This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.
Height 22 cm...
Age: China, Song Dynasty, 10th - 12th Century
Size of panel only: Height 40.5 C.M. / Width 20.3 C.M.
Height including stand: 52.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground)...
This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared mouth, and two sturdy loop handles on opposing sides at the waist...
This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared mouth, and two sturdy loop handles on opposing sides at the waist...
This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing...
This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing...
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness...
This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in white and reddish-brown pigments. This horse is well-modelled and stands upright and alert.
Height 23 cm (9 inches)...
This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in white, reddish-brown and black pigments. This horse is well-modelled and stands upright and alert.
Height 22.5 cm (8.75 inches)...
Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 19.5 C.M. / Width 21 C.M.
Condition: Well-preserved old burial condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
This tall pottery set comprising stand, jar and cover was made during the Tang Dynasty (AD 618 - 906). Each part is made from a relatively high-fired grey pottery and "cold painted" in orange and white pigments, the decoration comprising geometric and floral (lotus) patterns...
This rare and attractively-shaped pottery jar of semi-spherical form was made during the Warring States period (475 - 221 BC) or possible earlier (Eastern Zhou period 770 - 221 BC). It is made from a relatively highly-fired fine grey pottery. The lower body has been decorated with repeated cord impressions that are particularly crisp. Interestingly, there is a network of ancient root/plants growths to much of the inner s...
This fine pottery head was made during the Western Han Dynasty (206 BC - AD 8). It has been "cold painted" in a base coat of white pigment on top of which have been painted pink, red and black pigments to pick out the facial details.
Height 10.5 cm. It is in very good condition with expected surface wear but no repair or restoration.
Note: the black plastic base on which it stands in the first photo is a photographic p...
This pottery model of a kneeling lady was made during the Eastern Han Dynasty (AD 25 - 220) and excavated from Sichuan province. It is made from a reddish-coloured pottery. A variety of figures of this general type are known. They are often musicians and entertainers, and were made in a variety of sizes. This is an unusual example; she is kneeling and in her left hand she holds a ladle that is being dipped into...
This pottery model of an official or dignitary was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery and is particularly heavily-potted. It has been repaired in the past, including a poor repair at the neck. Since then the head has again been broken off the body.
This is quite a tall figure with a height of 32 cm and is being sold as a restoration project (some sellers would ask more for the head on its ...
This pottery jar of "hu" form was made during the Han Dynasty (206 BC - AD 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and has simple incised decorative bands surrounding the jar at its shoulder. The whole surface, including the base and inner mouth, is coated in an amber-coloured glaze that has a "bubbled" surface. The flat base has marks where ...
This pottery jar of "hu" form was made during the Han Dynasty (206 BC - AD 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and has simple incised decorative bands surrounding the jar at its shoulder. The whole surface, including the base and inner mouth, is coated in an attractive amber-coloured glaze that is very finely-crackled. The flat base has mark...
This pottery jar of "hu" form was made during the Han Dynasty (206 BC - AD 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and has simple incised decorative bands surrounding the jar at its shoulder. The whole surface, including the base and inner mouth, is coated in an attractive amber-coloured glaze that is very finely-crackled. The flat base has mark...
This very rare pottery model of a bird, either a duck or a goose, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the...
This large pottery tile was made during the Qing Dynasty (1644 - 1912). It is made from a dense grey pottery. The surface has been carved with a scene featuring an official holding a hu (an audience tablet) whilst being cooled by a servant. In front of the official is a censer with wisps of incense smoke coming from it. It has been cold-painted with various coloured pigments.
It is quite large, measuring around 31 cm (12...
This large and impressive pottery jar was made by peoples of the Caiyuan Culture (c. 2600 - 2200 BC) and has been excavated from the Ningxia Autonomous Region in the north of China. It is quite "heavily-potted" and has been fired to a very pleasing pale yellowish-brown with the surface colour becoming more red in places. The upper surface has been burnished and is very smooth to the touch. The lower surface has been simply yet ...
This impressive pottery model of a Bactrian camel was made during the Tang Dynasty (AD 618 - 906). It is made from a pale buff-coloured pottery, has good detail and has been "cold painted" in a base coat of a creamy-white pigment with details picked out in brown, red and black pigments. The camel stands upright and alert with its head held high and turned a little to its left. Its two humps are particularly prominent.
...
This large and imposing pottery jar, of "hu" form, was made during the Western Han Dynasty (206 BC - AD 8). It is made from grey pottery and has a particularly wide body, the neck flaring out into a wide mouth. Unusually, it comes complete with its original cover.
The surface has been thickly cold-painted with a creamy-white pigment on top of which are swirls and geometric patterns in yellow-ochr...
This large and imposing pottery jar, of "hu" form, was made during the Western Han Dynasty (206 BC - AD 8). It is made from a fairly high-fired grey pottery. It has a particularly wide body with a relatively short neck that flares out into a wide mouth. There are three raised decorative bands surrounding its wide body. On opposite sides at the shoulder are moulded "taotie" mask handles. The outer surface has been cold-painted in creamy...
This pottery figure was made during the Tang Dynasty (AD 618 - 906). It takes a human form, other than the head which is of the zodiac animal represented, in this case the goat. The figure stands upright with hands clasped together against its chest under a flowing robe. It is made from a reddish pottery that has been cold-painted in a base coat of white on top of which are traces of orange and black pigments.
Height 26 cm (10.5 i...
This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in white and reddish-brown pigments. This horse is well-modelled and stands upright and alert with its head turned slightly to its left.
Height 21.5 cm (8.5 inches). A nice example in good condition with any possible repair having been performed to a professional standard. ...
This pottery jar of a very rare form was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It has an unusually tall neck for its general type that is not quite centred to the wide body. At its mouth is a flared rim with two loop handles on opposing sides. It is quite thinly-potted and highly-fired, made fro...
This pottery bowl, or jar, was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a pale yellowish-brown pottery and is more highly-fired than most known examples. It has a wide body with a flared rim. There are two small loop handles on opposing sides. The upper body and inner mouth have ...
This interesting pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been been excavated from a Buddhist site in Yunnan province. It is made from a relatively high-fired grey pottery.
The jar has a flat base with marks showing it was removed from the potter's wheel by a piece of string or wire. Strips of clay have been applied to the outer wall of the body to fo...
This interesting pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been been excavated from a Buddhist site in Yunnan province. It is made from a relatively highly-fired grey pottery. The reddish-brown surface colour is from the iron-rich burial soil.
The jar has a flat base with marks left showing it was removed from the potter's wheel by a piece of string or wire....
This interesting pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been been excavated from a Buddhist site in Yunnan province. It is made from a pale grey pottery. Decoration is fairly simple with strips of clay applied to the upper body to form five lotus leaf panels.
Height 24.75 cm (9.75 inches). Although it has not been properly cleaned since exc...
This interesting pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been been excavated from a Buddhist site in Yunnan province. It is made from a fairly high-fired pale grey pottery. Decoration is fairly simple with strips of clay applied to the upper body to form four lotus leaf panels. Between the top of each leaf are incised lines and small circles.
...
This tall and impressive pottery figure was made during the Western Han Dynasty (206 BC - AD 8). It is made from a dense grey pottery, the head made separately to the body. Both head and body have been "cold painted" in various coloured pigments, traces of which still remain. The figure represents a female attendant and she wears long flowing robes. The head has two small vertical slots where originally would have been so...
This fine and impressive matching pair of pottery lokapala figures was made during the Tang Dynasty (AD 618 - 906). They are "heavily-potted" and made from a reddish pottery that have been "cold painted" in various coloured pigments. On the surface in places there still remain traces of gold leaf. Note the exquisite detail of their clothing and hairstyle. They have clenched fists with ferocious facia...
This undeniably impressive pottery figure of a guardian was made during the Tang Dynasty (AD 618 - 906). It is made from a fairly high-fired creamy-white pottery with traces of yellow, red and black "cold painted" pigments to the surface. He stands upon a rock, head turned slightly, with his hands out. Note the clothing and head gear: an armoured jacket secured with straps over his shoulder and a belt at he ...
This unusually large and impressive pottery model of a Bactrian camel was made during the Tang Dynasty (AD 618 - 906). It is heavily-potted and made from a fairly high-fired buff-coloured pottery. In places on the surface are firing cracks, likely due to the thickness of the pottery. The surface has been cold-painted in a yellow-ochre coloured pigment on top of which have been painted reddish-brown and black pigments for th...
This very rare, possibly unique, pottery jar was made between the 10th and 13th centuries, during the Five Dynasties period (AD 906 - 960), Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province.
It is one of the most unusual Yunnan jars that we have seen. The design represents either lotus leaves or a lotus blossom. It is...
This unusual object, a pottery model of a bucket, was made during the Yuan Dynasty (AD 1279 - 1368). Black, or dark grey, pottery objects dating to the Yuan Dynasty are not widely known. They are found in the northern provinces, particularly Gansu province in the north-west.
This item is quite heavily-potted and fairly highly-fired with a smooth burnished surface. Adhering to the inner surface are the remains of ancient root/plant growths f...
This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required. This figure holds in his left hand a long sword, and in his right hand a shield. There is also a short knife attached to his belt. He wea...
This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. It is made from a reddish pottery and is highly detailed. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required. As well as holding a long-handled spade in one hand and a winnowing tray in th...
This pottery model of an official figure was made during the Ming Dynasty (1368 - 1644). It is quite highly-fired and made from a pale pinkish-brown pottery and includes an integral hexagonal plinth on which the figure stands. The head has been made separately and slots into the hole at the neck. The figure has been coated in green and amber glazes that have, over much of their surfaces, acquired a silvery iridescence, a result of long burial i...