A small antique Japanese iron tsuba decorated with motifs of cherry blossoms blown in the wind. The tsuba is decorated in a way where on one side is a branch of the cherry blossoms and the other side is the flowers scattered on the ground. The flowers are done in a shakudo style technique. Size: Diameter 2.75" Height 0.2"
Japanese brooch made from coral, beautifully carved into a fan surrounded by flowers, leaves, and swirling winds, with a goldtoned metal backing and fastener. 19th century
Size: 1" tall, 1.5" wide
A large, and heavy, Stick Stand, ( for holding walking sticks and umbrellas), profusely decorated, in Satsuma style, with a panapoly of historical scenes enclosed within elaborately enamelled textile (?) patterns and surmounted by a large coiled dragon amongst stylized clouds. This item was made in Japan for export to Europe or America during the late 19th or early 20th Century.
Condition: there are chips to the rim, some cracks around the base and losses to the head and claws of the dragon...
Here we present a tasteful kuro (black) Oribe kutsu chawan from the mid Edo period.
It has an interesting shape with fantastic black glaze and two different images on it. This bowl is unmarked, which was typical for tea bowls of this era.
We offer this tea bowl with a very good box (kiribako).
No cracks or repairs - except inborn kiln cracks...
Japanese small lacquer chest from the Meiji period (circa 1900). Beautiful lacquer detail with playful fudogs and butterflies. Fine details in the hardware and lacquer on each of the panels.
Dimensions: 19" Long X 18 1/4" High X 11 3/4" Deep
This is a wonderful tea bowl of Japanese Hagi Ware, which was made about 100 years ago.
The seal of the potter is stamped on the bottom. Some natural glaze cracks, which were intentionally created in the time of the firing process, are very nice. This bowl has an authentic wabi sabi taste.
Hagi Ware is a type of Japanese pottery most identifiable for its humble forms and use of translucent white glaze...
Late Momoyama period cylinder shaped (Hantsutsu - slightly destorted but not a Kutsugata yet) tea bowl made of light, rough Mino clay. The fastly but expertly thrown body in the style of a Narumi-oribe bowl, which is a variation of green Oribe style. The whole body with the exception of the foot and it surrounding area are covered with a thin ash glaze, a low iron content of the body has coloured the the glazed part light brown; the brim is accented with copper oxide glaze...
An absolutely stunning Edo period (1700s) Kuro Oribe Chawan covered in thick, ink-black crackle glaze and some fine cream colored decoration.
The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers. A high quality box called Shiho-zan is part of the offer. The four sides of the box are surrounded.
No chips or repairs...
Japanese hand warmer made from bronze, with a handle and a floral-patterened openwork lid depicting three men playing the Japanese board game Go. The sides of the hand warmer show beautiful scenery with trees, mountains, three figures in a canoe, and one figure standing over a bridge. Signed on bottom. Meiji period (1868-1912)
Size: 5.5" tall, 7" diameter
An impressive Japanese Soto zen calligraphy by the noted calligrapher, Gesshu Soko (1617-1696). Gesshu was known for his research and interpretation on Dogen's work, Shobogenzo (The Treasury of the Dharma Eye). The calligraphy is a famous zen phrase which translate as: The moon reflected on the water while the breeze amidst the pines blow in this eternal evening. What is the cause or purpose on this pure twilight...
An energetic and bold zenga painting depicting the wish fulfilling jewel known as a hoju in Japanese. The jewel represents the energy of the dharma and often is used for the hope that people's wishes can be granted. Signed Shunbokuzan. Provenance James Coburn Estate.Age: Edo Period Size: Length 49" Width 22.75"
It is indigo dyeing Patched Sashiko-stitch beautiful BORO kimono of very rare and amazing in the Edo era . This is all an original state.This can enjoy both sides. As for this, the good cotton of a texture spun by hand in the Edo era is used. This was colored into Katazome, Shibori, solid color with an indigo plant of nature. This was found in the very rich area of the Tohoku district. It was food, money and an easy heart. As for this, hemp thread is used all for Sashiko...
Up for sale is our oldest Japanese Tokkuri (Sake bottle). It dates from the Momoyama Period with an age of 400 years and has a very tasteful glaze with vivid colours. Close to the bottom there is a kiln mark (refer to picture no. 6)
The Tokkuri can be used with a little flower as a wabi arrangement...
A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...
A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life...
We present a Hagi chawan from the Koraizaemon Saka family, offered with the original wood box, dating from the Meiji Period
No cracks and repairs.
Size: 7,9 cm in height x 12 cm in diameter.
The first Hagi wares, a glazed, high-fired stoneware, originated with the Korean potter Li Kyong. He was brought back to Japan by Lord Mori Terumoto after the invasion of Korea in 1593. Many potting centers in Western Japan, such as Agano, Takatori and Satsuma, date their beg...
This superb ivory carving of an aristocratic young woman holding a child is a mid or late Meiji period (1868~1911) product. The woman is formally dressed in a kimono decorated with patterns and floral designs. Her hair is elaborately coiffed. She holds a boy in her left arm and a parasol in her right hand. The child is holding a branch of chrysanthemum. The piece is very well executed and stands 10 ¼” high, 4” wide and 3 1/8” thick (measured from the bottom). The artist’s signature...
A fabulous Japanese cloisonne vase purchased from the 1893 Chicago Exhibition. Inside the vase is an old decaying leaflet given to the buyers by the exhibitors. On a fragment one of the massive vases displayed by Suzuki can be seen on this paper (See image). There is more to this faded image on the reverse buy it is hard to see. The vase is one of the well known vases with the eagle finial. Every one of the Suziki pieces was approved by the Emperor for this exhibition. This vase is special. It w...
