stained-wood back with hinged easel support. Fully marked including maker’s stamp, pattern no. 18880 (first produced in 1915), and director’s letter m. Very good condition with nice toning.

Dimensions: Frame: H 5 7/8 x W 4 1/4 in. Window: H 5 1/8 x W 3 1/2 in. Weight (gold only): 48.7 grams. #BZ802

American Modern sterling silver vase. Tapering and faceted bowl and raised round foot. Support in form of two interlaced Cs. C is for Cartier, the world-famous retailer of super stylish wares. Marked “Cartier / Hand Made / Sterling”. Very good condition.

Dimensions: H 8 1/4 x D 2 1/2 in. Weight: 5 troy ounces. #BZ768

Set of 12 Queen Elizabeth sterling silver goblets. Made by Reed & Barton in Taunton, Mass. Each: Ovoid bowl with flared rim; slender cylindrical stem on raised and round foot. Holds 2 ounces. Fully marked including maker’s stamp and no. H121. Ten have date symbols: 1953 (1), 1955 (7), and 1956 (2). Very good condition.

Small dimensions: H 4 1/4 x D 2 in. Total weight: 20.5 troy ounces. #BZ680

Edwardian Regency sterling silver water pitcher. Made by Graff, Washbourne & Dunn in New York, ca 1909. Lobed and ovoid bowl on domed foot; helmet mouth and high-looping leaf-mounted handle with leaf-and-flower cap. Chased and engraved ornament including ribboned swags and four strapwork frames of which three inset with flowers and the other engraved with interlaced monogram. Foot has tubular piercing overlaid with swags and open strapwork frames inset with pendant flowers. Engraved in block on ...

Palmette sterling silver bowl. Made by Tiffany & Co. in New York. Curved sides and flared rim. Rests on 4 side-mounted stylized floral supports. Each support radiates 3 incised vertical lines. An early piece in this pattern (no. 23238), which was first produced in 1947. Fully marked including maker’s stamp, pattern number, and director’s letter M (1947-56). Very good condition.

Dimensions: H 4 x D 8 3/8 in. Weight: 23.6 troy ounces. #BZ778

Danish Modern Classical sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular with straight sides; short inset foot with engraved egg-and-dart. Cover hinged with open bracket finial; to has flat raised border. Fully marked including maker’s stamp (1945-77) and no. 825. Very good condition.

Dimensions: H 7/8 x W 5 1/4 x D 3 3/8 in. Weight: 10 troy ounces. #BZ777

Danish Modern sterling silver box. Made by Georg Jensen in Copenhagen. Long and rectangular with straight sides; square corner supports. Cover flat and hinged with cutout stepped tab. An austere Classical design by Harald Nielsen. Fully marked including maker’s (1945-77) and designer’s stamps, and no. 883. Very good condition.

Overall dimensions: H 1/4 x L 6 3/4 x W 3 3/8 in. Weight: 10.5 troy ounces. #BZ774

Midcentury Modern sterling silver bowl. Made by Alfredo Sciarrotta for Cartier in New York. Oval with curved sides; allover spot hammering. Open oval foot comprising four joined s-scrolls. A gorgeous centerpiece. Fully marked including maker’s and retailer’s stamps, and no. 154. Very good condition with nice shimmer.

Dimensions: H 4 1/2 x W 11 5/8 x D 7 5/8 in. Weight: 25.3 troy ounces. #BZ707  

Pair of English Georgian Neoclassical sterling silver goblets, 1783. Each: Ovoid bowl on cylindrical stem flowing into raised foot with incised bands and reeded foot. Fully marked including maker’s initials WB (attributable to Walter Brind) and London assay stamp. Very good condition.

Dimensions: H 6 x D 3 3/8 in. Total weight: 13 troy ounces. #BZ735

Edwardian Classical sterling silver baby cup. Made by Tiffany & Co. in New York. Straight sides with high-looping s-scroll handle and inset foot. Cast scroll and reeded borders at top and bottom. Fully marked including maker’s stamp, pattern no. 15097, and director’s letter T (1892-1902). Very good condition.

Dimensions: H 3 3/4 x W 4 3/8 x D 3 in. Weight: 7.3 troy ounces. #BZ362

Pair of American Edwardian glass candlesticks with sterling silver mounts, ca 1910. Faceted socket; wide and flat rim with cut flower heads over radiating ribbing. Shaft upward tapering with half-fluting at top and engraved leafing and flowering scrollwork at bottom. Raised and stepped sterling silver foot. Glass attributable to Hawkes. Silver marked “Sterling / 56 PWTS”. Very good condition.

Dimensions: H 13 x D 4 3/4 in. #BZ332

Pair of American Edwardian glass candlesticks with sterling silver mounts, ca 1910. Faceted socket; wide and flat rim with cut flower heads over radiating ribbing. Shaft upward tapering with half-fluting at top and engraved leafing and flowering scrollwork at bottom. Raised and stepped sterling silver foot. Glass attributable to Hawkes. Silver marked “Sterling / 56 PWTS”. Very good condition.

Dimensions: H 13 x D 4 3/4 in. #BZ331

The classic sterling silver Louvre bowl. Made by Georg Jensen in Copenhagen. Round and curved; Overhanding rim interspersed with scallops. Open support comprising alternating vertical leaves and tendrils. Raised foot. Visible hand hammering. Designed ca 1910, it reflects the master’s love of nature. So-called the Louvre bowl because an example in that museum’s collection. Fully marked including maker’s stamp (1945-77) and no. 19A. Very good condition.

Dimensions: H 6 7/8 x D 8 in. Weight...

Traditional sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1938. Gently curved body with helmet mouth, high-looping handle, and round and stepped foot. Ample with nice heft. Holds 4 1/2 pints. Fully marked including maker’s stamp, pattern no. 22625 (first produced in 1938), director’s letter m (1907-47), and volume. Very good condition.

Dimensions: H 10 1/2 x W 8 3/4 x D 5 1/4 in. Weight: 32.7 troy ounces. #BZ758

Edwardian Art Nouveau sterling silver basket. Made by Gorham in Providence, ca 1910. Scrolled and turned-down rim with engraved grape bunches and leaves overlapping open lunette frames. Stationary c-scroll handle with same; handle top vacant. Visible hand hammering. Fully marked including maker’s stamp and code TFC. Very good condition.

Dimensions: H 11 3/4 x L 13 1/4 x W 7 in. Weight: 31 troy ounces. #BZ743

Pair of Georgian-style sterling silver candlesticks. Made by Currier & Roby in New York, ca 1920. Each: Faceted and tapering shaft with knops and flanges on raised foot in concave circle set in square base. Spool socket with detachable bobeche. Gadrooning and reeding. Fully marked including maker’s mark and no. 2628. Excellent condition.

Dimensions: H 10 x W 4 5/8 x D 4 5/8 in. Total weight:36 troy ounces. #BZ690

Modern Classical sterling silver box. Made by Ferdinand Richard Wilm in Berlin, ca 1930. Rectangular with wraparound reeded sides; cover flat and hinged with paneled top. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 7/8 x W 6 x D 3 7/8 in. Weight: 13 troy ounces. #BZ772

Edwardian Classical sterling silver and glass picture frame. Made by Hawkes in Corning, New York, ca 1910. Oval window with reeded sterling silver border in rectilinear glass surround with curved top. alternating reeded and diaper lines and four clear rondels with acid-etched flower baskets and cornucopia. With glass, silk lining, and silk back with hinged easel support. Silver marked “Sterling”. Glass unmarked. Very good condition with strong definition.

Dimensions: Frame: H 11 1/4 x W 7 ...

Ornamental sterling silver letter opener. Made by Georg Jensen in Denmark, ca 1925. Looped tendril handle with seed and leaf terminal. Shaft terminates in flat stylized bud to which is mounted blade with curved sides. Early marks including maker’s stamp, pattern no. 122, Copenhagen Three Tower stamp dated 1925, and Christian F. Heise assayer’s stamp (1904-32). Very good condition.

Dimensions: H 5 5/8 x W 7/8 x D 3/8 in. #BZ699

Modern Classical sterling silver bowl. Made by Tiffany & Co. in New York, ca 1924. Conical with reeded rim, short and straight support, and raised round foot. Acid-etched curvilinear borders with fleurs de lys. Support has scroll-and-dart ornament alternating with squares (vacant). Fully marked including maker’s stamp, pattern no. 20393G (first produced in 1924), and director’s letter m. Very good condition.

Dimensions: H 5 5/8 x D 9 in. Weight: 24 troy ounces. #BZ706

Classical sterling silver urn. Made by Currier & Roby in New York, ca 1930. Traditional form with girdle and domed foot; leaf-capped double-scroll side handles. Cover domed with vasiform finial. Plenty of room for engraving. Fully marked including maker’s stamp and no. 9553. Very good condition.

Dimensions: H 9 1/4 x W 8 x D 4 3/4 in. Weight: 20.5 troy ounces. #BZ770

Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with split bud mounts and bud and seed terminal. Open support comprising large vertical leaves and turned-down grape bunches; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrat...

Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with applied tendril and grape bunch. Open support comprising large vertical leaves and turned-down small leaves; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrated to Canada...

German Rococo 930 silver sweet meat coach. Imported to England by David Bridge in 1894. A round coach harnessed to a prancing reindeer with large antlers. A trumpet-blowing cherub holds the reins, and two more cherubs support an armorial in strapwork frame. Chased scenes depicting pastoral landscapes and frolics. Wheels rotate for a quick journey around the table. Fully marked with Hanau maker’s marks and English import marks, including London assay stamp. Very good condition.

Overall dimens...

Danish Modern sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular with straight sides. Cover hinged and raised with flat border. Square corner supports. Fully marked including maker’s (1945-77) and designer’s (Harald Nielsen) stamps, and no. 827. Very good condition.

Overall dimensions: H 7/8 x W 8 1/8 x D 3 1/2 in. Heavy weight: 17.5 troy ounces. #BZ773

Modern sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular; straight sides bisected by wraparound rectilinear band. Corner bracket supports. Cover flat and hinged with stepped rim. Midcentury Danish design by Harald Nielsen. Fully marked including Georg Jensen & Wendel maker’s stamp (ca 1945-51), which was limited to wares sold in Copenhagen, and designer’s stamp. Very good condition.

Dimensions: H 1 1/2 x W 6 1/4 x D 3 1/4 in. Weight: 15 troy ounces. #BZ775

Modern sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1907. Ovoid body, stepped foot, short neck, and helmet mouth; soft bracket handle with trefoil shaped tail mount. A spare full-bodied vessel. Nice heft. Fully marked including maker’s stamp, pattern no. 16974 (first produced in 1907), director’s letter m, and volume (4 pts). Very good condition.

Dimensions: H 8 1/4 x W 7 1/2 x D 5 1/8 in. Weight: 28.5 troy ounces. #BZ676

Modern sterling silver hinged double picture frame. Each: Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support. Fully marked including stamp for Web Silver Co., a Philadelphia maker active from the 1950s to 1970s. Very good condition.

Dimensions: Each frame: H 10 1/4 x W 8 1/8 in. Each window: 8 7/8 x W 6 7/8 in. #BZ723

Set of 12 Modern sterling silver place card holders. Retailed by Cartier in New York. Each: Folded disc with turned down front mounted to round base. Fully marked including retailer’s stamp. Very good condition.

Dimensions: H 7/8 x W 1 x D 3/8 in. Total weight: 3 troy ounces. #BZ695

Elizabeth II sterling silver box. Made by Padgett & Braham Ltd in Birmingham in 1980. Rectangular with straight sides. Cover hinged and tabbed; on top stand a horse and jockey in a faint surround suggestive of a cloud (of dust?). Box interior cedar-lined and partitioned. Box underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 x L 8 1/8 x D 3 5/8 in. Gross weight: 19 troy ounces. #BZ737

Edwardian Georgian sterling silver mug. Made by Tiffany & Co. in New York, ca 1916. Baluster bowl with leaf-capped double-scroll handle and round stepped foot. Large with nice heft and plenty of room for engraving. Fully marked including maker’s stamp and pattern no. 19191 (first produced in 1916). Very good condition.

Dimensions: H 5 1/4 x W 5 3/4 x D 3 3/4 in. Weight: 12.5 troy ounces. #BZ554

Japanese silver centerpiece bowl, ca 1900. Round and curved. Flat mouth rim with long and low scallops. Raised and spread foot. Applied iris flowers with loose and crisscrossing tendrils and stems in eddying water. Foot has cutout flower heads and engraved wraparound tendrils. Gorgeous period motif on spot-hammered ground. Double-walled. Meiji-era Art Nouveau centerpiece for the cosmopolitan West. Marked. Very good condition.

Dimensions: H 8 3/4 x D 12 3/4 in. Weight: 78 troy ounces. #BZ691 ...

American Midcentury Modern sterling silver picture frame. Retailed by Cartier in New York. Rectangular window in wide and flat surround. With glass, paper lining, and wood laminate back for portrait (vertical) or landscape (horizontal) display. Liner has retailer’s stamp. Frame fully marked including retailer’s stamp, no. 53, and phrase “Hand Made”. Very good condition.

Dimensions: Frame: H 12 x W 10 in. Window: H 10 x W 8 in. #BZ570

Pair of George III sterling silver goblets. Made by Henry Chawner in London in 1793. Ovoid bowl on cylindrical stem flowing into raised foot. Bowl underside and foot rim reeded. Bowl interior gilt. Spare Neoclassical form that works on traditional and Modern tables. Fully marked. Very good condition.

Dimensions: H 5 7/8 x D 3 1/4 in. Total weight: 14 troy ounces. #BZ791

Large and pretty Edwardian sterling silver basket. Made by Stieff in Baltimore in 1917. Flared mouth “tugged” close by fixed and shaped handle; cylindrical body on round foot. Allover floral repousse on stippled ground. Mouth rim has applied scrolls. Foot rim plain. Fully marked including maker’s stamp, date, and no. 502. Very good condition.

Dimensions: H 18 1/4 x W 13 3/4 x D 7 3/8 in. Heavy weight: 48 troy ounces. #BZ550

Edwardian Regency sterling silver box. Made by Tiffany & Co. in New York, ca 1909. Oval with straight sides. Cover hinged and tabbed; top overhanging with chased patera; center (vacant) has bead-and-reel border, radiating flutes, and stylized flowerheads. Interior has traces of gilt wash. Fully marked including maker’s stamp, pattern no. 17518 (first produced in 1909), and director’s letter m. Very good condition.

Dimensions: H 1 3/4 x W 5 1/4 x D 3 3/8 in. Weight: 5.8 troy ounces. #BZ517...

Edwardian Classical sterling silver picture frame. Made by Gorham in Providence in 1909. Rectangular window with concave border and molded rim. With glass, silk lining, and velvet back and hinged easel support for landscape (horizontal) display. Perfect for a special wide-angled shot with room for everyone. Fully marked including maker’s stamp, no. B3936, and date symbol. Very good condition.

Dimensions: Frame: H 8 1/2 x W 11 3/4 in. Window: H 6 3/4 x W 9 7/8 in. #BZ575

German silver figural dog stirrup cup, ca 1920. Cast bust of spaniel with long snout, resolutely closed mouth, and direct, concentrated gaze as well as floppy ears and thick fur. Mounted to plain and upward tapering bowl. A loyal hunt companion. Marked with maker’s stamp “Föhr” (probably, Eduard Foehr) and old-fashioned “13” (that is, 13/16 loths or 812 silver). Very good condition.

Dimensions: H 6 3/4 x D 3 5/8 in. Weight: 8 troy ounces. #BZ714

Modern sterling silver mini martini shaker, ca 1930. Straight and tapering sides, curved shoulder, and short neck with snug-fitting bun cover. Spout diagonal with chained ball cap for secure shaking. Handy small size for stylish solo drinking. Fully marked including New York maker’s stamp (Currier & Roby), Boston retailer’s stamp (Shreve, Crump & Low), and no. 6711L. Very good condition.

Dimensions: H 7 x W 4 1/4 x D 3 3/8 in. Weight: 7.2 troy ounces. #BZ687

Large Palm sterling silver sugar tongs. Made by Tiffany & Co. in New York, ca 1880. U-form. Each stem tapering with scallop shell jaw; fiddle terminal with low relief palm. A rare serving piece in the simplified Classical pattern designed by Edward C. Moore and first produced in 1871. Fully marked including maker’s stamp and director’s letter m (1869-75). Very good condition. Taut and springy.

Dimensions: H 6 1/4 x W 3/4 in. Weight: 2.2 troy ounces. #BZ588

George V sterling silver picture frame. Made by William Comyns in London in 1912. Oval window in rectangular surround. Window border entwined with entwined with engraved and overlapping open ribbon with bows at top and bottom. A sweet way to “tie up” a special memory for posterity. With glass, silk lining, and velvet back with hinged easel support for portrait (vertical) display. Fully marked. Very good condition.

Dimensions: Frame: H 8 1/4 x W 5 3/4 in. Window: H 6 7/8 x W 4 3/8 in. #BY19...