A Japanese cast iron tetsubin or water kettle with an undulating rim. The sides are cast in relief with a temple compound amid pines in a generic landscape, the reverse with sparrows in flight, all above a key-fret band. The kettle has a typical stubby "S" spout, wrought iron overhead swing handle, and is fitted with a bronze lid having "garlic clove" knop...

1900's Japanese Cast Iron Gold & Silver Inlay Tetsubin with Bamboo & Bird

It is 7 inches (17.8 cm) tall measured with handle up and 4.5 inches (11.5 cm) tall measured with handle down by 6 inches (15.2 cm) wide. It is 2.5 Lb. It will hold 900 ml (cc) water.

It has rust, loss of gilding, missing a leaf of the finial, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

An eye-catching combination of brown-black colors and old expertly applied gold repairs on a classic Japanese E-Karatsu tea bowl dating from the middle of the Edo-Period (1603-1868).

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Banko polychrome enamelled terracotta teapot, representing on each side masks from the Japanese folklore. Handle in wickerwork.

On the spout, Hyottoko, a comical and childlike character. He is recognizable by the shape of his elongated mouth with two red dots (he blows fire with a bamboo pipe), his white scarf with blue dots around his face and his eyes of different sizes...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords...

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in)...

A real cute, Kawai miniature Kyusu style teapot for green tea with a side handle, made in the tradition of (Otagaki) Rengetsu yaki, from Okasaki production center, Kyoto. Chamotte with a nice craquelure glaze. Size L 10 x h 4 cm. Otagaki Rengetsu (1791–1875) was a Buddhist nun, famous for her calligraphy but also for her production of ceramics for tea appreciation which she would embellish with her poems. Meiji 1868-1912. Good condition.

Late Meiji (1890s to 1912) Japanese ceramic covered box imitating a shape of a drum with nails along its perimeter and with thick enamel decoration of grasses with white flowers on the top, possibly to store cosmetics or to be used in tea ceremony. Very well made stoneware body with beautiful spiral lines on the bottom showing how the piece was taken off the potter’s wheel...

A rare and interesting, rectangular incense burner (koro) of Seto ware covered in a wet, curry-coloured glaze running thin at places, leaving the raw core exposed. Japan, probably early Edo, c. 1650. H 6.5 cm, L 10.5 cm, W 7.5 cm. Condition: Excellent with slight wear from use.

A cute Kutani ware incense box and cover (Kogo) in the form of a mandarine duck (Oshidori) in typical Kutani color pallet: green, yellow, blue and black. The bottom part with Kutani stamp at the base. Enclosed in an inscribed old tomobako. L 8,5 H 5 cm. Late Meiji to early Taisho. Good condition.

This is absolutely rare:

Late Momoyama Period Wan-shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro Oribe bowls this bowl was covered with a black glaze...

One of a kind! Very rare and unique Seto Chawan from the Meiji Period (1868-1912) which combines a unique mosaic pattern glaze on the outside with an artistic Neriage/Nerikomi technique on the inside. There is a signature of the potter inside the foot.

Nerikomi (練り込み , lit. "kneading") is an artistic technique for creating Japanese pottery in multiple colors of clay...

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old...

Nice little teapot in satzuma earthenware. Decorated with a landscape of madarin ducks, symbol of marital happiness. Original handle in woven bamboo fibre. Signature of the artist, I did not look for it but I can do it on request. Perfect condition. Width about: 11cm

1900's Japanese Lavender Amethyst Crystal Carved Kogo Box with Butterfly

It is 1.01 inches (2.58 cm) tall by 1.85 inches (4.7 cm) wide. The box is It is 1.9 inches (4.8 cm) tall by 1.7 inches (4.3 cm) wide by 2.4 inches (6 cm) in length. It is 34.8 gram. Total weight with box is 52.4 gram.

It has inclusion, flea bite chips and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Japanese Cast Iron Tetsubin, Tea Kettle, tea pot signed by "Ryobundo", "as is" condition, Meiji period, 1910, 8 1/2" high include handle, 7 1/4" wide include spout, signed under the Bronze top, the top knob is damaged. The surface finished with raised circles on the upper section and sandy finish.

Kogo, container for storing incense during the tea ceremony, in the shape of the bud of a lotus flower.
The bottom half decorated on the outside with classic lotus sepals, as used to image a Buddhist lotus dais, in relief. The top half also decorated in low relief in a much more stylized manner. The closed lotus bud, crowned by a 16-petal chrysanthemum and topped by a knob, which is probably a stylized rendering of the chrysanthemum heart.

Alternatively the shape could refer to the s...

Mizusashi or kensui in the shape of a Chinese boy, or karako, holding Hotei’s large bag over his shoulder, as if dragging it.

Over brownish beige very fine stoneware a layer of mottled brown glaze has been applied, over which a blue-green finely crackled flambé dripping glaze. The inside covered with brown mottled glaze, the outside bottom left unglazed.
Impressed mark in the bottom: Kato Shuntai.
Japan, 19th century.
Height: 3.25 in.; diameter: 6 in. (8.3; 15.2 cm)