Rarely seen Shigaraki kettle with a fantastic shape, slightly deformed without any damage or repair. It dates from the early stages of the Edo Period.

Shigaraki is one of the oldest pottery towns in Japan with a history dating back more than 1,200 years. Historians say that local kilns were producing roof tiles when the emperor Shomu briefly relocated his palace to the area from Kyoto in 742 AD...

Light brown clay underlying rich earthy tones, this Irabo chawan has an attractive shape and slender textured pedestal. Rough yet elegant, it feels comfortable in the hand.

Introduced to Japan in the 16th and 17th centuries from the Korean Joseon dynasty (1392-1897), Irabo bowls are admired largely for their use in tea ceremony. Made of coarse, unrefined clay with a high content of iron oxide, such bowls display remarkable contrast and depth...

Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect...

We like to offer a rare antique Tako-Tsubo Akashi Vase, made 120 years ago during the Japanese Meiji Period (1868-1912). This vase is designed to imitate a 'TAKO-TSUBO', an traditional octopus trap. Sculptures of two octopuses are incorporated into the vase.

Akashi ware (明石焼) is pottery and porcelain mainly made in Akashi City, Hyogo Prefecture. Somewhere between 1615–24, the official kiln of Ogasawara Tadamasa, the lord of the Akashi Castle, was established...

Height: 9.2 cm (3.7 in)
Width: 4 cm (1.7 in)

High quality Satsuma vase by Kozan; features figural and floral panels with birds in rural settings; panels surrounded by the finest gilt borders and raised diaper work; signed Kozan; excellent condition

This antique Iga vase is a true beauty, made of wonderful native Iga clay.

The vase was made between 1800 - 1850 during the later Edo Period and is in great antique condition. No chips or repairs. It comes with an old wooden box and an old cloth bag (which has a small torn part).

Iga ware's origins are believed to date to the second half of the 7th century and 8th century A.D...

A terracotta figure of the Three Wise Monkeys - Mizaru who is covering his eyes, Kikazaru who is covering his ears and Iwazaru who is covering his mouth. All three embody the proverb "see no evil, hear no evil, speak no evil". The figure is combed terracotta with blue, black and brown paint. The robes of the monkeys are painted with Japanese symbols on the back. Provenance: A Pvt. San Franciso Collection

Date: Meiji (1868 - 1912)

Dimensions: 8.5" X 5.5" X3.5"

Antique Japanese small Bizen ware oil lamp in the form of Fukurokuju, one of the 7 Lucky Gods. Easily identified by his elongated head on top of which is a small bowl for oil. His expression is kind and he sits holding a large gourd (hyotan) in both hands. Fukurokuju is believed to be a sennin, a philosopher who can exist without eating food. His name literally means "happiness" (fuku), "wealth" (roku) and "longevity" (ju)...

Are you looking for something delicate and special - than feel free to enjoy this unique flower vase with a poem of Japans most famous poet Otagaki Rengetsu written on it.

This is a 120 year old vase made of Tanba ware. It is signed on the bottom by the artist. I was unable to identify his name.

For a Meiji Period piece of art the vase has a distinctive form and a brilliant atmosphere...

Nanban means earthenware made in southern islands including Okinawa in Japan. Among them, vases like this piece has been liked to call "Oni-no-ude, Ogre's arm". Wild flowers would fit it very well. It's "Wabi Sabi" feeling. Size: 10.8cm(D) 28.0cm (H) Accessary: old wooden box

Thick feldspar glaze highlighted by reddish ore seeping from the iron-rich clay, this is a very attractive Shino vessel that may have originally been a yunomi but was later fitted with a silver globe and repurposed as an incense burner (koro). In Japan extending the useful life of a piece—by converting it to another use or perhaps by mending broken pieces (kintsugi)—is a common practice which demonstrates a deep consideration and respect for ceramic works of art...

Height: 12.2 cm (4.8 in)
Width: 7.3 cm (2.9 in)

Japanese Satsuma gourd vase; depicts two panels of Geisha in domestic and garden settings; all surrounded by a mass of wisteria blooms; the base rim is decorated with waves over Greek hatch work while the top rim shows a border of gilt lappets above polychrome millefleur, all above ruyi gilt diapers; signed Hozan on the base; good condition

This antique Seto piece features a warm matte ash glaze with several patches of darker and lighter pigmentation. The molded clay shows striations that resemble textured wood grains—highlighted by a soft patina developed over many decades of use.

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style chawan—which were hard to come by in Japan at the time...

This amber Raku chawan was made in late Edo Period (1800-1868). Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Width 4.0in (10.3cm) Length 4.1in (10.5cm) Height 3.4in (8.7cm) Weight 10.93oz + Box 6.35oz (310g + Box 180g) Condition Good considering the age. There is gold repair, please see the pictures for details.

Height: 6.6 cm (2.7 in)
Width: 7.5 cm (3 in)

Fine Japanese lobed Satsuma lidded koro by Kozan; shows three rotund cartouches of individuals in rural and domestic scenes, also showing birds amongst flowers; the lid is expertly decorated with florals surrounded by minute diaper-work; signed in gold, Kozan

A Japanese Tanuki garden statue made of Shigaraki pottery. A perfect good luck mascot for any garden or indoor decor. Entirely hand made and created by a Shigaraki artisan. It wears a straw hat to protect its head from the elements and it carries a Japanese ledger book in its left paw. Known in Japan for its good luck abilities, it is often seen standing outside of restaurants and pubs attracting customers and diners to enter the business establishment. Minor loss commensurate with its age. ...

New Arrival

Antique Japanese large onigawara roof tile end cap. This beautiful tile was made in the toukigawara method with a hollow interior. It once graced the roof of a large building, perhaps a temple or an important house. It has a raised Tomoe crest (mon) in the center which is surrounded by wonderfully three dimensional swirling clouds and topped with it's own roof. Meiji Period (1868-1912). Size: 20" high x 22" wide x 12 1/2" deep.

We like to present you today an early Edo Period Karatsu Yaki Guinomi (Sake cup) with aesthetic silver repair (kintsugi) made around 1700.

The Guinomi has a hira-gata shape, refering to the Kamakura Period. Fantastic item!

It comes with a tailor made wood box.

Size: 3,8 cm height x 6,1 cm width.

Late 19th century Japanese porcelain trumpet vase decorated on a rose or bright puce ground with a long-tailed bird perched amongst trees and flowers. The interior rim is decorated with small flower sprays and on the base is a painter's mark. In very good original condition, it measures 12.% inches high, 7.5" mouth diameter, 5.5 base diameter.

Ceramic "tenmoku" bowl of classical shape with thick rim and small base. Fine glazing of "hare fur" type, part of which has run down gracefully to the base. An old accident at a small area on the rim has been restored (see last two photos). China, Song Dynasty period. Height: 4,6 cm. Diameter: 10,7 cm.

Fantastic antique teapot with inscribed poem and signature attributed to Otagaki Rengetsu (1791-1875) Rengetsu Otagaki (1791-1875) was Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled potter and painter and expert calligrapher and adorned her ceramics with poems written in her unique calligraphic style. Size Width 3.9in ( 10cm ) Length 3.705in ( 9.5cm ) Height 2.535in ( 6.5cm ) Weight 200g Condition ...

A Karatsu ware tea bowl with silver mending (gin-tsugi) which is mending technique, broken pieces are put together with urushi and then silver powder is applied. It has simple painting which is called E-karatsu. Karatsu ware has been produced in the east part of Saga and the north part of Nagasaki prefectures in Kyushu since late 16th century. This one is made of four fragments of Karatsu-yaki (yobi-tsugi). Probably 17th century. Diameter:13cm, H:4 to 5cm

Otagaki Rengetsu (1791-1875) Antique Japanese Sake Cup with inscribed poem and signature. Rengetsu Otagaki (1791-1875) was Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled potter and painter and expert calligrapher and adorned her ceramics with poems written in her unique calligraphic style . The cup style and the age of the glaze is consistent with authentic Rengetsu work. Size Width 2.4in ( 6.2cm ) Lengt...

A Karatsu ware tea bowl with gold mending. It has simple paintings which is called E-karatsu. Karatsu ware has been produced in the east part of Saga Pref. and the north part of Nagasaki Pref. in Kyushu since late 16th century. Age is not clear. It is possible that is made by modern artist. However, kintsugi (mending by gold) is enjoyable. Diameter:15cm, Height:5cm

Japanese ceramic vase with a slender form, reddish brown base colors, areas with black, grey, yellow, and brown glaze and areas of texture. The artists' signature is incised into the bottom of the vase. Included is a wooden storage box with kanji. Size: 9" height, 4" width

Tamba-yaki tokkuri (bottle for sake) with hand-drawn letters of the sake maker. Generally in good condition. Early 20th century. H:22cm, Diameter:11cm

This a beautiful and unique Japanese Satsuma bowl. Yabu pieces with unique birds like this one has are rare. The piece is very finely rendered with intense work. Condition is excellent. The bowl measures 5 inches across and is 3 inches tall. This wonderful bowl is from the same great collection the large Yabu museum/exhibition bowl came from. Contact for price and shipping.

This is truly a museum worthy piece from the great satsuma artist, Seikozan. It is probably our all time favorite example from this artist. This vase is literally smothered with intricate enamel and gold work. The vase stands 9 1/2 inches tall. This vase appears to be nearly perfect but it has had an amazing and nearly invisible rim chip repair.

This is one of the most significant Japanese satsuma pieces ever created. This is a museum piece with fabulous workmanship in combination with a very large size. This bowl truly has a volume 10-20 times bigger than a normal 5 inch Yabu Meizan bowl. It measures 7 inches tall and is 9 ¾ inches wide. It is also heavily made weighing about 4-5 lbs. The bowl features 6 different exquisitely decorated panels in polychrome and gilt. These panels depict people, birds and landscape scenes. The board...

Polychrome Sumida-gawa ceramic bowl made from sandstone, also called Sumida-yaki. Some parts are glazed. Original decoration of an old man trying to climb the bowl.

Mark of Ishiguro Koko (石黒香香): 香二, Koko. The 二 marks the repetition of a character in traditional Chinese. His name can also be written 香々 or 香二). His real name was Ishiga Gôzô (石田郷三). He is a potter of the early Meiji era. He is a part of the first generation with Inoue Ryosai of the Sumi...

Satsuma Maple Leaves Pattern Plate Signed Yabu Meizan, Meiji Period (1868-1912)

The plate is 1 inch (2.5 cm) tall by 7.25 inches (18.5 cm) in diameter.

It is in good condition with no repairs, chips, nor crack, except faint stain (as seen in the photos).

Large format photos available upon request.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any ...

New Arrival

Antique Japanese sumidagawa ware vase with an incredibly realistic three-dimensional dragon coiled all around the body of the vase. The vase itself is very textured in body with a vertically ribbed form as well as tight ridges horizontally. The upper body and neck are glazed in thick oil spill colors. The backside of the piece has a blue chop within a white gourd. Meiji period (1868-1912) Size: 18" H x 10" W

Rare, Early Japanese Satsuma Censer. A fine example of Satsuma ware with beautiful complex underglazes of gold, red, blue, green and white, and featuring auspicious Crane and Floral motifs, creating a beautiful design on a gorgeous shape with stunning handles and cast silver top of raised flowers. A great find for the Satsuma collector. Late 18th Century Edo Period. 3 inches (7.5cm)h, 4 inches (10cm)w. From a widely renowned and published collection that has been exhibited at the Metropolita...

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of robust globular form, depicting seven separate circular reserves of figures set against a most unusual and very appealing variegated ground that morphs from emerald green, to celadon, to cream, and finally to brown, all heavily overlaid with a rich brocade of chrysanthemum heads and other floral and geometric motifs executed in gilt. The neck has a heavily gilded deep red ground which sets it off very nicely...

From our Japanese Collection, a superb Kinkozan satsuma vase, Meiji Period 1868-1912, featuring two different panels of elegant ladies, children, and birds in flight, all reserved against landscapes of flowing wisteria, separated by panels of gilt-painted cobalt blue. The vase is fairly large in height at 9 1/2 inches tall, though it's width is of slender ovoid shape. It is marvelously painted with exquisitely fine detail and realism, definitely one of the best painted satsuma vases we have co...

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.