Since Satsuma printed porcelain have got a great reputation at Expo 1867 in Paris, Satsuma brand has been very popular in Europe.The specialization on making body and printing has been going on in early Meiji period, the bodies was made in Satsuma area Kagoshima pref.and was printed in Yokohama or Kyoto and so on. This piece was printed at Chindo workshop in Yokohama and stayed in Japan not be exported. It has sophisticated patterns of mainly shrimps. No chips no repairs. SIZE: 21.4cm(D)...

Since Satsuma printed porcelain have got a great reputation at Expo 1867 in Paris, Satsuma brand has been very popular in Europe.The specialization on making body and printing has been going on in early Meiji period, the bodies was made in Satsuma area Kagoshima pref.and was printed in Yokohama or Kyoto and so on. This piece was printed at Chindo workshop in Yokohama. It has sophisticated patterns of mainly fishes. And there is a tiny chip repaired on the edge. SIZE: 21.4cm(D)/2.4cm(H)

The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people, instead of Chinese porcelain. They are called as IMARI from the name of shipping port. We call the works produced in the EDO period as Ko-Imari meaning old Imari. This piece is supposed to be produced on the last EDO period. Extremely minute strokes in this piece are very excellent. No repairs or damages. Size: 18.8cm (D) 3.0cm(H)

An Imari three colour export squat round teapot of small dimensions decorated in a rich Imari pattern of various shaped panels of lobed and comma form set against a dark blue brocade style ground with Chrysanthemum flowers and gilt vine arabesques. The reserves plain and iron red inset with Karahana, Tang flowers, and Irises...

A nice quality Arita porcelain bowl decorated with a design of four panels of Hosoge or Karahana, Tang Flowers, in contrasting Iron red and under-glaze blue. This design appears in a number of variations on Chinese export porcelain from the late Kangxi period onwards, whether this is the precedent or homage to the Chinese pattern is difficult to say, but the porcelain would appear to be at least contemporary with the in general poorer quality Chinese examples. It dates to the period 1710-40...

The dish is in “Ko Sometsuke” style. It is decorated in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai...

The dish is in “Ko Sometsuke” style. It is decorated entirely in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai...

An antique Korean Vase with a fluted rim and medium long neck. The cream color glossy transparent glaze has small pittings and stains.

Date: 18th/19th Century

Dimensions: 8.5" tall X 6.5" wide

An Imari dish decorated with a central motif of bronze vase or censer with elaborate foliate handles containing Peonies, Maple branches and other flowers, flanked by low balustrade fences and sitting on board floor. The rim decorated with an unusual Aoi-mon (Tokugawa-mon) vine arabesque Karakusa border. The dish dates to the early 18th century circa 1700-1730. The reverse decorated with three branches of Peach blossom. A single ring to the interior of the footring...

A pair of choku with mesh design which can be used for either sake or tea. One is in ecxcellent condition and the other has two minor hair line but no problem for use. 19th century. Diameter:6cm H:6cm

A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China...

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820)...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide...

A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln...

An Arita foliate form dish decorated in underglaze blue with a band of auspicious shippo, cash, connoting a wish for wealth combined with mounds of evergreen Japanese Forrest grass, a symbol of longevity. Similar designs are to be found on Kakiemon porcelain of the Empo period where the same stylised motifs are used. The reverse painted with a sketchy small leaf arabesque combined with a spiral fuku in a double square...

An Arita rectangular form dish decorated with an elaborate enamelled Lotus arabesque set against a yellow ground with a central reserve with a Chinese style landscape. The reverse painted with waves and landscape elements and a longitudinal nien hao six character mark for the Emperor Chenghua. The dish dates to the late 18th century circa 1770-1800. The lotus with yellow ground immitates contemporary Chinese Imperial porcelain of the Qianlong period...

An Arita Nagazara decorated with a Chinese style estuarine landscape in underglaze blue. The reverse decorated with further island vignettes and the base with a four character Chenghua mark. The dish dates to the late 18th century circa 1770-1800. The dish measures 20.8cm in length, 12.4cm in width with a height of 3.8cm. It weighs 378 grams. It is in good condition with no cracks, chips or restoration.

A fine Arita Chawan, rice bowl and cover, decorated with a tripartite scheme. The design quite cleverly incorporates the three principal styles or schools of Japanese Art of the late Edo period, the Namban, the Rimpa and the Bunjinga School. The first panel shows a Dutchman, gaijin, holding a cane standing in front of a table upon which there is a crackle glazed vase with Peacock feathers and a brush-pot...