Catalog: Antiques: Regional Art: Asian: Indian Subcontinent: Himalayas (41)

Charming mythical creature from Nepal..head is separate and rotates in fitted sleeve...intricate metal work with raised enamel drops giving the appearance of stones...crature stands roughly 4 inches high...

This lovely antique bell is a traditional Ghanta, which is a Tibetan Buddhist ritual bell, sometimes called Dril, bu,and/or singing bell. Just over 6 inches tall, this Ghana is paired with the Dorje at the top of the handle, and the surface is decorated with an abundance of Tibetan symbols. This bell has the original clapper, has a lovely tone and beautiful patina. Bell is 6.5 inches (16.5 CM) tall

The Ghanta represents feminine power, wisdom, receptiveness, and the voice of the Buddha.

The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...

This antique type of metal work was common in Nepal during the 1800's and into the early 1900's. The birds beak is carved from bone which is dyed to color. The "jewels" are colored glass i.e. enamel drops of orange, turquoise and dark brown. Beak to tail tip the bird measures 3.5 inches and stands 2 inches high. Very good condition with one "jewel" missing on the side.

This Buddhist figure was cast in bronze and sewn into a leather case. It would have been carried in a pocket or worn hanging about the neck by the leather thong...a personal amulet or talisman meant for protection. Good condition, 4 the case in 4 inches high and 3 inches across at the widest point.

This antique Tibetan purse would have been used as a costume ornament during festival. It is decorated with silver and bronze fittings and coral and turquoise stones. Passed from generation to generation, and used extensively, this piece shows it age. Such purses would have held precious coins and the occasional flint but would not be considered as a Tibetan "strike a light" because of the lack of the striker plate.

This traditional small leather purse would have been used as an ornament and hung from a belt by a Tibetan woman during festival. It is heavily decorated with silver metal, turquoise and coral beads. This is an old one and is in excellent condition.

The Tibetan leather flint pouch (aka strike a light) is properly known as a "mechag" (me = fire , chag = iron) or fire iron. This Tibetan flint pouch is decorated with ornate silver and bronze ornamentation with an inset red bead which appears to be a replacement for the original bead. The pouch would have been secured to the wears belt with the attached leather strap...

Originally part of a full sized Tibetan adult costume, this piece was cut down to complete a childs festival costume. Decorated with turquoise, coins, tassels and silver ornaments, this type of textile accessory would often be attached to the elaborate headdress or hat and drape down the back to complete the wearers costume. The Tibetan people are not wastefull and items of festival garments in any condition are hard to acquire. I have had it hanging on my wall for a number of years...

Tibetan woman wore their hair in long braids which were slipped into elaborately embroidered textile sleeves for festivals.

This short sword and matching scabbard from Bhutan is elaborately decorated. The knife handle or sword hilt has a leather cover which is detail with silver reposse and a coral bead. The wooden scabbard is covered with leather and is decorated with an elaborate silver reposse dragon. The knife blade is has a series of added symbols. The belt loop is also decorated with a series of silver objects...

Both the wooden front and back covers of this Buddhist Sutra book are hand carved with different symbols. The numerous text pages are beautifully written with rich black ink with specific words written in red ink. The book still has its original leather binding strap.

This Tibetan sutra book approximately 12 inches wide, 4 inches tall, and 2 inches thick. Though the pages are in good condition, the covers show years of wear and use and is a wonderful artifact of an old culture.

This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual.

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...