Catalog: Antiques: Regional Art (482)

This is one of 2 hexagonal shaped tea cannisters which I have listed separately. This one has an incised spring scene of two young birds and a butterfly on one side. The other side has 2 sentences from the famous Tang dynasty poem by Lu Tong. The bamboo has darkened considerably with age...

This heavy wooden pillow was hand carved from a block of hard wood. A relic of the Qing dynasty during the 1800's, it would have been used more as a head rest, i.e. supporting the back of the neck so that the hair style remained undisturbed. It is carved into a series of graceful curved forms and the finish has a wonderful pattern of wear and patina. 11.5 inches x 4 x 3.25 weight 2 lbs

This old pair of Chinese shoes were made for a small child. Appliqued onto the red cotton background fabric are bits of trim and cotton fabric which give the appearance of a cats face. Gold thread is used in a couching embroidery stitch for the design on the both sides of each shoe.

Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss...

Very nice old Maru Japanese Obi in excellent condition. Neutral colors throughout the delicate weave of repeat scenes of cart

This pair of antique Chinese sleeve panels have wonderfully detailed hand embroidery of satin, seed, and couching embroidery techniques. The panels are bordered with plain silk of the period total length 21.5 x 9 inches wide

This old Chinese Ethnic Minority inro is carved from animal horn and has 2 compartments. Each side is carved with a floral motif that is bordered with a key design. These symbols are especially meaningful to the Miao ethnic culture. The inro was worn suspended from the belt by a braided cord. It is a attractive ethnographic relic for the tribal arts collector. Condition is very good and the piece measures approximately 3.5" X 2

These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.

This Miao woman's jacket has hand embroiled detail collar, front lapel, and sleeve bands...background fabric of the body of the jacket feels like rayon but maybe silk...sleeves are heavy cotton... there is small hole 1/2 inch (looks like cigarette) on the back left side roughly 2-3 inches from hem... this jacket will fit a small woman... this style of woman's jacket is from the shidong area of Tia jiang...

Made by a woman of somewhat limited means, this pair of lotus shoes date to the late Qing Dynasty. The vamp has a contrast of lavender and purple cotton fabric. Each toe is decorated with a delicate floral embroidery. There is a round heal attached to the sole... The shoes measure 5 inches. They show a minimal amount of wear...

Simply beautiful...describes this Japanese lacquer tray table which would have been used for serving sake. From the Meiji period, the deep rich black roiro-nuri lacquer background sets the scene for the emaki-e gold paint depicting a landscape of trees, flowing water and hills.

pristine condition....8 inches high 9.5 inches wide and 9.5 inches deep

This antique chinese hat would have been worn for festival by a Yi ethnic minority girl (woman) from the Honghe area. Worn for festival, the "cockssome cap" is elaborately decorated with faceted silver beads. Enlargement 5 shows cock hat as it would be worn. Hat comes with its own custom made stand.

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches...

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

An ornate painting of gold plant and leaf decoration swirl around and across the top of this Meiji period Japanese black lacquer 3 tier box. The bottom tier has a deep foot. The container measures 9 inches in diameter and is 11 inches tall. there are several small nicks in the inside lip/rim of the top box but these do not show in the outside...

The cabinet is dark brown lacquer possibly over-painted. There are mother of pearl inlay of very old Chinese calligraphy characters on the doors and drawer front... with no translation available. There is a copper/bronze decorative latch on the cabinet doors. This cabinet would have been used in a prayer niche and would have held religious objects 32 x 13 x 7 inches.

This is a Qing Dynasty woman's skirt which has been Adapted for western wear. The 2 panels of the skirt have been sewn together and the original waist band has been narrowed. The skirt easily wraps around the hips so that the flat sections were displayed at at the front and back....the pleated sections hang at draped the sides.....

This fan has lovely paintings of water lilies on one side and daisys on the other. The paper shows wear on the edge of the folds and there is some paint loss on the bottom of the struts. Such wear is commensurate with age and use.

Intricately detailed, this miniature scaled model of a japanese tea house was the result of a village folk art craftsman sometime between the late 1890-1920. Each piece is carved from bamboo and is pegged into place. The rice paper shutter doors slide and addition solid shutters are stored in the exterior swinging compartments. The roof is easily removed to reveal the inside which is furnished with an alter, bamboo scroll,flower vase and serving tansu with sliding doors...

Rare Miao festival top from Lan Dian China 90+ years old covered with various embroidery techniques home spun fabric and in excellent condition

This pair of boots were made for the child of a wealthy Han family of the late Qing dynasty. They were made from a pale peach colored silk fabric and hand embroidered with silk thread using a satin stitch. The color on lower part of the boots, especially on the outside, has faded to a soft golden color. This would be due to sun exposure during use as the upper part of the boots would be covered by the childs pant legs...

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...

Though somewhat damaged, this Japanese antique doll retains his charm and personality. Dating from the Edo period, he stands 8 inches high...

A Chinese doctor would use this stoneware clay pillow to support the wrist while taking the pulse of a patient.

The pillow was made using slab construction and all the surfaces are decorated with a star pattern and covered with a traditional glaze. There is a tiny vent hole on the bottom to facilitate firing. It measures 4.5x3 x 1.5 inches and is covered with traditional green glaze...

This antique iron candle holder was sourced from Shanxi province China. From a peasants home, it could be set on a table or hung on a wall. It is an interesting ethnographic folk art relic.

Asian buffalo Horn with Silver over copper mounts with turquoise stones... This type of drinking horn was a common household item used throughout Mongolia...each family member had his (or her) own drinking horn and they were kept on a wooden rack which was made for that purpose... Condition 2 beads missing...silver is worn through in several area,exposing copper base...which is commensurate with normal use and aging

beautiful old hand mirror... small amount of deteriation to mirror silver back....typical for mirror of this age.. total length 9.5 inches width 3.5 inches at widest point and .5 inches thick at the handle...

Tibetan woman wore their hair in long braids which were slipped into elaborately embroidered textile sleeves for festivals.

This old set of pygmy quiver and arrows have seen a lot of use. When hunting, the leather quiver would have been worn high on the back. The cap comes off easily and the upper portion of the quiver is bent to allow easy access to the arrows. The metal tips of the 5 arrows are worn and broken with only 1 showing its original shape and barbs. Each arrow has a plant binding around the end with a notch for the bow string...

This is a wonderfully detailed silver needle case which was worn hanging from the belt. It has it's original long leather thong and silk tassel. Each side of the silver case has a central stone bead...one coral, one turquoise. The sides of the case (not pictured) have incised cloud/wave pattern. When opened, the case has copper with fabric arm to hold the needles. For indigenous and nomadic people, needles were an essential and valuable tool for survival of daily life. Because they were no...

This antique Mongolian belt evokes the image of Mongolian horseman galloping across the plains... The chain is heavily patinated from age and use. The deeply doomed central medallion retains the original stained dark finish and highlighted gold (unknown source) on the border and central decoration. This piece is heavy... the central medallion is 6+ inches across,3.5 inches wide, and 3+ inches deep.

These old Chinese tinted eyeglasses date from the Qing Dynasty. There is a tiny bat on the nose bridge, and ornately detailed hinged temple and ear pieces.

Very Nice patina on this old Tibetan Dorje. It is 7 inches long. The Tibetan Dorje is the equivalent of the India Buddhist symbol of Vajra or Thunderbolt which represents the masculine force....

The Zhuang are one of the larger of the Chinese Ethnic Minority groups. This is a rare old baby carrier from Yunnan Province. Because silk was not readily available in the rural areas, the use of silk as the background fabric indicates that this carrier came from a wealthy family. The central panel uses several colors of fabric appliqued into a large stylized lotus flower. Silk thread is used for the delicate satin stitched embroidery of butterflies and flowers. The upper border uses multip...

For centuries, before there was electricity, throughout Asia, Puppetry Arts were a popular form of traveling entertainment... A platform with a cloth screen, lit from the back by candlelight, provided the stage.... The shadow images were black against the white "background". Hence, the puppets had a minimum of color and only the necessary intricate cut outs for personality as they were sometimes presented to the audience with the "handlers" after a performance. The various body parts of th...

This intricate floral embroidery panel may have been part of a larger piece which probably predates the carved frame that now houses the panel. The background silk is a rich dark brown and the ornate floral display can be positioned either horizontally or vertically. During the framing process, sometime between 1900-1920, The fragment was glued to a cardboard backing...where it remains today... 10.5 inches x 23 inches includes frame

This Chinese ethnic child's hat has wrapped thread embroidery technique which was used by the Miao the Miao minority. The set of silver ornaments across the from are Buddha images. the The ornament in the back is a stylized butterfly of Miao Legend...the dangle of bells at the back is to scare off evil spirits who would attack the child from the rear..This hat is old and in surprisingly good condition

From the Yi ethnic minority group, this antique Chinese container would have been used to store tobacco. The decorative cinnabar paint color draws attention to the gentle dome shapes of the lid and bottom sections, which fit together with a deep overlap. The worn areas of the cinnabar expose the black lacquer undercoat. As a folk art object, this tobacco container combines both the pleasing aesthetic craftsmanship and utilitarian need which shaped the daily lives of many indigenous ethnic gro...

This traditional Chinese antique tea container was made from bamboo. The outside has a carved rib design. This tea caddy would have been used regularly by family and friends during the Qing dynasty. Some minimal loss of finished surface on top ...to be expected with age and use...9.5 inches high

This antique Japanese Marquetry box is a good example of the meticulous craftsmanship and attention to detail that marked the Japanese Meiji Period. The sides of the lid have scalloped opening which ease the removal opening of the box which was probably designed for glove storage. 10.5 x 3.5 x 3.75 inches

Charming eggshell thin hand-painted scenic porcelain in excellent condition..makers mark on bottom of both cup and saucer

This Japanese red lacquered wooden serving platter or tray is 13 inches in diameter. It is carved as a bream, which is the Japanese fish symbol for the "bounty of the sea". There are several layers of different colors of red lacquer which heighten the fluid appearence of the fish. The surface is slightly dulled with use and age, the charger is in wonderful condition.

This small sitting Buddha dates to the 16th century...The cast metal is somewhat deteriorated as would be expected. The names and borders of the countries of southeast Asia have changed and moved over the centuries which makes naming specific country of origin somewhat difficult....Thailand,Burma,Siam... This is a wonderful artifact of Southeast Asian religious culture. 4 inches tall...

This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face. He appears to be a Buddha from the Tai Lue ethnic group in Burma, the country currently known as...

By the early 1900's, foot binding fell somewhat out of fashion with the upper social classes of Han Chinese women, especially in the north. With various degrees of success and a lot of pain, a few brave women chose to have their feet re-broken and reset into a more natural size and shape. This pair of boots belonged to one such woman.

Hand made using black silk fabric, and the old traditional methods, these boots are detail with embroidery on each side of the vamp with butterflies toward the...

This deep blue Japanese cloisonne vase is decorated with 4 panels. Two of the panels have a dragon against a rust colored goldstone background. The other 2 panels have a bird against a dark green goldstone background.

Vase is in very good condition, no chips, no dents, and no losses.

In China for centuries various civil officials showed their rank by the finial worn on their hat. The color of the central stone at the top of the metal finial indicated the rank of the wearer... Brass/gold was the lowest rank... The hats were further decorated with a long ring of red silk tassels attached between the finial and the hat... This antique court hat finial along with the circle of tassels is from the Qing dynasty the finial and the ring of tassels are displayed on top of ...

This homemade Japanese tool was used in rural areas for cutting the groove in the tree to release and collect the sap which was harvested for the lacquerware. The wood handle is smooth to touch and has years of patina. The cutting blade is heavily aged but is in good condition. The tool is about 9" long and at least 150 years old.

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet.

The Tibetan Buddhists used the gau as a prayer shrine usually placed on a special shelf in the home along with any other religious relics o...

This pair of black silk lotus shoes date to the late Qing Dynasty. Back then, a woman's job was to make shoes for the members of her family. This woman was from a financially comfortable family with servants to do other household chores. Making this pair for herself, she choose a black silk satin fabric for the vamp and made an elegantly sloping sole which would accommodate separate inter changeable heels to be attached. She did very fine needlework on the floral embroidery on each side o...

This antique toggle was sourced from China. I suspect that was originally from Tibet. The carved circular markings on bottom of 2 of the sides of the toggle are more typical of the ethnic minorities.

Toggle is almost 2 inches long and .5 inches x .5 inches.

This Burmese antique offering plate was the result of work by dedicated and skillful craftsman. Beautifully woven of bamboo strips, the finished shape would be first painted with repeated layers of black lacquer followed by layers of red lacquer... obvious wear to red paint from repeated handeling through the decades of worshipers allows the under black lacquer to show through in varous areas... measures roughly 5 inches high (12.5 cm) by 10 inches wide (24.9 cm)

There are a total of eight different signs, each with a different "saying" having to do with well wishes. Each "plaque" sign has a different saying...due to the age of the calligraphy, translations have not been possible.

Each sign inlayed with MOP flakes and is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

Made from ox horn, and shaped into a perfectly balanced shoehorn, this antique Chinese folk art artifact serves in both form and function. There is a delicately carved design on the back. The handle part of the horn has eyes carved so that the piece takes the shape of an animal and there is a hole carved so that the shoehorn can be hung from a cord. I vaguely remember hearing that the Chinese inventing the shoehorn, but have not been able to verify this as historic fact.

This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.

It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments.

This 18th century Samurai stirrup has intricate overall floral pattern with inlaid silver wire which is somewhat obscured by tarnish. The raised footpad is red Lacquer and has wear mark in the toe area. There is a small break (and hole) in near the rim of the foot pad, which are commsurate with age and use of a Japanese warriors stirrup.

This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual.

This small old Chinese wood sculpture of a mounted horseman is probably of famous warrior or legendary character. Carved from wood and painted the horse and rider are fixed to the original wooden stand. Original paint with some loss and one arm missing. 6 inches high including stand and a charming artifact of centuries past.

Delicately carved with a floral motif, is horn was used to give domestic animals medicine. It is Chinese ethnic minority probably from Inner Mongolia. Horn is about 6" long and has small chip at the end of the bowl. It is a wonderful ethnographic piece for the tribal arts collector

Small embroidery with central floral motif using seed stitch, on traditional dark blue silk fabric. May have been used on garment as inside pocket. Approx 6.5 inches on each side.