Catalog (432)

Cotton Wa-sarasa produced in Kyoto, called Kyo Sarasa. The word "Sarasa" means cotton cloth with designs which are hand-painted, woodblock printed and copper plate printed, Those sarasa cloth were brought by trade from India, Europe, Persia (Iran), Java etc. in 16th and 17th century. Cotton with colorful and exotic design fascinated Japanese people, especially tea ceremony masters and rich civilians. Many kinds of imitated sarasa were produced in Japan and they were named according to their pro...

Boro hanten noragi made of cotton with stripes and plain which are vegetable indigo dye. It has two layers of cloth and sashiko all over. The shape of sleeves is "makisode. The frist half images are inside out. The first half of the 20th century. 128cm x 87cm

Korean wrapping cloth, chogappo which is made of recycled ramie (choma) fragments. All hand sewn except for a blue belt. The frame cloth is silk gauze."Pojagi" is a general name for wrapping cloth and "chogappo" is one kind of pojagi which is patchwork with silk as well as asa ( reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995 ). Generally in good condition except for some color bleeding parts. The first half o...

Sakiori sodenashi (vest) hand-woven of strips for wefts which are recycled from old indigo dye cotton cloth and warps are asa (hemp) threads. It has some mending patches and wear. The first half of the 20th century. 35cm x 63cm

Wood bowl (shikarinpah) with bird motif, made by Ainu craftsman in Hokkaido. All hand-carved and in excellent condition. 20th century. L:24cm W:10.5cm H:5cm

Junrei's hakui (pilgrim's hanten) with many stamps of holy places in Shikoku, which is made of white hand-spun cotton. The ink letters reads "Shikoku Hachiju-hachi-ka-reisho" which means eighty eight holy places in Shikoku. It seems that the pilgrim visited all the eighty eight holy places. In good condition. The first half of the 20th century. 114cm x 87cm

Yukata (cotton unlined kimono) with shibori (tie-dye) whose motifs are tomoe (three-way), aboshi (fishing net being dried) and a logo with the character uma (horse). The shibori techniques are: Miura shibori and Ori-nui shibori (folded and stitched). It is hand-sewn and all tie-dye is by hand. Vegetable indigo dyed. In excellent condition. 20th century. 126cm x 131cm

Noren made of hand-spun cotton and vegetable dyed (probably kakishibu) and all hand-sewn. It has "Yotsume" family crest. In excellent condition. The second half of the 19th century. 122cm x 126cm

A bag for backpack made of Miyama Kansuge, "hiroro" by dialect which is a group of carex. It is made in Aizu region in Fukushima prefecture. It has purple and dark indigo cotton cloth interknitted in the cord. 20th century. In excellent condition. 40cm x 39cm.

Silk meisen kimono with double kasuri apple and strawberry pattern on yellow ground. Kasuri pattern was dyed with stencil-resist-dye (katazome) for both weft and warp yarn (heiyo-kasuri). Generally in good condition but has some brownish stains and some in the lining too and the silk tape in the hem is a bit dirty. Mid 20th century. 126cm x 146cm

Asa (hemp) noragi (work wear) with fine kasuri pattern which is katazome (stecil-resist-dye) and vegetable indigo dye. Both weft and warp are hand-plied. This kind of thick hemp textiles are found in Tohoku district. Generally in good condition but has some mending patches and stitches and wear in shoulder lines. Late 19th to early 20th century. W:116cm x L:76cm, Measurement of details, please inquire.

Large furoshiki made of hand-spun cotton with tsutsugaki design which are auspicious motifs, such as fukura suzume (sparrow), bamboo, pine tree. plum flower and scrolls. Vegetable indigo and natural brown dye. In good condition except for some brown color faded parts and a rip (2cm). The second half of the 19th century. 130cm x 140cm

Boro futonji with many mending patches and sashiko whose ground cloth is hand-spun cotton with stripes. It is dyed with vegetable indigo and the red color looks benibana (saffloer dye). Mending is very nicely done with sashiko. The second half of the 19th to early 20th century. W:94cm, L:172cm

A pair of goldfish lantern made of washi (handmade paper) and bamboo strips which is the origin of Nepta (or Nebuta) used at Nepta festival in Hirosaki city in Aomori prefecture. The goldfish lantern made of paper and bamboo strips were used till around 1980s, but now it is replaced to one made of vinyl and wire. In good condition except for some brownish spots in the white parts. Large one: H:35cm W:34cm, Small one: H24cm W20cm

Chogappo made of fragments of choma (ramie) whose wefts and warps are hand-plied. "Pojagi" is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patch-worked with asa (mainly choma, ramie) fragments.(reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995) It has white and light beige natural color choma fragments. Late 19th to early 20th century. In good condition and all hand-sewn ...

Cotton Kurume kasuri futonji with bold kasuri with asagi (light blue). Kurume in Fukuoka Pref. in Kyushu has been one of the main product places of indigo dyed cotton kasuri since late Edo period (early 19th century). It is made of hand-spun cotton and vegetable indigo dyed. Late 19th to early 20th century. In excellent condition. 134cm x 150cm

Baby's ceremonial kimono made of machine woven cotton with hand-painting with motif of noble people. It has se-mamori (charm) with silk thread. The diagonal stitches to the left means it is boy's kimono ( to the right is girl's ). In old days, it is believed that evils come from back and a baby is vulnerable without seam in the back, so se-mamori is put. In good condition but a bit dusty from aging. Dry cleaning only. Late 19th to early 20th century. 62cm x 76cm

Very large furoshiki with many mending patches which are all original and beautifully done. It is made of hand-spun cotton and vegetable indigo dyed, ground cloth as well as mending patches. In good condition. The second half of the 19th to early 20th century. 164cm x 164cm