Catalog: Antiques: Regional Art (482)

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

These antique Razors were brought back from China by the Baptist Missionary Rebecca Cloud Stewart. The blades are rusty but they are still sharp. One has a wood handle and the other has a horn handle.

This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.

According to the writing on the back, this small embroidered pencil holder in was made in 1897 by a Mrs Lee for M.J. Thomas who was a member of the Chinese Chicago Mission group. The embroidery stitches are tiny and some of the threads are frayed but it is a warm memento of friendship and an artifact from another era in relations between China and the US.

This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...

This set of 4 matching Chinese toggles were hand carved from animal bone, probably the vertebra. Each side is carved with an identical design which continues around the side. They are well aged and show both wear and usage. As artifacts from the folk art culture, they were probably carved by the person who intended to use them to secure his personal items. Each piece is approx 1 inch in diameter and .5 inches thick.

This small Chinese hand made purse would have been made by a woman for her personal use or possibly as a gift to a female friend. It was made using cotton background fabric and hand embroidered with silk thread on each side. The butterfly and floral motifs were made with silk thread using a combination of satin stitches, chain stitches and couching embroidery techniques.

It is a charming example of a Chinese woman's needlework and is in excellent condition...

For festivals including her wedding, a Yao girl of marriageable age would wear the traditional "celestial crown" clipped to her hair on the top of her head. This traditional ornament was common among the Yao of Laos, Thailand and China's Yunnan Province. Upon reaching puberty, the Yao girl would be expected to make her own crown following traditional patterns and methods of her local region...

This Chinese lady's purse was made with silk satin fabric and hand embroidered with silk thread using a satin embroidery stitch. The edges are bound with carefully aligned silk threads. Each side opens to a separate storage compartment and there is a third compartment which is accessed from the top of the purse.

Made and used during the late Qing Dynasty, the quality of the materials and workmanship clearly show that this purse was used by a woman of means...

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of Mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

This small Chinese inro style container would have been worn suspended from the wearer's belt. It was hand carved from wood and detailed on each side with delicate decorative carvings of birds, flowers and a phoenix.

The piece is 2.5 inches high and 2 inches at the widest point. Because of its small size and shape, it was most likely used as an opium container. The inside has been carefully cleaned to avoid dog encounters at the airports.

These antique iron stirrups probably belonged to a low level horse soldier of the Chinese army during the Qing dynasty. They are well patinated.

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

This is a charming old cloisonne teapot from the later part of the Qing Dynasty in China. During this time period the traditions and culture of tea making and drinking had evolved to include the appreciation of tea articles as art objects in addition to their utilitarian purposes. This well crafted miniture teapot would have been sought after for its sculptural form.

Each side of the body of the teapot has a different floral motif with a background pattern of clouds traditional Ruyi...

This deep blue Japanese cloisonne vase is decorated with 4 panels. Two of the panels have a dragon against a rust colored goldstone background. The other 2 panels have a bird against a dark green goldstone background.

Vase is in very good condition, no chips, no dents, and no losses.

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches...