Pair of 1900's Japanese Bamboo Carved Vase with Figurine

Each is 14.9 inches (38 cm) tall by 6.4 inches (11.8 cm) wide. Total weight is 2.8 lb.

They have hairline cracks, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A sparse image of tiny boats, sails stretched with wind floating out off the coast by Shirakura Niho enclosed in the original signed wooden box titled Enko Hobari (Sails Stretched in the Distant Harbor). Pigment on silk bordered in patterned cloth extended in beige. The scroll is 65.5 x 132.5 cm (25-3/4 x 52 inches). There is some toning to the silk typical of age, but is in overall fine condition...

The box is made of iron embossed with a hammer, the forging work itself is admirable, it presents a particularity rarely encountered in works of this type, in fact the artist sculpted the trunk of the tree hollow in the iron and forged the branches in relief. The inlays are in shakudo (copper and gold alloy), sentoku (copper alloy) in silver and gilded copper. The details are solid gold. The tree, rocks and plants are admirably drawn and perfectly executed...

Antique Japanese Musha-ningyo doll of a samurai warrior, the hero Minamoto Yoshitsune. He is seated and wears an elaborate kabuto with dragon meadate. His quiver and arrows are strapped to his back and his two swords are intact. His clothing is made of silk brocade and his armor is metal and lacquer...

Antique Japanese ceramic figure of a rabbit. Glazed with a crackle glaze. Recumbent from with head slightly turned. Details of eyes and nose in black and gray.

Age: Taisho Period (early 20th century)

Dimensions: 4 1/4" high x 8" long x 5 1/2" wide

Old Japanese Green to Blue Nippon Coralene Handles Vase with Roses Marked

It is 9 inches (22.8 cm) tall by 5.75 inches (14.6 cm) wide. It is 1.6 lb.

It has rubbing of gold, stains, minor missing beads, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

A peaceful cluster of homes blanketed in snow by Shirakura Niho enclosed in the original signed wooden box titled Kamo Sekkei (Kamo in Snow). This is likely an image from very close to the artists heart, he lived west of the Kamo River in Kyoto, and one can imagine this being one of the bridges spanning that river he has seen out on a winter day. Ink,Gofun & Light color on Silk bordered in light colored cloth...

This scroll is an excellent example of the early Showa era style of Shirakura Niho centering around 1930 enclosed in the original signed wooden box titled Teishu Sotai. The painting features two persons in a boat contemplating a precipitous waterfall which extends up through the clouds. The phrase Teishu Sotai in old Japanese translates to "meeting of moored boats" in English...

A work so compositionally striking we chose it for the cover of the exhibition catalog by Shirakura Niho titled Baika Shoin Zu (The Plum Blossom Retreat). Pigment on silk in a silk border enclosed in the original signed wooden box. It is 55.5 x 127.5㎝ (21-3/4 x 50 inches) and is in excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974) was born the first son of lawyer and scholar Shirakura Shigeichi in Shibata city, Niigata...

Antique Japanese bronze censer in the form of a monkey. Elongated right arm is holding a ring attached to a chain and another ring for hanging. The monkey's left arm hangs by his side and it's tail wraps around. There is a round door in the back for inserting incense. The smoke would come out an opening in the monkey's mouth. Charming expression. Deep patina.

Age: Meiji Period (1868-1912)

Dimensions: 22" high (29" including chain)

Unusual 19th century Japanese carved wooden head of rakan - one of the 16 (sometimes the number is given as 18) initial disciples of the historical Buddha.. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina. The bottom of the post is branded with the mark of the workshop where the piece was carved. Height 3.71 inches.

Unusual 19th century Japanese carved wooden head of a scholar. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina, inscribed in ink on the back of the post. The bottom of the post is branded with the mark of the workshop where the piece was carved. Height 3.64 inches.

Unusual 19th century Japanese carved wooden head of a warrior blind in one eye. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina, inscribed in ink on the bottom, inscription can be translated as GREAT SAMURAI MARUMITSU. Height 2.76 inches.

Unusual 19th century Japanese carved wooden head of a monk. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, old gesso painted eyes, beautiful patina, inscribed in ink on the back of the post. Height 2.6 inches.

Unusual 19th century Japanese carved wooden head of a courtier in a tall hat. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina. Height 4.6 inches.

Unusual 19th century small Japanese carved wooden head of a rakan - one of the 16 (sometimes the number is given as 18) initial disciples of the historical Buddha. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured sorrowful facial expression, old loss to the nose, beautiful patina. Lengthy inscription in ink on the base post. Height 2.2 inches.

Antique Japanese set of four lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 26"hight (tallest leaf)

Antique Japanese pair of jingasa, hats worn by samurai or foot soldiers. Lacquered black and marked with the mon (family crest) of the Ogasawara clan. The Ogasawara were descended from Seiwa Genji. They acted as shugo, governing Shinamo Provence during the Sengoku Period (1185-1600). This pair of hats dates to the Edo Period (1608-1867) when the Ogasawara were daimyo (feudal lords) of territories on Kyushu.
The underside of each jingasa has gold leaf and remnants of padding...

Beautiful Chinese fragment of a dragon , Kangxi period, Qing dynasty. Decorated with 5 five-clawed dragons. Dimensions: 167 by 53 cm . if you need extra pictures or video, please add me on WhatsApp 001-3478390669

Height: 22 cm (8.8 in)
Width: 11 cm (4.3 in)
Depth: 8 cm (3.2 in)

Fine pair of Meiji bronze elephant bookends; very well modelled skin and musculature throughout; tusks are of a natural material; both pieces signed on the base; good condition

Ivory okimono which portrays an affectionate scene of daily life: a father holding his child in his arms while holding the toy desired by the child. The okimono is signed Tomokata under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 17.5 x 6.3 x 5.3 cm. State of conservation: Very good

Satsuma vase, with slender neck and terminal part adorned in pure gold decorated with a garden of chrysanthemums, made with enamel and gold in relief. Different varieties of chrysanthemums are depicted, with precision and detail, which differ in the shape, color and size of the petals, creating a fascinating visual effect. Signed under the base Kinkozan in gold on a framed black background and signature imprinted in the ceramic. Origin: Japan Period: Meiji end of 19th century. Dim...

Kogo box in maki-è lacquer, with a rounded lid depicting a naturalistic scene. The gold decoration depicts the Japanese pine, known as Matsu, and a typical house with a thatched roof along the banks of a waterway. Sold with its tomobako. Origin: Japan Period: Meiji end of 19th century. Dimensions: 3.5 x 7 x 8 cm. State of conservation: Very good

This is the indigo-dyed cotton Tsutsugaki Nobori flag dedicated to the Inari Shrine during the Edo period. Among the characters of tsutsugaki, it is an item written with very high technology...

A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

Large bronze vase depicting an egret, in relief, on a perch in the center of a watercourse, surrounded by four swimming fish. The figure of the egret emerges from the vase with remarkable three-dimensionality and depth. Signature engraved under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 46.5 x 22 x 23 cm. State of conservation: Very good

Satsuma ceramic plate adorned with polychrome and gold decorations within numerous reserves of unique shape and size, depicting scenes of Japanese daily life. The plate is signed under the base 'Dai Nihon Yokohama Hotoda shōten seizō'. Origin: Japan Period: Meiji end of 19th century. Dimensions: 4 x 29 cm. State of conservation: Very good

An ivory okimono, carved from a single block, depicting a hunter accompanied by an onagadori rooster and a child with a net in his hand. Yukiharu 之晴 signature in relief seal under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

Festival costumes for children made and used in the Kanto region. Since this item was used in the summer, men-chijimi is used. This material was the highest quality item for children in the late Edo period. The finest materials are used by skilled craftsmen to draw the finest lines, which are extremely sharp and delicate. The blurring technique gives the hawk movement and makes it dynamic. The cotton material is hand-spun men-chijimi. There are some small stains, but they are not noticeable. ...

A museum piece. Dated Manji 2 (ca. 1659) April Auspicious Day. Large, heavy bronze shrine lantern with hoju embossed under the top petals. Beautiful diaper patterns on the panels. Originally used as an oil lamp. Very good condition. 15" wide x 22" tall. Ask for shipping quote.

A bag which is hand-plaited with indigo dye hemp string. It is carried on the back with various items. 19th to early 20th century. One string is cut. W:15cm, L:62cm

A fascinating Jar-shaped set of stacking food boxes known as a Jubako in multi-color dating from the early 20th century. Jubako were used to serve food to groups or family on festive occasions, where the food was presented in the box, and each person would take what they wanted, rather than have the meal served on individual dishes as in more formal Kaiseki meals. Assembled it is 20 cm (8 inches) diameter 32.5 cm (13 inches) tall and is in overall excellent condition.

Very large tile in the shape of (and virtually in the size of) a handscroll decorated in underglaze blue with a crashing wave and a full moon. The image is surrounded by borders of geometric flowers and medallions filled with a phoenix. Some of the phoenixes looks left, others look right. Medallions colored in underglaze pink and yellow.

On the back are two ‘loops’ to hang the tile up.

Japan, Seto, Meiji era, 1870s-1900.

H 10.6 x W 39.25 x D 0.25 in.

Excellent condi...

Ivory netsuke of a craftsman making a bucket.

Signature below, the first unidentified character : ?光.

Japan – Late Edo period (1603-1868) ou Meiji era (1868-1912), 19th century – ?光
Width: 1.2 in (3.8 cm) – depth: 1.2 in (3.7 cm) – height: 1.2 in (3.8 cm)

Ivory netsuke of a craftsman with a fan. Near the holes reserved for the rope (himotoshi), maple leaves.

Signed below, the first character unidentified: ?夫 .

Japan – Late Edo period (1603-1868) or Meiji era (1868-1912), 19th century – ?夫
Width: 1.9 in (5 cm) – depth: 1.6 in (4.5 cm) – hauteur : 1.6 in (4.2 cm)

Boxwood netsuke of two chestnuts, one smaller on top of the larger.

Chestnuts, found all over Japan, are considered a symbol of victory and a good omen.

Japan – Meiji era (1868-1912)
Width: 2 cm (5 cm) – depth: 0.8 in (2.8 cm) – height: 1.6 in (4 cm)

Okimono bronze sculpture of a garlic head with a few cloves visible.

Unidentified mark on the base, most likely from the foundry.

Japan – Meiji era (1868-1912)
Width: 2 in (5 cm) – depth: 1.5 in (4 cm) – height: 1.8 in (4.7 cm)

Ivory netsuke of a guardian lion, komainu in Japanese or shishi in Chinese, with golden eyes. Resting on its front paws, its head is turned backwards on a four-lobed base.
The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to ward off evil, it appears on both sides of doors and portals in Shinto shrines and Buddhist temples.

Japan – Meiji era (1868-1912)
Width: 13 in (3.3 cm) – depth: 1.2 in ...

Height: 4.8 cm (1.9 in)
Width: 2.8 cm (1.2 in)
Depth: 2 cm (0.7 in)

Japanese carved netsuke of an Oni carrying Okame on his shoulders; fine details throughout; natural material; lacquer tablet on the base; good condition

Length: 9.3 cm (3.8 in)
Width: 5.9 cm (2.4 in)
Depth: 1.8 cm (0.7 in)

Quality Japanese Komai style cigarette box with a built-in vesta case; fine inlaid silver and gold work throughout; minimal wear

Japanese pair of porcelain Inari kitsune (foxes). Glazed and painted they sit on brightly colored bases, one with a scroll, the other with a ball in it's mouth.
Also called zenko, these good spirit kitsune are specifically associated with the goddess, Inari. Believed to be both messengers and guardians, kitsune served Inari in her role as goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it’s ability to shape shift into human form. It is believed...

1900's Japanese Ando Jubei Cloisonne Box with Gold & Silver Wires & Maple Tree & Birds

It is 2.28 inches (5.8 cm) tall by 4.76 inches (12.1 cm) wide and 6.45 inches (16.4 cm) in length. It is 2.6 Lb.

It is tarnished and has enamel chips, enamel bruises, rubbing of gold, minor bent and cut marks at the inner metal rim, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purch...

Antique Japanese set of four lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 24"hight (tallest leaf)

Antique Japanese root wood basket. Made of a single piece of carved burl. Beautiful grain.

Age: Taisho Period

Dimensions: 5 1/4" high x 12" long x 7 3/4" wide

Antique Japanese Lacquer Fubako, a box used to store document. Of deep rectangular shape, decorated with twigs of different flowers, mainly chrysanthemum and morning glory and leaves in gold and silver hira maki-e on a gold nashiji ground. The interior in loose nashiji on black ground. Fitted with two metal mon rings. Size: L 38 x W 7,5 x 8,5 cm. Edo (1603-1868) 19th century. Condition: Good with a few minor nicks along the inner corner of the lid(see last picture). Some wear related to age...

The ultimate in tranquility, a sage aloft his peak gazing out at the fresh green landscape, one can hear the rush of the falls in the distance, and occasional birdsong on the spring breeze. The painting is by Shirakura Niho and comes enclosed in the original signed wooden box titled Kankyo Chosen (Leisure Life at the Quiet Spring). Ink & Pigment on Silk, it is 54.5 x 134.5 cm (21-1/2 x 53 inches) and is in excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974)...

A tiny figure sails on the placid lake depicted among exaggerated precipices of this early landscape by Shirakura Niho enclosed in the original signed wooden box titled Shunpu Taito. Ink & Light color on Silk, it is 59 x 130 cm (23-1/4 x 51 inches) and is in overall excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974) was born the first son of lawyer and scholar Shirakura Shigeichi in Shibata city, Niigata. His father was a noted Kangakusha, the pre-modern Ja...

A quintessential image of a tiny bean-shaped figure lost in thought, perhaps staring out to sea on a sunny hillock before cascading water in lush Spring-green washes by Shirakura Niho enclosed in the original signed wooden box titled Enpokihan (Distant Sails Returning). Ink & Light color on Silk in fresh green extended with beige featuring bone rollers. It is 64 x 143.5 cm (25 x 56-1/2 inches) and is in overall excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1...

Futonji with tsutsugaki (glue resist dye by free hand) made of hand spun cotton. It has traditional "Karajishi-Botan", imaginary lion and peony motif. The green ground cloth is dyed with vegetable indigo and natural yellow, the painting is colored with pigments. It is remade to futonji from originally yogi, which is a futon in the shape of kimono. The tsutsugaki technique is excellent and in excellent condition. Meiji period (1868~1912).

A fine Japanese cloisonné cigarette case. The top showing a cartouche with a bird flying among flowers on a green ground, the rock with little aventurine. The reverse with blossoms. The interior, the edges and wires are gilt. Condition: fine, minor traces of usage. Dimension: c. 8.8 x 7.7 x 1 cm.

A river runs past deeply forested hills populated by rooftops in this naïve ink painting reflecting the charm of rural Japan by Shirakura Niho. Ink on paper mounted in a green cloth border extended with beige featuring Shunkei nuri lacquered wooden rollers which would instantly call to mind the mountain village of Takayama, home of the Shunkei style. It is 52.5 x 116.5 cm (20-1/2 x 46 inches) and comes in the original signed wooden box titled Satoyama Fukei (Mountain Village Scenery).
...

This is a fabulous painting dated 1930 by Shirakura Niho enclosed in the original signed wooden box titled Ko-Ten-Bo-Setsu (Twilight Snow in the Bay). Viewing it one can hear the silence, the soft pattering of snow and the flap of wings as geese take flight in the distance. Shirakura Niho was from Niigata prefecture, so was a man who not only knew snow well, but was well known for his snowy landscapes. The scene is performed in ink and light color with white gofun on silk in a patterned cloth b...

A masterpiece painting by Shirakura Niho showing every aspect of his pre-war fame, lurid washes of color, wispy figures, a dreamlike allure, and hints at continental scenery. Here the foreground is dominated by a thatched hut, beyond which we see a single hazy figure twisting up in a narrow doorway beside twisting trees all like smoke rising to the sky. It is performed with ink and pigment on silk bordered in brass colored satin with rosewood rollers. It is 49.5 x 200 cm (19-1/2 x 79 inches) an...

A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center. Edo ...

Boxwood netsuke depicting a snake wrapping around a pumpkin. The snake is a symbol often associated with rebirth, transformation while the pumpkin is a symbol of fertility, abundance and prosperity in Japanese tradition. Signed Yoshimasa (吉正) under the pumpkin in “ukibori”. For similar netsuke see the Katchen collection, published N7, vol.2, p.31, no.K329. Origin: Japan Period: Edo 19th century. Dimensions: 3 x 3.5 x 3.3 cm. State of conservation: Very good

A bronze and ivory okimono depicting a street entertainer playing the shamisen, a Japanese musical instrument. The player wears a traditional kimono, rests his right foot on his box which he carries along with his umbrella on his traveling journey. It is signed Jōnan 城南 with engraving on the bronze. Origin: Japan Period: Meiji 19th century Dimensions: 21 x 20 x 15 cm. State of conservation: Very good

The sage gazes out from his hermitage clinging to the hillside upon a sparse scene of falling water and precipitous climbing peaks dominating this painting by Shirakura Niho dating from the prime of his career. Ink and light color on silk mounted in blue cloth with thin piping terminating in white ceramic rollers. It is 40.5 x 187.5 (16 x 74 inches) and is in excellent condition; enclosed in a modern wooden storage box. A published version of the Niho Catalog will accompany the work.
Shi...

A fabulous example exploring the various traits of traditional Shigaraki pottery with a thick swath of glaze covering one side, telltale feldspathic inclusions bursting from the raw clay opposite. This is a classic example of 16th century Shigaraki pottery. It is 29 x 31 x 35 cm (11-1/2 x 12 x 14 inches) and in overall excellent condition. The history of Shigaraki traces its origins to around the 12th century with the discovery of exceptional clay deposits rich in iron and other minerals which ...

Pink and blue iris blossom among the green promise of Spring promised on this elegant vase by Miyagawa (Makuzu) Kozan enclosed in a wooden box annotated by the current head of the Makuzu Family in Kyoto, Makuzu Kosai. It is titled Yukasai Shobu no zu Kabin. It is 30.7 cm (12 inches) tall and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyot...