Japanese Kutani Vase Flying Cranes Motif
Made in Japan
Size:
Condition: Very good, no damage, shows normal age
This vase is elegant with motif of flying cranes on the trees, the color is just a perfect vase to decorate any flowers you would prefer. The vase dated Showa Period, the size is perfect if you don't like vases that are too big. You can put this anywhere in your house, and will definitely looks fabulous.
The word Kutani means Nine Valleys and is the name of an...
Ohara Koson
Wild Geese Over the Sea
Size: Approximately 17 cm x 12 cm. 6.625 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 441). Tag on back.
Medium: Japanese woodblock print.
Condition: Excellent. Two dashes in left sky.
An early and rarely seen design similar to K11.21 "Two white-fronted geese flying above water" in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its theorized introduction during China’s Tang Dynasty. Falling in and out of fashion over the centuries as Japan alternated between preferences for Chinese style tea-ware and more homegrown versions, today it remains a common fixture in many tea rooms. With beautiful red accents on a dark background, this is surely one of this artist...
Fabulous Chrysanthemum sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises 5 pieces: coffeepot, teapot, creamer, sugar, and waste bowl.
In the celebrated pattern that is an American interpretation of a Japanese motif. To Baroque forms are applied a profusion of climbing, wrapping, and bunching flower heads. Chrysanthemum was introduced in 1880 and this set dates from the first quarter century of its production.
All pieces fully marked including maker’...
Aoki Seiko (b. 1880)
Flying Cuckoo
Size: Approximately 9.75 x 4.625 inches. 24.8 x 11.8 cm.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #360 tag on back.
Medium: Japanese woodblock print.
Condition: Slight creasing where publisher's original tag is attached to back. Small dash mark indentation under bird.
- Rarely seen.
Ohara Koson
A white-fronted goose flying in front of a full moon, reeds below
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (132)
Reference: K11.16 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of Uni...
Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)
Pair of Japonesque sterling silver open salts. Made by John C. Moore for Tiffany & Co. in New York. Round with open rectangular bracket handles and straight foot. Engraved overlapping seals decorated with modish motifs, including fan, bug, vase, and bamboo. Foot decorated with acid-etched spirals and lunette-form flower heads, and pierced leaves. Union Square mark (1870-5) with pre-1875 pattern no. 3007 and order no. 901. Very good condition.
Dimensions: H 1 7/8 x W 4 5/8 x D 3 3/8 in. Total w...
In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...
Ohara Shoson (Koson)
Carp (Two Carp and Blooming Water Plants)
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: ca. 1926. This edition 1929-1942.
Publisher: Watanabe Shozaburo. Sausage seal right margin.
Signed and sealed by the artist.
Collectors seal at left margin.
Medium: Japanese woodblock print.
Reference: S39.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Toning. Some areas of corners and ma...
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...
Ohara Koson (Shoson)
Magpie and Magnolia
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1931. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm seal at lower left.
Shoson signature and seal lower right.
Medium: Japanese woodblock print.
Reference: S5.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Point-sized mark at bottom edge. A point of foxing at back right margin lin...
A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degree of mastery, both in form and glazing technique. For the collector who has always wanted a Hazan but has never been lucky enough to chance upon one, this may be a worthy acquisition. Although much of Inoue’s work is quite different in style to that of Hazan’s, you can find a number of pieces where the influence is unmistakeable—th...
Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.
Born in Nagano, Kosei Matsui (1927-20...
Ohara Shoson (Koson)
Pheasants and Maple Tree
Size: Approximately 5.25 x 3.25 inches.
Date: ca. 1930s.
Shoson seal at lower right
Publisher: Watanabe Shozaburo.
Reference: AS.15 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.
Ohara Koson
A Hawk on a Snow-Covered Pine Tree
Date: ca. 1910
Publisher: Matsumoto Print Works.
Size: Ko-tanzaku. Approximately 8.875 x 3.875 inches. 20 x 9.5 cm.
Koson signature and seal at lower left.
References: Matsumoto #109(tag on back). The larger Daikokuya-published version of this print is Goshawk on Snowy Pine Branch, which is K13.13 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: St...
Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku. Th...
Ohara Koson (Shoson)
Mallards and Lotus
Size: Large toku-oban. Approximately 17.125 x 12.25 inches.
Date: pre-1936. First edition.
Publisher: Watanabe Shozaburo. First and only edition with Watanabe D seal in right margin.
Shoson signature and seal lower right.
Medium: Japanese woodblock print.
Reference: S7.1 aand cat. 145 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). Watanabe cat. #O-51.
Condition: Excellent with full...
This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.
An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...