A kakuzara decorated in a combination of underglaze blue with enamels and gilding...
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted in rather exaggerated fashion...
An incredible Mishima Chawan dating from the Edo period with a wide repair to the rim in dark lacquer decorated with golden grasses in gold maki-e lacquer designs. It comes in an ancient dilapidated silk pouch with cotton buffer enclosed in an age darkened kiri-wood box titled Mishima Chawan. The bowl is 5.5 cm (2 inches) tall, 12.5 -13.5 cm (5-1/2 -6 inches) diameter and in fine condition. Mishima ware refers to different types of imported and adopted Japanese pottery...
Pair of Attendant Bodhisatvas, Edo Period, gilt over black and reddish brown lacquer. Losses. 33 inches height and 12 inches diameter.
17th/18th century Shino-Ware Kogo (Incense box) Edo period (1603-1868)
Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.
Size
Height 4.8 cm
Width 5.7 cm
Weight 93 g
Condition
No chips, no cracks
Supplied with a wooden storage box
Late 18th Century Musha Ningyo of Minamoto no Yoshitsune. This wonderful early example of high quality has a great presence, sumptuous
brocades, gold lacquered armor, a spectacular helmet, and many other fine details.
His face is gorgeously and masterfully carved with finely burnished Gofun. An extraordinary example. Figure height: 15.75 inches, 40 cm. Overall dimensions: 20 x 20 inches, 51 x 51 cm. Excellent Condition.
An unusual 18th century Japanese porcelain dish with chidori and waves drawn in thick outline, the centre with a Tibetan Buddhist symbol. The V & A Museum, London, has an identical dish, FE.113-2006. Arita1770-1780.
21.7 cm...
A very fine sometsuke dish of scalloped octalobed form painted with a mon form central motif of a symmetrically arranged pair of leaping carp. Framed by a continuous band of botan karakusa, Peonie lotus scroll, within which are reserves containing, dragons, Ryu, in clouds and a gilt rim, kin-beni. The reverse decorated with hagi-karakusa, vine pattern and a six character mark for the Chinese Emperor Jiajing. The quality of the painting is of the highest standard...
A fine Imari bowl and cover decorated with a pattern composed of Autumn flowers, akikusa de, and Banded hedges, shibagaki. A wheel cut Johanneum inventory number incised to the interior of the foot-ring of the bowl indicating that it belonged to the collection of Augustus the Strong, and was acquired before 1722. Both cover and bowl marked with an enamelled choji motif.
The bowl and cover are in superb condition, no cracks, chips or restoration...
Rare form of Japanese KO IMARI Porcelain Charger Size : 12" Dia x 2 1/8" OSHIDORI(Mandarin Ducks) and GENROKU Figures design with fine gold Decoration Old Imari pieces. The quality of this charger is superb as I ever seen the combination of fine brush handpainting, the motif design with the gold as well as the shape and quality of porcelain itself. The condition of charger is very good considering the age of charger...
Startled to enlightenment, this is a large Edo period figure of a Rakan (Sanskrit: Arhat), a Buddhist saint kozutsucarved in the Yosegi-zaiku method of joined blocks of wood. Originally covered in polychrome colors, much has grayed and flaked away with time, a fitting aspect of the image. He has glass eyes which seem to burn violently with realization. The image is 43 x 36 x 51 cm (17 x 14 x 20 inches) and is in solid condition. The head is removable, slotted into the body at the collar...
A finely molded Kakiemon shallow bowl, five inches in diameter, the center of which is decorated in iron-red, blue, yellow and green enamel.
Ex-Christies
Condition: Excellent
Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.
The expertly thrown body is covered with the typical black iron oxide glaze inside and outside...
A good early Arita Ewer of European form, probably derived from a German stoneware precedent, and decorated in the style of Chinese Transitional export ware with a repeating pattern of bands of Birds and flowers. The jug stands 21.5cm and is in good condition with no chips or restorations, a short trivial hairline to the rim and to the handle, see image no 5. These are usually dated to the period 1660-80...
A good quality Kakiemon type export plate decorated with a pair of Hoo birds on a rock with flowering bushes. The rim of the dish decorated with a “Birdes in Branches” arabesque with a rather crudely painted Chrysanthemum blooms with birds both sitting and with wings out-stretched. This pattern occurs both in Kakiemon type enamels and in this blue and white version. See Fine and Curious no 240, a blue and white teapot, at page 193...
Antique Japanese print depicting the founder of the Shingon or "True Word" school of Buddhism, Kūkai (774-835). He was a famous calligrapher and engineer who invented the kana, syllabic Japanese scripts used in the Japanese writing system. In his hands he holds a vajra, a ritualistic weapon representing firmness of spirit and spiritual power, and prayer beads. Above him is Dainichi Nyorai, the central deity of the Shingon religion, surrounded by Bonji (single letter words derived from sansk...
A rare Arita export dish decorated in Kakiemon style with a pair of Hoo birds, (Fenghuang or Pheonixes) amongst rocks and flowers, Peonies and Chrysanthemums. The rim decorated with a Bird and vine pattern arabesque. Identical dishes exist painted in this pattern but enamelled in the classic Kakiemon palette. The “Bird bird and vine” pattern appears on “Kakiemon” export teapots of the same period. The curious blobs arranged in groups of three, represent Stars, Hoshi. The reverse is pl...
Splendid and majestic Japanese landscape painting showing a pavillion with a large scholar's rock and pine tree. Scroll contains a signature attributing to Sesshu Toyo but may have been added later. Age: Momoyama Period. Size: Scroll: Height: 74.25" Width: 18.3" (with roller ends): 20.5"
Currently awaiting an uncertain succession to the 14th generation, this preeminent line of craftsmen has been a cornerstone of Hagi pottery for over 400 years. Here we see an historically important work by the second generation potter dated to the Japanese Era “Kanbun” (1661-1671)—placing it as a very mature work, completed near or at the very end of the life of this craftsman.
In fine antique condition, this piece is 12.1cm at its widest point and stands 8.2cm ta...
An Arita porcelain plate (#2) decorated with a leaping carp within a moulded border based upon Chinese Ming export porcelain, ‘Kraak’ style. The dishes have faux chattering in imitation of Wanli Kraak dishes.
Arita, 1750 - 1780.
Approximately 21.5cm diameter. Perfect condition.
Please study the photographs.
Within the UK payment by bank transfer is preferred.
Customers resident in China must make arrangements to pay by International Bank Transfer in G...
This Edo-period bronze quail incense burner is a stunning piece of Japanese craftsmanship. The lifelike form of the quail, intricately detailed and gracefully curved, showcases the artistry of the era. With a beautifully patinated bronze surface and intricate feather patterns, it is both a functional incense burner and a work of art, capturing the essence of the aesthetics of the day.
According to an inscription on the underside of the lid, in the year 1861 this piece wa...
During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this “shimokabura” or radish-bulb-shaped sake flask (tokkuri). Crafted from locally sourced Bizen clay, this tokkuri embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze and distinctive markings achieved through specialized firing techniques. The t...
A shaped Arita blue & white porcelain dish in the form of Mt. Fuji, circa 1680 - 1700.
A similar but smaller example is illustrated in The Complete Catalogue of the Shibata Collection, item 2276.
Approximately 16.5 cm wide. Perfect condition.
Please study the photographs.
Within the UK payment by bank transfer is preferred.
Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.
Please no...
17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region
Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx. 1624-1671).
While most of the Kihara Karatsu tea bowls are excavated pieces, and it is very rare to find a bowl in such good condition and generous painting.
The bowl has dedicated box with appraisal of tea ware expert "Kuroda Touto...
A large and deep porcelain charger, excellently potted, excellently decorated in an most beautiful cobalt blue with an Kraak-design. The base marked in underglaze blue. Japanese Arita ware, 17th century. Diameter: 39,6 cm. Condition: Perfect.
Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.
The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in the form of plum blossoms (ume) and a geometric design. This is a typical Momoyama design.
The somewhat irregular foot is typical for the late production of the 16...
17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an
original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the
ceiling to watch over the temple. This Baku is a masterpiece sculpture of
magnificent presence. It will surely be the focal point in any environment. It is carved entirely from solid Keyaki (Zelkova) wood,
one th...
This is an awesome Eisho Era Signed and Date Long Wakisashi (Almost Katana length) Sword in Shirasaya fitting, made by SADAHIRO 貞弘 (1505 -1521) Eisho, Muromachi Period, Iwami Province, Japan. SADAHIRO 貞弘, as listed in page 99 of the Index of Japanese Swordsmiths by Markus Sesko, and shown as SA 23 in "Japanese Swordsmiths by W. M. Hawley. The sword's nakago has been marked with the Swordsmith's signature) 備中國住貞弘 (Bichu koku ju SADAHIRO), on the right side of the blade, and...
An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.
Approximately 21.7 cm diameter. Perfect condition.
Please study the ...
A fine Kakiemon dish painted with a tako-karakusa, octopus scroll, arabesque ring to the border of the foliate moulded dish. The centre of the dish decorated with a symmetrically arranged ring with a repeating pattern of a stylised Pine grove, matsubara. The motif is probably a reference to the famous Awazuhara, pine grove of Awazu, one of the classic Eight Views of Omi, or alternatively a reference to famous Pine grove of Miho, Miho no matsubara, and based on a design taken from a contemporary ...
This large and expressive sculpture is made, as expected, from joined segments, each separately carved. This technique is a diagnostic "telltale" which helps to date the piece. The figure sits in a devotional posture, leaning slightly forward with hands joined in a gesture of worship. Extensive remains of gesso and pigment. The piece measures 14-1/2" in height and is free of re-carving or repair. Kindly examine the photographs, as they are part of the description. The piece has a wonderful, expr...
We are proud to offer you a really rare antique piece of art and one of a kind: wonderful Echizen Chawan from the Momoyama Era (安土桃山時代 Azuchi Momoyama jidai; 1573–1603) without any crack, damage or repair.
There is no similar item on the antique market.
Echizen ware (called Echizen yaki in Japanese) is a type of pottery produced in the town of Echizen, Fukui prefecture. This traditional handicraft comes from one of the Six Ancient Kilns of Japan which along w...
Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.
The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color. The foot ring is ...
Real old Kihara-Karatsu Chawan from the well known Kiwara kiln in Sasebo. This type of tea bowl is called hanjiki, a transitional folk half porcelain bowl between Karatsu and Shoki-Imari ware.
Very nice cobalt decoration with mysterious charakters, crackle glaze and an antique gold restoration called kintsugi (gintsugi).
The Kihara-Karatsu Chawan comes with a high quality shifuku.
Size: 2,9'' height, 4,6'' width.
Shipping included
A fine Arita soba choku decorated with Chrysanthemums within ogee form reserves set against an aka-e kinrande ground dating to the middle of the Eighteenth century
The interior decorated with a diaper band to the rim and a go-ben ka to the bottom of the cup. The base of the cup decorated with a spiral fuku within a double square. The cup is in excellent condition with no cracks, chips or restoration. It measures 9.5cm in diameter and stands 7cm in height.
Shipping at Cost
A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market date from the early 17th century, Tianqi era.
The Koi was...
This lovely Hagi chawan rests firmly on a wari kodai or “split foot” that shows the iron-rich clay this antique piece is fashioned from. The milky glaze varies in consistency across the curves and contours of the bowl with areas tending towards pale ash, ivory, and faint lavender. The surface of the bowl displays many interesting features including an “ishi-haze” or area where a stone partially exploded out of the clay during firing—difficult to plan intentionally and admired for the u...
An impressive Japanese Soto zen calligraphy by the noted calligrapher, Gesshu Soko (1617-1696). Gesshu was known for his research and interpretation on Dogen's work, Shobogenzo (The Treasury of the Dharma Eye). The calligraphy is a famous zen phrase which translate as: The moon reflected on the water while the breeze amidst the pines blow in this eternal evening. What is the cause or purpose on this pure twilight. The scroll comes with an inscribed box by Awakawa Koichi (1902-1977) who was known...
This is an absolutely rare black Seto chawan ( setoguro chawan ) from the late Momoyama Period, which means the late 16th century or the changeover from Azuchi Momoyama to early Edo.
Blackish-brown glaze amalgamates with a wild and roughly thrown body. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark ( watch image number 3 )
Setoguro yaki is high-fired ware that originated in the late 16th century. Black glaze is ...
A beautifully formed earthen flask from the Bizen region, the fire-buffed side still gleaming softly while opposite it has absorbed time into the porous clay. It comes enclosed in a box titled Ko Bizen Kaijo Ko-Tokkuri, inside the lid is annotated the dimensions and the dating Momoyama Jidai no Saku (Made in the Momoyama period) signed by the great Bizen connoisseur Katsura Matasaburo. It is 6.5 cm (2-1/2 inches) diameter, 13.5 cm (5-1/4 inches) tall and in overall fine condition.
Bizen b...
A small circular table likely made as a stand for an incense burner or suiban basin dating from the Muromachi era (late 14th to 16th century ) covered in black lacquer over which has been applied vermillion in the style known as Negoro. About the center a ring of wood grain is typical of the era. It is supported by three curling feet extending from a billowing diaper. The lacquer, originally black, has oxidized to a mellow chocolate color beneath. It is 29 cm (11-1/2 inches) diameter, 14.5...
Half cylinder shaped (Hanzutsu) tea bowl, thrown from light, coarse Mino clay, with very little inclusions a clay found on earlier Shino bowls. The walls are cut with a potters knife.
The bowl has been covered fully (with the exception of the foot ring) first with an iron bearing engobe (oniita) and after the decoration had been incised with the typical ash and feldspar glaze inside and outside creating the nezumi-shino glaze.
The decoration in white Shino glaze on this ...
Special autumn offer:
Another beautiful chawan from our familiy collection: square cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay, with a flaring mouth in shape of a half pipe.
Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the...
Japanese Arita blue and white plate, decorated with an insect on a rock, within a scrolling floral border. L17thC. Dia.8 1/4" (20.9cm). Condition: excellent, no damage.
Japanese Blue and White Ewer with a loop handle. Decorated in the Chinese Transitional style with figures on a terrace. Arita C1670/80. Height 8 1/4" (20.8cm). Condition; some glaze crazing mainly to foot.
The deity is represented seated surrounded by his multiple arms holding various attributes. Excellent quality of sculpture, on its skull multiple small heads (10+1) pegged, pretty draping, beautiful facial expression, the eyes and the third frontal eye in glass or rock crystal. Thick, solid lacquer, beautiful gilding. Avalokitesvara wears all her jewelry. Complete set with its glory and its original base. Japan Edo period 18° or before.
This statuette has fortunately never been restored, and i...
An early Arita porcelain bowl made for export to the Far East. The decoration is based on a Ming Chinese dragon & phoenix bowl, the interior with a fish rising from waves. Fuyoyama or Tengudani kilns. See Impey, ‘The Early Porcelain Kilns of Japan, Arita in the First Half of the Seventeenth Century. Clarendon Press, Oxford.1996’ where several sherds are illustrated. Circa 1650 - 1680. Found in Cambodia. Must be of the earliest wares specifically made for export.
Approximately ...
An iron mokogata form iron tsuba with surface and patina indicating significant age. Some folds apparent in the iron, tekkotsu ("iron bones" describing irregularities in surface resulting from gradual wearing away of softer iron, leaving more refined, harder iron), rim slightly raised around the hammered plate. The raised decoration of the hare and vine in quintessentially Japanese taste - thick gold overlaid details. This would work nicely on a Yamashiro or other slender, old blade. Good condit...
Antique Japanese scrol painting of a landscape with boat. The water is very still and the moon is high over a mountain in the distance. A flock of geese swoops down from the sky on the right. On the far left, an outcropping of rocks partially obscures some rural houses. A willow tree drapes itself outward over the water. With signed tomobako.
Signed Tan'yu and with the seal of his given name Moninobu. Certified by Eitoku, his grandfather. Kano Tan'yu (1602-1674) was one of the foremost...
What a great Chawan! Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide. The fastly but expertly thrown body inside and outside, with the exception of the bottom (including the finely thrown foot ring) is covered with a transparent ash glaze, which turned to yellow due to the iron oxide in the clay.
In 5 areas of the tea bowl are highlights in green copper oxide in the tradition of the Mino Ki-Seto. The chawan shows a lot of fantastic t...
Nanban means earthenware made in southern islands including Okinawa in Japan. Among them, vases like this piece has been liked to call "Oni-no-ude, Ogre's arm". Wild flowers would fit it very well. It's "Wabi Sabi" feeling.
Size: 10.8cm(D) 28.0cm (H)
Accessary: old wooden box
Elegant, little distorted half cylinder shaped kutsugata tea bowl with flaring lip made of light, coarse, unrefined Mino clay.
The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside, leaving an unglazed 'window' on one side.
One 'window' is decorated with circles squares and lines in iron oxide glaze which has been covered with a clear ash and feldspar glaze.
This typical Momoyama design and a similar bowl (fired...
Considered an auspicious symbols of wealth, status, and good fortune, foo dogs—commonly referred to as shishi or komainu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. The yellow Seto-ware shishi featured here is an antique from the Momoyama period that displays a soft patina developed over many decades of use.
Seto-ware is a pottery tradition established in the 12th century with the aim of reproducing fine ...
A 16th century Yoshiro Zogan tsuba. The type is named for a Kaga province artist considered to have advanced the late Onin period brass inlay art to that of hira-zogan - flush with the iron surface. The school also took hold in other provinces, most notably Bizen. The mokko-gata form of this tsuba would appear to be uncommon for Yoshiro Zogan tsuba particularly of katana size. Eight ka-mon are inlaid in open work fashion. The remaining surface decorated with a network of brass inlay depicting al...
A classic Nanban style Japanese lacquer tray decorated with mother of pearl inlay featuring four panels of birds among floral patterns separated by bands and frets dating from the 17th century later Momoyama to early Edo era. It is 43 × 28.5 x 2cm (17 x 11 x 1 inches). It has been fully restored, with repairs to the original lacquer and inlay, and the underside has been re-lacquered. It comes in a custom fitted Chinese style cloth bound box lined with red silk.
According to the Met: The...
Heavily distorted shoe shaped (kutsu) Chawan from the early 17th century with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.
Two 'windows' on two sides have been left unglazed. One has a very rare decoration with hanging persimmons (hoshikaki) scratched into the engobe and the other has a often seen fence painted u...
Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.
The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blosso...
From a 2006 excavation site in Tokyo known to be occupied by the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl has been given a new lease on life with a gorgeous and detailed kintsugi repair with maki-e gold painting. Known to have been devoted patrons to cultural institutions, the Tokugawa’s governance and policies contributed greatly to the flourishing of arts, literature, theater, and urban ...
A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua. See British Museum Franks 516 for a similar Kakiemon dish with i...
Wonderful kutsugata chawan of the late Momoyama Period.
Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.
The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze.
Circumventing lines and dots are scratched into the black glaze be...
![An Excavated Mishima Tea Bowl with Maki-e Gold Repair [Tokugawa Clan]](https://images.trocadero.com/stores/KyotoArt/items/1479096/pict.jpg)
