Catalog: Antiques: Decorative Art (196)

An intertwined double handled large sauceboat decorated with flowers on both the inside and the outside. Gilding on the base, handles and on the rim with dentil decoration on the outside edge. 3 3/4 inches (9.5 cm) tall, 9 inches (23 cm) long and 7 ¼ inches (18 cm) across the handles. Circa 1780.

Condition: no chips, cracks, hairlines or repairs. Gilding wear around the rim and especially on the handles.

A set of twelve Dutch delft wall tiles of a hand painted blue basket of fruit inside a square with a white square behind it at 45 degrees with the same orientation as the tile with its manganese ground. A fourth of a blue flower with a touch of manganese is painted in each corner. Each tile is approximately 5 3/16 inches (13.5 cm) square. Though the theme remains the same each tile has some different details, e.g...

A Meissen porcelain cream pot and cover circa 1745 with a pine cone finial. The under glaze hand painted pattern is a variation on the Meissen onion pattern. The crossed sword mark is loosely painted in under glaze blue with an extra dot that is sometimes found on early pieces. Height is approximately 5 ½ inches (14cm). Width from spout to handle is approximately 5 ¾ inches (14.6cm).

Condition: There are firing flaws where the feet attach to the pot. No chips, cracks, or repairs...

A porcelain (hard paste) baluster form coffee pot decorated with a small bouquet of flowers and a few sprigs on one side and a few sprigs on the other with reddish purple ribbon with flowers around the top of the pot and the outside of the lid. Also on the pot a double band with entwined roses. The lid with a vented knop, which is a feature of silver form New Hall teapots. No marks. 10 ¼ inches tall (26 cm) and 8 ¼ inches (21 cm) across the handle and spout...

A medium size porcelain bowl with a lattice impressed border at the top and blue hand painted flowers. On the underside are the three waves and the number two, both hand painted in underglaze blue. Additionally there is a hand incised three in the body. This piece must have been early to have escaped the factory with the fairly dramatic warping that must have occurred during firing. The rim feels unglazed, so it may have had a cover...

A very well modeled porcelain teacup with a delicate loop handle hand painted with a red bodied bird perched on a branch in a fanciful landscape with a fence in the background. Hand painted puce flowers on either side of the handle and in the bottom of the cup. Unmarked but the porcelain and the bird décor are characteristically Ansbach circa 1780. 4 inches (10 cm) across the handle, 3 ¼ inches (8 cm) diameter, 2 inches (5 cm) height.

Condition: No chips, cracks, hairlines or repairs...

A pair of porcelain dinner plates with molded basketweave edge and swirl ribbing with the lines extending into the well. Decorated with hand painted overglaze flowers and a gilt edge. The style closely resembles Meissen, but these are unmarked. The four ribs in four groups of four is identical with a plate pictured in Godden's book on Coalport that he dates from c. 1805 to 1810. 10 inches (23.5 cm) diameter. Unmarked.

Condition: No hairlines or repairs...

A lobed dinner plate 9 ½ inches (24 cm) diameter decorated with a sprig of cornflowers (?) in the center of the well surrounded with numerous single red or gilt flowers. The lip is decorated with richly gilt and enamel swags surrounding floral cartouches. The rubbed overglaze “VV” on the back is the mark for the Verneuilh factory. It dates from the 1780’s; possibly 1787 when Vanier entered a contract with the Verneuilhs.

Condition, no hairlines or repairs...

A set of six Dutch delft wall tiles of a hand painted blue basket of fruit inside a square with a white square behind it at 45 degrees with the same orientation as the tile with its manganese ground. A fourth of a blue flower with a touch of manganese is painted in each corner. Each tile is approximately 5 3/16 inches (13.5 cm) square. Though the theme remains the same each tile has some different details, e.g...

An underglaze blue with overglaze orange and gilt Chinese export plate with plants flowering out of rocks in the center. On the border the panels of flowering branches alternate with stylized trellises. The edge is brown. The back is plain with an unglazed foot rim. This style of decoration is from the first half of the 18th century. 9 1/8 inch (22.5 cm) diameter.

Condition; no chips, cracks, hairlines or repairs. There is a significant firing flaw above the plants on the left, toward the...

A creamware mug with a black transfer depicting two men walking across a bridge over a stream that pours into a peaceful river with a sailboat and boat with freight steered by a man in the stern. In the distance people on a point of land and in the far distance, beyond bends in the river, the top of an obelisk shows against the horizon. The oval transfer appears as if it was slightly too tall for the mug, being cut off at the bottom. It is otherwise framed with a laurel leaf surround. 3 5/8 inch...

A complexly decorated Chinese export plate in underglaze blue with overglaze red, orange and gilding depicting scrolling plants, two panels with a house under a flowering tree and an octagonal symbol in the center. Brown painted rim. There are trailing blue and red plants on the back and the foot is unglazed. Probably more toward the first quarter of the 18th century than the second quarter. 8 5/8 inches (22 cm) diameter.

Condition: No cracks, hairlines or repairs. There are a couple of rou...

A hard paste porcelain shallow bowl commonly used for salad with a dentil gilt rim and hand painted with bouquets and sprays of flowers. The simplicity of the painting is not an indication of poor work, there was at times a fashion for simple looking things; think of Marie Antoinette at her dairy at Versailles. This bowl is from the same period. 8 1/4 inch (21 cm) diameter.

Condition: No chips, cracks, hairlines, or repairs. Slight wear to the gilding.

The cheerful flowers and simple sha...

An interesting blue and white hand pained porcelain plate of two scholars(?) greeting each other and a boy carrying a load in front of water with a rising moon in the far distance. There is an elaborate border including scholar’s roles on the side of the well between the rim and the center and at the outside of the rim leaf and flower border. I suspect that there is a very good version of this scene that was the model for this quickly done one that has a kind of folk art charm. Brown painted e...

A very nicely molded Leeds creamware plate with underglaze blue decoration of an oriental man standing beside a low fence holding a parasol in one hand and pointing with his other while the birds fly in the sky beyond. Impressed mark that reads, “EDS*POTTERY.” 9 ¼ inches diameter (23.5 cm).

Condition: no chips cracks hairlines or repairs. The glaze is crackled and feels slightly rough on the back.

The English had a fascination with things oriental and often used oriental themes in d...

A well made 18th century Italian dry drug jar. The body is a red clay covered with white slip then painted in blue with a dentil style pattern at the top and bottom with the name of the drug in the central section. The inside is similarly covered in white slip and shows the ridges from being turned on a potter’s wheel. This jar would have been part of a set of jars used for dry drugs in a pharmacy. 7 ¼ inches tall and 4 ¾ inched diameter. (18.5 cm tall, 12 cm diameter).

Condition: chip ...

A Sevres salad bowl with lobed and slightly ruffled edge in the “feuille de choux” pattern decorated with sprigs of flowers in the bowl and on the outside with the raised pattern outlined in blue and gilt. The interlaced “L”s enclose the letter “F” for the date 1758. The heart in overglaze blue is the painter’s mark, Antoine-Louis Fontelliau. The inside of the foot rim has the hole from firing. The bowl is approx. 2 (5 cm) inches tall and 8 ¾ (22 cm) inches diameter.

Condition...

A 13 3/8 inch (34 cm) diameter Dutch delft blue and white charger depicting a vase with a pedestal base in the center and an elaborate chinoiserie border on the outer lip. 18th century more likely earlier than later.

Condition; major chunk out of left edge replaced but discernable by discoloration of the paint over. Losses along the edge all around the dish.