Catalog (603)

This is a unique Chinese Trousse. The chopsticks are black wood, presumed to be Zitan and are totally enclosed inside the scabbard when the trousse is closed. Both the scabbard and knife handle are covered with tortoise shell and have silver fittings.

Carved from a single block of hardwood, this Chinese drum has great patina aged surfaces. An old folk art instrument, it shows the wear of use during many musical performances at chinese operas and street festivals. When "beaten" with its accompanying drum stick, it has a deep attractive sound.

This unusual hat stand is made of 2 very thin interlocking pieces which were black lacquered and painted with a floral and peach motif.

This old drum from Nepal was used for festival and carried in parades. The man would use the left hand to hold the drum by the handmade ropes across the back of the drum. He would use the right hand to strike the drum skin. The chains and metal bits hanging from the bottom would add an extra "jangle" sound while drum moving. Clearly made as folk art instrument, the drum is somewhat out of round and about 18" at the widest diameter.

This pair of boots were made for the child of a wealthy Han family of the late Qing dynasty. They were made from a pale peach colored silk fabric and hand embroidered with silk thread using a satin stitch. The color on lower part of the boots, especially on the outside, has faded to a soft golden color. This would be due to sun exposure during use as the upper part of the boots would be covered by the childs pant legs. Considering the pristine condition, this child was carried about and did ...

This antique toggle was sourced from China. I suspect that was originally from Tibet. The carved circular markings on bottom of 2 of the sides of the toggle are more typical of the ethnic minorities.

Toggle is almost 2 inches long and .5 inches x .5 inches.

An artifact of past Chinese Culture, this old Abacus has hand made beads of what appears to be clay, specifically stoneware. The frame is a dark hardwood, probably walnut. It is approx 5 long.

Sourced from southern China, this ethnic minority tobacco container has a hinged lid and "belt clip". I suspect that it is Yi minority.

Using these Chinese lotus-shaped lacquer tea saucers simplified passing and serving hot tea. Traditional Chinese symbols are delicately painted with copper color over a black lacquer background. There is a double happiness symbol at each end along with clouds, water waves and lucky bat symbol in the center. The back side is traditional Chinese red.

This is a beautifully detailed Japanese lacquer screen with exceptional quality Maki-e work used to highlight the details. The front depicts a landscape shore scene, complete with a crab stretching upward, a monkey after the fruit in the tree, and the makers signature. The rear has 3 cranes in flight.

Excellent condition, no loses. 7 inches high and 9.5 wide including the stand.

This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.

There is some minimal paint loss, which is to be expected in a piece of this age. 24 inches(60 cm) long 5 inches (12 cm) high

This old wooden dragon was hand carved with an expressive face and large black eyes. He balances nicely with his tail on a short pedestal. Gripping his prized pineapple in his paws, he licks it with his tongue, clearly relishing the sweet taste. The pineapple has a short hollow plug on top to provide for an incense stick.

The name Zhang Feng Chao is carved on the underside of the pedestal. This old dragon is a wonderful example of an old Chinese folk art artifact. He has dropped 3 "scales...

This old Mongolian artifact was made from leather hides sewn together with leather cord and then formed into a servicable shape approximating an irregular bottle. Handling and pouring was aided by the wooden handles.

A folk art object approx 150 years old and used for many years as a sake container saki. It is approx 19 inches high and 16 inches at the widest point about 10 inches deep.

These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.

This antique bracelet from Tibet is both thick and weighty, but it is very small for a Western wrist. The opening measures a scant 1 inch.

This hollow silver anklet is from the Nuristani area of Afghanistan. With the loose metal rattle rolling inside the hollow space, a soft noise was created as the wearer moves. This anklet has nice patina and has a few minor dents, which attest to the age and travels of the artifact.

This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.

The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.

This old Chinese silk hat would have been owned and worn by a gentleman of some financial means. The gold fretted trim was expensive and used on both mens and woman's clothing of the during late Qing dynasty. There is some blue trim fabric lost as shown in the pictures. The hat is lined with red cotton fabric and has writing in 2 of the 6 sections.

A properly dressed Chinese woman would wear a pair of leggings that would cover her foot bindings from her lower leg to the top of her lotus shoes. The leggings would be tied into place with a hand woven sash made specifically for that purpose. These lotus shoe accessories are now rare and very hard to find.

This pair of silk sashes were were woven with a floral pattern using 2 colors of brightly contrasting threads. The long warp end threads are braided into tassels. This pair is in excelle...

This Burmese antique offering plate was the result of work by dedicated and skillful craftsman. Beautifully woven of bamboo strips, the finished shape would be first painted with repeated layers of black lacquer followed by layers of red lacquer... obvious wear to red paint from repeated handeling through the decades of worshipers allows the under black lacquer to show through in varous areas... measures roughly 5 inches high (12.5 cm) by 10 inches wide (24.9 cm)

During the Qing Dynasty, hair combs like this were commonly used. The structure is bone and the tines are of wood. A few tines have gone missing with age and use. The comb is about 5 inches x 2 inches.

This antique pair of wooden spoons were hand carved and delicately shaped. The handles are deeply arched and the ends are painted with a gilded paint. They were heavily covered with a clear lacquer finish.

This ethnographic artifact is a seated ancestor female figure carved from goat's horn. It is from one of the Indonesian Islands by one of the indigenous Dayak tribes.

The horn is in good condition with no chips or losses and stands approximately 6 inches tall.

By the latter part of the 19th century the ruling Qings were obsessed with every last detail of dress. This antique top grain leather fan case could only have been owned by very wealthy Chinese woman.

This assortment of cosmetic brushes along with the small container was originally part of a large cosmetic set which would have been commissioned for the a wealthy Japanese bridal trousseaux. Many layers of the rich black roiro-nuri lacquer was applied and polished to achieve the deep lusterious tone. The brushes are accented with a 2 and 3 tone golden floral motif. None of the brushes show any signs of use. Though such sets were common among high-born Japanese women of the Edo and Meiji p...

According to many Indians, this old juicer would also doubled as a pasta maker. With the carved animal heads on each side, and great aged patina, it makes an interesting sculptural artifact of India's culture.

Measures 12 high, 10 inches wide and 6 inches deep.

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high. Only the surface of the lid of the box shows signs of age from normal exposure to ...

Beautifully patterned horn chop with its horn seal box. The remenants of red ink indicate that this seal was used for official documents. The box has a slide top which closes tightly.

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.

According to the writing on the back, this small embroidered pencil holder in was made in 1897 by a Mrs Lee for M.J. Thomas who was a member of the Chinese Chicago Mission group. The embroidery stitches are tiny and some of the threads are frayed but it is a warm memento of friendship and an artifact from another era in relations between China and the US.

This set of 4 matching Chinese toggles were hand carved from animal bone, probably the vertebra. Each side is carved with an identical design which continues around the side. They are well aged and show both wear and usage. As artifacts from the folk art culture, they were probably carved by the person who intended to use them to secure his personal items. Each piece is approx 1 inch in diameter and .5 inches thick.

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple. The condition of this p...

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of Mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple. The condition of this p...

These antique iron stirrups probably belonged to a low level horse soldier of the Chinese army during the Qing dynasty. They are well patinated.