Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

An antique American Edwardian delicate filigree platinum bow pin decorated with a center round diamond and inlaid with small diamonds throughout the bow. A small circular pendant of diamonds with a center drop diamond hangs from the bow. American, circa 1900 approx. 1 carat of diamonds total. Excellent condition, the pin measures 2" in length.

Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.

Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Three Japonesque sterling silver ladles. Made by Gorham in Providence, ca 1885. Each: Curved and tapering handle; round and lobed bowl with small lip spout; bowl interior gilt washed. Terminal curved with applied mixed metal cherry branch. Allover spot hammering. A multi-course set. Rare serving pieces for connoisseurs of food and art. Marked “Sterling & Other Metals” with maker’s stamp. Very good condition with deep patina.

Dimensions: Soup: H 12 3/4 x D 4 in. Oyster: H 11 x D 3 1/2 in...

Japonesque mixed metal napkin ring. Made by Gorham in Providence in 1882. Hand-hammered sterling silver ring applied with cooper ornament: A man in pointy hat is seated on the ground, smoking while a small dog approaches from behind, interrupting the opium-induced serenity. Above is a darting butterfly. Engraved name “Edward Hegeler”. Hegeler (1835-1910) was a German-born American industrialist and publisher. Fully marked including maker’s stamp, no. 675, and date letter. Very good conditi...

Richly colored plique a jour beaker, ca 1910. Straight and gently tapering sides. Ornament includes stylized flower heads in rondels and beaded and guilloche borders. Colors red and blue. Silver gilt wire frames and cabled rim. Unmarked. Excellent condition.

Dimensions: H 2 x D 1 3/4 in. #BV278

Handsome European stone trinket box, ca 1910. Rectangular with straight sides and sharp corners. Shoulder and base chamfered. Cover hinged, inset, and chamfered. Silver-plated mouth and cover rims. Cover has cabled border and filigree scrolled tab. Stone mottled red. Very good condition.

Dimensions: H 2 x W 4 x D 2 1/2 in. #BX269

George III sterling silver salver. Made by Ebenezer Coker in London in 1765. Round with molded scrolled rim interspersed with alternating large and small shells. Armorial with lion rampant in lozenge frame with leafing and flowering branch surround. Three hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/4 x D 12 1/4 in. Weight: 23.6 troy ounces. #BY060

Aesthetic mixed inkwell. Made by Tiffany & Co. in New York. Bell-form copper body with reeded silver foot rim. Applied silver ornament including flower-inset guilloche band and tendril border at neck. Cover hinged and domed with silver ball finial. With clear glass liner. A later version (1892-1902) of a pattern (no. 6231) that was first produced in 1880. Fully marked: “Tiffany & Co / Makers 6231 / Sterling Silver / 925-1000 / T / And / Other Metals”. Very good condition.

Dimensions: H 4 ...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old. The form and compositi...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved armorial in leaf and flower surround. Four hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/2 x D 14 in. Weight: 36.3 troy ounces. #BY071

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

Sterling silver centerpiece bowl. Made by Gorham in Providence in 1916. Shallow with scalloped and everted rim, and molded foot. Interior is lobed with geometric and floral piercing. Low-relief foliage on rim. Very sweet. Hallmark includes date symbol and pattern number (2163A).

Dimensions: H 3 ½ x D 12 in. Weight: 21 troy ounces. BH680

Edwardian stoneware match strike with sterling silver collar. Made by Royal Doulton in Lambeth in 1909. Globular with cylindrical interior and silver collar. Applied ornaments include windmill, pipe-smoking peasant, and running dogs. Shaded brown and cream glaze. A homely piece in the Dutch style. Fully marked on underside and collar. Excellent condition.

Dimensions: H 3 x D 3 ½ in. BH609

Spare and Modern sterling silver geometric centerpiece after design by Frank Lloyd Wright. Retailed by Tiffany & Co. in New York. Large and detachable shallow cone set in small shallow cone mounted to two rows of rectangular pillars in turn mounted to square base. Fully marked including post-1967 Italian maker’s stamp (Pampaloni), retailer’s stamp, and Frank Lloyd Wright Foundation stamp. Very good condition.

Overall dimensions: H 5 7/8 x D 16 in. Heavy total weight: 96.6 troy ounces. #BZ1...

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

Midcentury Modern sterling silver porringer. Made by Tiffany & Co. in New York. Round with straight sides, flared rim, and chamfered and tapering solid handle. Frieze with birds, bunnies, and kitties dancing paw in wing. Fully marked including maker’s stamp, postwar pattern no. 25991, and phrase “Hand Chased”. Very good condition.

Dimensions: H 1 7/8 x W 6 x D 4 1/8 in. Weight: 5.5 troy ounces. #BX525

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged. In this case, the gold repairs undoubtedly enhance the bea...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

A Zohiko covered soup bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in silver lacquer inside the bowl's foot rim. 20th century. Bowl diameter 4 9/16 inches (11.59 cm). Condition is relatively quite good with only a small abrasion to the lacquer on foot rim of the bowl. The lacquer otherwise is in good condition with no distress or wear of note. A quirk in the underlying wood (not an issue wit...

Set of 4 Edwardian sterling silver figural place card holders. Made by Levi & Salaman in Birmingham 1906. Each: Pair of perched owls with scrolled back clip; raised and round base. Wise birds standing ready to tamp down excessive dinner party levity. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Leighton / Lancaster”). Fully marked. Very good condition.

Dimensions: H 1 3/4 x D 1 1/2 in. Gross weight: 2.3 troy ounces. #BW863

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creativity and the organic world. Now several centuries old, this piece continues to serves not only as a functional display piece, but also as a symbol of the enduring leg...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

Rare mixed metal pitcher with lots of bugs. Made by Tiffany & Co. in New York, ca 1880. Globular with drum-form neck, small lip spout, and c-scroll handle. Modish insects—dragon fly, grasshopper, and butterfly—creep and dart among fluid and interlaced grass stalks applied to hand-hammered sterling silver ground heightened with floral engraving and copper inlay. A superb integration of Japonesque and Craftsman. Interlaced script monogram engraved to underside. Fully marked including pattern n...

A Zohiko covered rice bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in gold lacquer inside the bowl's foot rim. 20th century. Bowl diameter 5 1/16 inches (12.86 cm). The bowl has two small losses to the lacquer along the foot and one small loss to the rim. The cover is in good condition. The lacquer otherwise being in good condition with no distress or wear of note. Combine with other pieces ...

Modern sterling silver mini martini shaker, ca 1930. Straight and tapering sides, curved shoulder, and short neck with snug-fitting bun cover. Spout diagonal with chained ball cap for secure shaking. Handy small size for stylish solo drinking. Fully marked including New York maker’s stamp (Currier & Roby), Boston retailer’s stamp (Shreve, Crump & Low), and no. 6711L. Very good condition.

Dimensions: H 7 x W 4 1/4 x D 3 3/8 in. Weight: 7.2 troy ounces. #BZ687

Early red glass silver overlay perfume. Made by Gorham in Providence, ca 1886. Globular with short neck and flat everted rim. Ball stopper. Dense and engraved overlay with scrolls and flowers. A concentrated design with small reveals of the glass. Scrolled cartouche engraved with scrolled monogram. Fully marked including maker’s stamp, patent year 1886, and no. S684. Very good condition.

Dimensions: H 6 1/4 x D 3 1/2 in. #BT177

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

Set of 6 Midcentury Modern sterling silver seafood scallop shell plates. Made by Gorham in Providence. Each: Straight and tiered flutes, scalloped rim, and 2 ball supports. The hard-to-find size for the new era of small dinner parties. Fully marked including maker’s stamp and no. 42677. Four have date codes from 1940s and ’50s. Very good condition.

Dimensions: H 1 1/4 x W 6 x D 6 in. Total weight: 31 troy ounces. #BY776

Gorgeous Victorian Japonesque sterling silver baby cup. Made by William Hunter in London in 1877. Straight and upward tapering sides; leaf-mounted bamboo-style c-scroll handle. Dense and stylized acid-etched ornament with birds flitting amongst leafing and blossoming branches. Vertical arabesque frame (vacant). Gilt interior. Fully marked. Very good condition.

Dimensions: H 3 3/4 x W 4 x D 2 3/4 in. Weight: 5.6 troy ounces. #BZ391

Set of 4 Victorian sterling silver place card holders. Made by Saunders and Shepherd in Chester in 1899. Each: A rifle is propped against a shilling coin dated 1899, the year war broke out in South Africa between the British and Dutch colonial settlements. The rifle is the famous Lee-Metford, which was by then a tad old fashioned, but still considered reliable by British as well as Dutch troops, who made use of captured specimens. Open lunette base with vertical support. Fully marked including d...

Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1906 to 1908. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Same design comprising yellow cross and birds on cobalt ground. In leather-bound case with silk lining and fitted velvet. Case has retailer’s stamp (Army and Navy Co-Operative Society) All fully marked including date letters 1906 (3) and 1908 (1). Design no. 454426 and retailer’s stamp (“Ro...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Japonesque mixed metal on sterling silver bowl. Made by Gorham in Providence in 1883. Curved sides with allover spot hammering and gilt-washed interior overhung with apple branch mounted to exterior. A gnarly growth with irregular fruit and gilt leaves. Also applied birds and butterflies as well as cattails rooted in granulated soil. Three tapering supports. Fully marked with maker’s stamp, date letter, no. 1725, and phrase “Sterling & Other Metals”. Very good condition.

Overall dimensio...

George V sterling silver ice bucket. Made by Charles & Richard Comyns in London in 1925. Urn with curved bottom and raised and inset foot. Leaf-wrapped s-scroll side handles with cherub cap in form of chubby-cheeked, curly haired boy. Cover raised with reeded and overhanging rim and leaf bud finial. Engraved Indo-Persian decoration with turbaned swordsmen amidst vegetation and birds. Ye Olde English porringer adapted to the exigencies of Roaring Twenties barware. Fully marked. Excellent conditio...

Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with applied tendril and grape bunch. Open support comprising large vertical leaves and turned-down small leaves; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrated to Canada...

American Edwardian 3-piece carving set, ca 1910. This set comprises knife, fork, and sharpener. Each: Ribbed and irregular ebonized horn handle; sterling silver mounts with low-relief leafing scrollwork and asymmetrical scrolled frame (vacant); end has engraved monogram. Blade, shank, and rod stainless steel. Marked “Sterling”. Very good condition.

Dimensions: Knife: H 14 in. Fork: 10 1/2 in. Sharpener: H 13 in. #BY531

Set of 4 Federal-style sterling silver mint julep cups. Made by Spaulding & Co. (part of Gorham) in Chicago, ca 1920. Each: Straight and gently tapering sides and molded rims. A wonderful way to relax and reflect on the founding years of the Republic. Fully marked including maker’s stamp, no. 351, and phrase “Antique Reproduction / Originals of this Cup Were Made / About 1820 by C. Guiteau / for the Fairfax Family / of Virginia”. Very good condition.

Dimensions: H 3 1/2 x D 3 in. Total ...

Victorian sterling silver baby cup. Made by Gorham in Providence, ca 1890. Straight and gently upward tapering sides and scroll-bracket handle. Applied cast oval medallions that depict not austere Roman patricians and their virtuous helpmates but sailor-suited boys and kitty-clutching girls. A sweet rejuvenation of the influential Medallion pattern. Gilt-washed interior. Fully marked including maker’s stamp and no. A7822. Excellent condition.

Dimensions: H 2 5/8 x W 4 1/8 x D 2 3/4 in. Heav...

Beautiful hand-hammered sterling silver and mixed metal perfume. Made by Tiffany & Co. in New York, ca 1880. Baluster with double-scroll side handles and threaded cover. Vertical stylized vegetation and darting insects (butterflies and dragonflies) applied to honeycomb ground. With chain for hanging on a lady’s chatelaine. A small-scale confluence of Japanese inspiration and Arts & Crafts technique. Hallmark includes pattern and order numbers, director’s letter M (1873-91), and phrase “St...

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...

In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century. A master of form, material, and technique, the potter Furutani Michio (1946-2000) wrote several books later translated to English on the construction and use of the “anagama”—an earth-dug, wood-fired, small-batch kiln traditionally used in Japan—celebrated for the extraordinary results that often emerge from its fires. Winner of a number of awards during his lifetime ...

Pair of Edwardian Classical sterling silver column candlesticks. Made by Gorham in Providence, ca 1910. Each: Column with fluted shaft on stepped square base. Corinthian capital with chamfered and concave bobeche. Beading. Fully marked including maker’s stamp and no. A3206. Very good condition.

Dimensions: H 8 1/2 x W 4 1/8 x D 4 1/8 in. Weighted. #BY975

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

George III sterling silver baby cup. Made by William Bennett in London 1811. Flared rim with low-relief fruiting grapevine border; leaf border at bottom. Cast handle in form of two snakes with entwined scaly bodies and bead-eyed heads. Gilt-washed interior. Fully marked. Very good condition.

Overall dimensions: H 3 3/8 x W 4 1/4 x D 2 7/8 in. Weight: 5 troy ounces. #BY768

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

Pair of Edwardian Classical sterling silver salt and pepper shakers. Made by Tiffany & Co. in New York, ca 1910. Each: Tapering ovoid body on raised foot. Cover dimed with ornamental piercing and vasiform finial. Fluting and reeding. Fully marked including maker’s stamp, pattern no. 17816 (first produced in 1910), and director’s letter m. Very good condition.

Dimensions: H 5 1/2 x D 1 3/4 in. Total weight: 7.3 troy ounces. #BY474

Turn-of-the-century French Belle Epoque Classical 950 silver gravy boat on stand. Oval bowl with curved sides and elongated end spouts. Side handles entwined and split-mounted with leaves and flowers. Stepped oval foot mounted to stand with oval well and reeded and serpentine rim. Armorial engraved on stand shoulder. Marks include unidentified maker’s stamp and Minerva head. Very good condition.

Overall dimensions: H 4 1/4 x W 10 1/2 x D 7 in. Weight: 20 troy ounces. #BX235

George V sterling silver bowl. Made by Lionel Alfred Crichton in London in 1912. Curved with flared rim and stepped foot. Cast lion’s head side mounts in leafing-scrolled frames with loose-mounted rings. Four cast lion couchant supports with extended forepaws. Allover spot hammering. Engraved interlaced script monogram. A beautiful Edwardian Classical centerpiece. Fully marked. Excellent condition with nice shimmer.

Overall dimensions: H 9 1/4 x W 13 x D 11 3/4 in. Heavy weight: 85.4 troy o...

Pair of Edwardian Georgian sterling silver covered serving dishes. Made by John Round & Son Ltd in Sheffield in 1904. Each: Rectangular with chamfered corners and tapering sides. Cover raised and chamfered with twist-lock ring handle. Handle, covers, and rim gadrooned with scallop shells and leafing scrolls. A gorgeous twosome—make that foursome because the covers convert to bowls. Fully marked. Excellent condition.

Overall dimensions: H 6 1/4 x W 13 x D 9 1/2 in. Heavy total weight: 115 t...

Lovely Edwardian Art Nouveau sterling silver picture frame. Made by Mauser Mfg. Co. in New York, ca 1900. Oval window in same surround. Front has engraved leafing scrollwork and tubular cartouche (vacant) at top; sides plain. Open bracket supports. With glass, silk lining, and red velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 1418A. Very good condition.

Dimensions: Frame: 9 3/4 x W 6 5/8 in. Window: H 8 3/8 x W 5 5/8 in. #...