A pair of rice bowls with their accompanying covers cum sauce dishes dating from the late 18th century to the early 19th century decorated entirely in enamels with gilding. Their exterior is decorated with a turquoise green brocade ground intended to simulate a Chinese enamelled scrafitto pattern of the period...
An interesting pair of Japanese Arita saucer form dishes decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...
A rice bowl and its accompanying cover cum small sauce dish dating from the late 18th century to the early 19th century decorated entirely in enamels with gilding. The exterior of the bowl and cover are decorated with a turquoise green brocade ground which is intended to simulate a Chinese enamelled scrafitto pattern of the period...
Kappa (cape) made of cotton kasuri on both sides which are hand-spun and natural indigo dyed. It is called "maru-gappa" or "hiki-mawashi" in old days. It was worn on the occasion of travel over kimono. It has washi (Japanese handmade paper) between two cotton cloth which is washed out and soft. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. The piping is made of handwoven hemp. Generally in good condition but has some holes and wear in cords...
A rare, attractively enamelled, figure of the Bodhisattva and Japanese "Goddess of Mercy", Kannon.. Unusually, she is seated on a large boulder inhabited by a writhing white glazed dragon...
This is an extremely rare cloisonne masterpiece. It was created by one of the great Meiji artists, Ogasawara Shuzo. It is also a very large piece for cloisonne, at 14 3/4 inches wide and 7 tall. It probably weighs over 10 lbs. The entire dragon is raised relief. This is an eye catching piece that truly belongs in a Museum. Condition is excellent.
Japanese two section tansu made of Kiri (paulownia) natural finish wood. With hand forged iron hardware incised with motifs of cherry blossoms and fans.
Meiji period (1868-1912)
Dimensions: 34 1/2" x 15 3/4" x 40 1/2"
Antique Japanese scroll painting of a monkey seated near a blossoming peony. Painted with great expression and much attention to the details of the face, hands and feet of the monkey. Every hair is carefully brushed. Painted in light mineral colors and ink on silk. Bone ends. Signed Mori Sosen (1747-1821) with seal.
Edo period (1603-1868)
Dimensions: Total size: 44" high x 18 3/4" wide (20 1/2" wide including ends. Size of art: 12 3/4" high x 14 1/2" wide.
A fine, Mishina school tanto, forged and signed collaboratively, Omi no Kami Minamoto Hisamichi and Chakushi Minamoto Rai Hisatsugu with edakiku (branched chrysanthemum) above the two signatures. Dated on the verso 'a day in August of Genroku 15' (1702). In full polish, in shirasaya, accompanied with original koshirae with fine fittings including floral and snow on persimmons motifs. Included are kozuka, kogai, tsuba, fuchi-gashira, menuki...
Japanese Buddhist Zushi (portable shrine) with bright red lacquered wood exterior and gilt interior. Shrine with the statue of sitting Fudo Myoo, the fierce deity with his pair of attendants, is seated on a craggy outcropping. The double doors decorated scrolling gilt metal work.
Buddhist traveling altars and shrines create a sacred space of spiritual magnetism and are the product of dedicated craftsmanship...
A large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eyes. The dragon clutches a smooth clear quartz crystal ball in its 3 point sharp claws. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves.
Dragons are the powerful embodiment of yin and yang and are seen as a symbol of power, strength, and good luck for people that are worthy...
Antique Japanese wood ranma (transom) with a black lacquer frame. The center panel is carved with a landscape scene of a bridge with pine trees and rock formations.
Dimensions: 73" L x 1" D x 13 1/2" Height
Antique Japanese copper and bronze tsuri-doro, Buddhist temple hanging lantern. Six sided lantern with doors decorated with pierced designs of kiri blossoms and scrolling leaves. The base stands on feet which have a repouse design of lotus leaves. The top finial and handle is in the shape of a budding chrysanthemum flower. The double door is latched with a flying crane...
Antique Japanese Samurai meadate (samurai helmet decoration) of a gilt dragon made of hand carved wood with lacquer, and metal. Details of whimsical flowing hair and long eye lashes. Mounted on a custom antiqued bronze metal stand for presentation.
Late Edo period
Dimensions: 17 3/4" x 4 1/2" x 6"
From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
In the style of Seto kuro bowls this Chawan was covered with a light brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze...
Japanese Kiri Ko tansu with lock bar. Original red lacquer finish with hand forged iron plates and mounts. Safe box in corner conceals two small drawers within.
Meiji period (1868-1912)
Dimensions: 24 1/2" L x 13 3/4" D x 19 1/4" H
A Japanese tea-bowl and saucer of small “cha-sen” proportions decorated with a pair of Doves, symbols both in Europe and Japan, of marital fidelity, and a pair of small beakers with barbed lotus form rims decorated in a similar palette with reserves containing brocade patterns and a small boat set against a shore, as well as flowering prunus and other plants. The beakers have auspicious four character fukichosun marks to the base.
The beakers measure approximately in 7.7cm in diameter and s...
A good quality deep bowl on a relatively high foot-ring decorated in a full Imari pallette, sans aubergine enamels, and decorated with a curiously constructed set of three reserves in underglaze blue with a central stylised Chrysanthemum (or possibly a Lotus, or fusion of the two) with assymetric stylised vine like scrolls surrounding a light iron red wash with gilt karakusa vine ground. Between which “naturalistic” seasonal motifs kakitsuba, rabbit eared, Irises, Botan, tree peonies, and Ch...