Antique Japanese ceramic figure of a rabbit. Glazed with a crackle glaze. Recumbent from with head slightly turned. Details of eyes and nose in black and gray.

Age: Taisho Period (early 20th century)

Dimensions: 4 1/4" high x 8" long x 5 1/2" wide

Old Japanese Green to Blue Nippon Coralene Handles Vase with Roses Marked

It is 9 inches (22.8 cm) tall by 5.75 inches (14.6 cm) wide. It is 1.6 lb.

It has rubbing of gold, stains, minor missing beads, and surface wears and scratches (as seen in the photos).

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Very large tile in the shape of (and virtually in the size of) a handscroll decorated in underglaze blue with a crashing wave and a full moon. The image is surrounded by borders of geometric flowers and medallions filled with a phoenix. Some of the phoenixes looks left, others look right. Medallions colored in underglaze pink and yellow.

On the back are two ‘loops’ to hang the tile up...

Japanese pair of porcelain Inari kitsune (foxes). Glazed and painted they sit on brightly colored bases, one with a scroll, the other with a ball in it's mouth.
Also called zenko, these good spirit kitsune are specifically associated with the goddess, Inari. Believed to be both messengers and guardians, kitsune served Inari in her role as goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it’s ability to shape shift into human form...

A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center...

Pink and blue iris blossom among the green promise of Spring promised on this elegant vase by Miyagawa (Makuzu) Kozan enclosed in a wooden box annotated by the current head of the Makuzu Family in Kyoto, Makuzu Kosai. It is titled Yukasai Shobu no zu Kabin. It is 30.7 cm (12 inches) tall and in excellent condition...

A pair of sake cups / bowls, thinly potted Japanese porcelain in white and gold with decoration of Ho-o birds and chrysanthemum, both of which symbolize happiness and prosperity. Unsigned, Meiji. An identical pair was in the collection of businessman Gustaf Wallenberg who also served as Sweden’s envoyé /ambassador to Tokyo and Beijing in 1907 - 1918.These sake bowls seem to have been gifts from the Japanese emperor to foreign dignitaries. Diameter "3 ¾ / 9.5 and height "1 2/3 / 4 cm...

1930's Japanese Studio Porcelain Vase with Bamboo Marked

It is 7.08 inches (18 cm) tall by 3.15 inches (8 cm) wide. It is 0.7 Lb.

It has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Extremely rare: early 19th century Inkstone Screen made of finest Satsuma porcelain and covered with beautiful colors.

The purpose of the inkstone screen, normally placed directly behind the inkstone, is to prevent dust from landing on the inkstone.

It is in great antique condition with no cracks or repairs.

Size: 17cm hight x 15 cm width.

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The elephant is made of hard enameled porcelain, the artist modeled it with care, it is very likely that it was created using several molds. It carries on its back a vase which serves as a receptacle for incense. The statuette is hollow, vents to evacuate gases during cooking were discreetly made under the ears. Examining the underside we can see the shrinkage slots in the porcelain, which could have broken during firing...

Set of 1930's Japanese Seto Porcelain Oyster 8 Plates Signed

They are 1 inch (2.5 cm) tall by 6.5 inches (16.5 cm) wide. Total weight is 4 lb.

They have glaze cracks, glaze crazing, firing dark spots, loss of gold and paint, skip glazes, and surface wears and scratches. Six of the plates have firing cracks. One plate has chips and hairline cracks at the back (as seen in the photos)...

A porcelain bowl made by Mokusen of Kyoto decorated in blue with waterbirds taking flight from a reed-dotted shore followed by a four character verse by Oyabu Shunko enclosed in the original wooden box signed by both artists dating from the early 20th century. It is 18 cm (7 inches) diameter, 9 cm 3-1/2 inches) tall and in excellent condition.
Mokusen was a prolific porcelain artist in Kyoto well known for his tea ware. Oyabu Shunko was born in Kyoto in 1901 and studied Nihonga under Yama...

An exquisite slightly fluted porcelain bowl with a dragon parading though tendrils of cloud in raised relief by Mokusen enclosed in the original signed wooden box. It is 18.3 cm (7 inches) diameter, 9cm tall (3-1/2 inches) tall and in excellent condition. Mokusen was a prolific porcelain artist in Kyoto well known for his tea ware.

A large Hizen-yaki, Arita kilns polychrome enameled charger. Imari, so named for the trade port through which these polychrome wares transited, decoration with namban (a reference to foreign subject or influence) figures, bijin, 'three friends of Winter', cranes, chidori, elephants and more (much going on). Edo period. Good condition. Diameter, varying between 18 5/8 to 18 3/4 inches

An exceptionally small Japanese tea or wine bowl and saucer, Edo period c 1710. Blood and milk iron red and gilt decoration of butterflies, flowers and swirls. Height of cup 1 ¼ " / 3.2 cm Diameter 2 ¼ "/ 5.5 cm, of saucer 3 ½ "/ 8.8 cm. Condition: repair to the saucer, the cup with a nick to the inner side of the foot rim (c.f. pics).

A Hirado blue and white porcelain bowl. Dragon decoration on the interior center. Flowerhead in mokkogata reserves decoration along the interior below the rim with pale iron oxide wash. Intricate dragon and phoenix decoration around the exterior. The unglazed bottom and foot with the smooth biscuit characteristic of the kiln. Taisho period. Good condition. Diameter, 5 1/2 inches. Height, 2 1:8 inches.

A Hirado blue and white porcelain censer with pierced lattice work cover and sides. Lion masks in relief on opposing sides. Decoration of aromatic flowers and wisps of burning incense. Three feet elevate the censer above surfaces. Early Showa period. Good condition. Lion mask to Lion mask nearly 4 inches in length. Height, covered, just over 3 inches.

A good Hizen-yaki, Arita kilns octagonal blue and white porcelain bowl. Shonsui ‘three friends if winter, decoration in roundels among shape patterns. A single Minogame decorates the interior center. A Fuku mark appear center of the bottom, inside the unglazed ring foot. 19th century. Good condition. 5 inches at widest points. Little more than 3 inches at highest points.

A Hizen-yaki, Arita kilns dish in the Kakiemon style. Probably after design examples from the latter kiln. The cavetto with delicate shironuki decoration of sakura blossoms on waves of water. The center undecorated save a single chrysanthemum blossom. Brown rim induced by iron oxide. The exterior with karakusa around the unglazed ring foot centering a spurious mark suggesting the Chinese Ming dynasty. Early 19th century. Good condition. Diameter about 7 3/4 and a little more in places.

A fine and unusual Hizen-yaki, Kakiemon type, small foliate dish. Chocolate brown rim in iron oxide. Unusual blue and white decoration of a samurai with a young monk across the saddle on horseback - bow drawn to ward off pursuing Buddhist monk. This appears to depict one of many tales of old Japan - perhaps The Take of the Heike as relates to Minamoto Yoshitsune and the warrior monk Benkei. A reading of the kanji may shed light. The back with auspicious symbols, key foot rim, and two character ...

An interesting Hizen-yaki, Arita kilns foliate rimmed bowl. Center decoration of a Chinese scholar in tropical landscape. The cavetto and exterior decorated in the Kraak manner. A spurious four character Xuande mark on the bottom, inside the unglazed high foot rim. 19th century. Good condition. Diameter, about 6 5/8 inches. Height, about 2 2/8 inches.

A fine pair of Hizen-yaki, Arita kilns blue and white porcelain dishes in the Kakiemon style. The molded, spiral foliate cavettos sporting similarly shaped undulating shonsui panels with ‘three friends of winter’ decoration and other, typically shonsui shape patterns. The Peony motif centers surrounded by a band of auspicious symbols in shironuki. Chocolate colored, iron-oxidized rims. The unglazed foot rims encircle glazed bottoms with chatter marks nearly reaching the blue undergl...

A classic vessel reflecting the grace of Song-Yuan period aesthetics by master of the genre Suwa Sozan II (Torako) enclosed in the original signed wooden box. It is 13 cm (5 inches) diameter, 25 cm (10 inches) tall and in excellent condition. A prime example of this early female Japanese potters work.
Suwa Sozan (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate betwe...

A pair of finely made and decorated Imari tokkuri (sake bottles). Bird and flowers in vase decoration rich in red enamel and gilt details over blue underglaze decoration. A pair of such high quality tokkuri is rare. Circa 1800. Both are lamped. One is otherwise in very good condition while the other has a rim chip (pictured). Height of the bottles are about 7 and 3/8 inches (about 18.73 cm)

Hard porcelain vase created by tominaga genroku (1860-1920). Decorated with peonies painted underglaze in a classic cobalt blue, yellow, green and pink enameled details. Elegant shape, well-designed flowers, harmonious colors. Classic model typical of this period. The Ureshino kilns located in kyushu produced this type of porcelain from the end of the 19th century.Peonies are a symbol of immortality. A crack in the neck. Cobalt blue mark painted below: Made by Tominaga Genroku Height 31cm.

Hard porcelain bowl, produced in the Fukagawa kilns in Arita. Very artistic decor, typically Japanese, separated into two clearly distinct parts. On the one hand, two cranes in flight pass in front of misty Mount Fuji. The mountain and the sky are painted in underglaze cobalt blue and it is the absence of color which draws the clouds. The birds are in white, black and red enamels, they are meticulously drawn. The second part of the bowl is hidden by a stretched sheet painted in underglaze cobalt...

This vase is a masterpiece of Japanese Kutani artistry whose detailed enameling makes it a piece worth owning. The traditional elements of birds have highly articulated details, several with spread wings in flight, while others are flocked on the ground in front of brilliantly blooming pink flowers punctuated with delicate blue flowers. Behind all of this wonderous foreground naturalism are hills and lakes. The rim and base are decorated with typical burnt orange lappets embellished with gold. ...

This monumental Japanese porcelain charger is painted in blue and white depicting buildings on stilts overlooking mountains, waters, and trees among a beautiful waterfall, situated at the banks of a calm body of water with a boat in the distance.

The scenery is surrounded with scrolls in a band upon which lay leaves and flowers. The uniquely rendered waves add special interest.

The back of the charger has what may be seen as scrolling vine and leaf decoration. We belie...

Pair 1930's Japanese Studio Porcelain Vase Bird By Hikojito Imura Marked "Dai Nippon Imura Zo" 大日本井村製

They are 8.8 inches (22.4 cm) tall by 5.5 inches (14 cm) wide. Total weight is 5.5 lb.

They have rubbing of gold and surface wears and scratches. One vase has an uneven base (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, re...

1900's Japanese Fukagawa Bowl with Iris Flowers & Koi Fish Marked

It is 8.67 inches (22 cm) tall by 15.5 inches (39.4 cm) wide. It is 14.7 Lb.

It has mild skip glazes and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return th...

Very beautiful and rare large porcelain bowl with polychrome enamels with very finely made decorations of birds, florals and mountains, Fuji... The quality of production is remarkable and characteristic of Kyoto pieces where the decorations are made by the greatest craftsmen Satsuma vases in particular are the most sought after. This large cup has an unidentifiable stamp under the base. Diameter: 27,5cm height: 19cm.

Very decorative dish decorated in underglaze blue and polychrome enamels in the style of kakiemon palette of rocks and flowers on the front and dragons on the reverse. Period: 19th century. Diameter : 31,5 cm.

The size of Ko Imari Dish: 7 1/4" Long x 4 1/4" W x 1 3/16" H
185 mm x 110 mm x 30 mm.
This is very attractive Ko Imari Dish from Mid 18th century, Kanen to early Horeki period. 1750’s.
The plate has the design of Japanese Princess (Hime). She is dressed with 12 Hitoes Kimono.
A junihitoe is a twelve-layered kimono worn by noblewomen during the Heian Era.
The workmanship of polychrome design are elaborately decorated with
green, gold and black. She wear the design ...

Japanese Nippon Coralene Porcelain Vase with Flower Marked

It is 11.65 inches (29.6 cm) tall by 7.3 inches (18.6 cm) wide. It is 4.3 Lb.

It has rubbing gold, dark spots, missing beads, surface wears and scratches ( as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is ...

Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow. In hollow all it takes is one pass of the tool to trace the characters while in relief you have to lower all the material around t...