Catalog (221)

This piece was made at the Zhangzhou kilns(漳州窯), and had been stored by Japanese famous collector. This type of multiple colored ceramics is called "Gosu Aka-e 呉須赤絵" and has been valued by Japanese people since Edo period until nowadays. Size: 34.3cm(D) 8.0cm(H) Certification: Written by Noriki Shimazu the Japanese famous researcher of Asian antiques in Japan.

This large plate was fired with no glaze at the first, and the second fired pictured traditional pattern with blue glaze and the third colored picture depicted 2 Chinese men of literary taste and children playing at the garden, and the last painted with gold. The seal mark ”大明成化年製”was used at the middle Edo period, Very gorgeous piece. One more piece with the same pattern we have. Size: 41.0cm(D) 4.8cm(H)

Madara Karatsu is one kind of Karatsu ware, used glaze made from straw ashes, very simple and sophisticated taste. It's suitable for western cuisine. Size : 25.5cm(D) 1.8cm(H)

Chosen karatsu is one kind of Karatsu wares, used iron galze and glaze made from straw ashes. It has carved pattern of shinning sun. it's beautiful the border line that the iron glaze and straw ashes glaze are mixing with each other. This plate is suitable for not only Japanese cuisine but also western cuisine or desert. Size : 20.0cm(S) 2.5cm(H)

Many pieces made at Zhang zhou yao south China were exported to Europe in 17th century and they were called "Swatow ware". The main theme is bird and flower, very fantastic. Certification: written by Noriki Shimazu the famous researcher of Asian antiques in Japan. Size: 28.0cm(D) 5.3cm(H)

This piece was fired for 10 days in the "anagama" old style kiln, with red pine fire woods. It's very beautiful with natural glaze by ashes and flame. Size; 6.0cm(D)/4.5cm(H) Accessary; wooden box signed by artist

This piece was made of "mogusa" clay which was very precious, and covered deluster yellow glaze. It's old style "Kiseto" Size; 8.0cm(D)/5.1cm(H) Accessary; wooden box signed by artist

This piece is fired in anagama with red pine fire woods for 10days, and covered with natural ashes. The shigaraki clay has been colored to beautiful scarlet by the flames. Size: 10.8cm (D) 13.5cm(H) Accessary: wooden box signed by artist

This piece is made of shigaraki clay, covered shino glaze and painted by iron glaze and covered oribe glaze (oxidized copper). The oribe glaze has colored to very clear green. Size: 8.4cm(D) 13.5cm (H) Accessary: wooden box signed by artist

Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques. The domestic transaction of Tang sancai pieces has been banned in China by the government these days. Size; 86.7cm Tall Accessories: wooden box, wooden sword as imitation. Certification: written by Noriki Shimazu the famous Japanese researcher for Asian antiques.

Sawankhalok kiln was located in the middle Thailand in 14~15th century and famous for fine celadon works. This bowl is a large size piece with stem, carved flowers with beautiful green celadon glaze. Size 23.5cm(D) 14.3cm(H) Certification: written by Noriki Shimazu the famous researcher for southern east Asia antiques. YouTube https://www.youtube.com/watch?v=8e027d3HHbA

Karon kiln was located in northern Thai and produced mainly pieces pictured with iron glaze, and ended in a short term 15th century. This piece has star pattern and scrollwork with iron glaze. Size: 19.3cm(D) 4.9cm(H) Certification written by Shimazu Noriki the famous researcher for southern east Asia antiques.

This sake bottle is a very rare piece among Sugimoto's works. Ordinary, shigaraki pieces are fired in the anagama fire woods kiln, however this pieces is carved and colored with pigment, And fired in the kiln with charcoal. The pattern is called "shikishi kasane" a pair of square piece of fancy papers. It's a happy theme. The white grains are feldspar included in shigaraki clay. Special price. Size:7.5cm(D) 19.5cm(H) Accessary: wooden box signed by the artist

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 9.0cm (D) 3.9cm(H) Accessary: wooden box signed by the artist

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.0cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

This sake cup is a very rare piece among Sugimoto's works. Ordinary, shigaraki pieces are fired in the anagama fire woods kiln, however this pieces is carved and colored with pigment, And fired in the kiln with charcoal. The pattern is called "shikishi kasane" a pair of square piece of fancy papers. It's a happy theme. The white grains are feldspar included in shigaraki clay. Size:6.2cm(D) 5.6cm(H) Accessary: wooden box signed by the artist

One of the highlight in this piece is in the crystal of feldspar around the base, it's a charm of ido cup most of all. Size: 9.0cm(D) 4.8cm(H) Accessary: wooden box signed by the artist

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.5cm (D) 4.3cm(H) Accessary: wooden box signed by the artist