On offer is this rare type of nezumi mizusashi made of shino-yaki.

It dates from the mid to the late Meiji Period and is in perfect condition.

There are no damages, cracks and repairs.

Size:

17,5 cm height

13 cm diameter

16,5 cm trunk diameter

Weight:

1400 g

Shipping included

This is a real old Japanese mizusashi made of Oribe clay. It dates from the early Meiji Period.

Signed on the bottom from the artist.

It is in great condition - no repair, no crack, no water leak.

Size:

15 cm height

13 cm diameter

15 cm trunk diameter

Weight:

1,3 kg

Shipping included

Japanese Silver Sake Ewer w Rattan Handle

Description & Size

Sake Pot: 13.33 x 7.62 x 10.16 cm (5.25" x 3" x 4") height & wide without & with rattan handle; Sake Cups: 3.81 x 5.08 cm (1.5" x 2") height & wide

Weight: 184 gram (6.49 oz); Age: Taisho Period Circa: 1920'; Material: Silver & rattan; Production: Handcrafted

This is a unique Japanese silver sake ewer / teapot with original rattan handle with etched grooves through out the body and cups...

This beautiful chawan (tea bowl) was made in the oribe style, a more than four hundred year old tradition from the central part of Japan in the ancient Mino province.

That tradition was in part influenced by tea master and warrior Furuta Oribe (1545-1615) who developed his own style of tea ceremony. The bowl is very well made and in perfect condition. It dates from the mid Edo Period and has no repairs or damages except inborn kiln cracks...

A fine Kakiemon shallow dish of moulded octafoil form decorated in underglaze blue and enamels with a scene from the Tale of Ise featuring the famous eight planked zig zag bridge, Yatsuhashi, over a bed of Irises, kakitsuba. The Kakiemon version combines trailing Cherry blossom with clouds and rain. The lower half of the design incorporates further familiar Kakiemon elements, the almost trade mark, turbulent waves and a water fowl, amongst Irises...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the sarasa ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the “sarasa” ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise...

This is an upper child kimono of the Shonai district (Yamagata). It features blue dyeing and beautiful Tutugaki The Yuzen process of the freehand drawing is beautiful, this is thick cotton spun by hand. And crane and tortoises of the freehand drawing run well too. Lining is cotton dyed with rouge made specially in Yamagata. There are four stains of approximately 1cm (figure 1). There are two places extremely thin stain (figure 2). And there is one place of old rectification (figure 3)...

Large Japanese porcelain baluster vase, decorated all over with beautiful scenes of mountains and waterfalls, pavilions peek through trees and boat sail on water. The shoulders of the vase are painted with mountain peeks in green and blue and swirling purple mist. Mark on bottom states that this is Arita ware from the Egami Studio. Taisho Period c1920. Size: 18" high x 11 1/2" wide

A splendid and unusually large tetsubin decorated with geometric patterns with peonies and butterflies set within a frame. This piece is a collaboration of two major artists. The body has a seal by the kama-shi or tea kettle maker, Okuni Jurou, and the lid is signed by Kinryudo. Okuni Jurou, along with his father Okuni Toubei were famous for their skill and artistry during the Meiji and Taisho Periods. Condition is original and excellent. Size: Diameter 9.5" Height 14"

Japanese Satsuma Kinkozan Vase

Description & Size: 19.05 x 11.43 cm (7.5" x 4.5") height & wide; Weight: 386 gram (13.61 oz); Color: Porcelain Blue & gold

Age: Meiji Period 1900'; Material: Porcelain & gold; Production: Handcrafted & baked

This Japanese Satsuma Kinkozan vase is a very picturesque...

Beautiful Japanese antique fan painting of irises, painted in ink and mineral colors on paper that was once silver leaf but has worn and oxidized a beautiful sepia color, wet on wet painting technique, Rimpa School, !9 century- Late Edo/Meiji Period. Size: 21" long x 7" wide.

Japanese antique tetsubin (kettle for heating water for tea), made of cast iron, dramatic and very three dimensional design of a dragon in swirling waves, highly raised with wonderful detail, bronze lid with lotus pod. Meiji Period c1900. Size: 9" high including handle x 7 1/2" wide including spout.

Japanese persimmon wood cha tansu (tea chest), made chestnut wood frame, kiri (paulownia) wood drawer interiors, and beautiful solid persimmon wood panels, dramatic grain, large compartment opens with sliding panels to reveal stepped level shelf inside, Taisho Period (c1920). Size: 35 1/4" high x 29 1/4" wide x 12 3/4" deep.

Japanese Sterling Silver & Enamel Censor

Description & Size: 10.79 x 12.7 cm (4.25" x 5"); Weight: 257 gram (9.06 oz)

Age: 1868 - 1912 Meiji Period; Material: Sterling Silver & Cloisonné enamel; Production: Handcrafted & hand hammered

This is a nice & fine production of a Japanese Sterling Silver & Censor Circa: 1868 - 1912 Meji, with cloisonné enamel added to garden flowers, & sparrows...

Japanese Silver Millefleurs Teapot

Description & Size: 8.89 x 12.7 x 8.12 cm (3.5" x 5" x 3.2") height & wide with & without spout & handle; Weight: 158 Gram (5.58 oz)

Age: Meiji Period 19th; Production: Handcrafted & hand hammered; Material: Sterling Silver

This is a Japanese Sterling Silver Millefleurs Teapot Circa: 1900th Century Meiji Period. It's handcrafted & hammered with multiple reliefs of millefleurs around the teapot's body & lid...

Japanese Silver Teapot w Gold Chrysanthemum Finial

Description & Size: 6.98 x 8.25 x 13.53 cm (2.75" x 3.25" x 5.33") height & wide with & without spout & handle; Weight: 208 gram (7.34 oz)

Age: Taisho Period c20'; Production: Handcrafted & etched; Material: Silver, Gold, Ivory

This Japanese silver teapot w gold chrysanthemum flower finial is a superb construction with heavy gauge sterling silver for a personal teapot...

Japanese Silver Teapot w Jade Rings

Description & Size: 7.62 x 12.7 x 7.62 cm (3" x 5" x 3") height & wide with & without spout & handle; Weight: 111 gram (3.92 oz)

Age: Early Meiji Period; Material: Silver, Ebony wood, & Jade; Production: Handcrafted

This is a nice personal Japanese silver teapot with ebony wood handle & a unique jade rings as a finial. It's a handsomely handcrafted for a tea connoisseur of the time...

Japanese shunga woodblock print from the Meiji period.

The print features a close-up of a Japanese woman and her lover - a rare find!

The print was purchased in an antique bookstore in Jinbocho Tokyo 1951 and is in good condition with minor staining (see photos below).

Size of print: Approx. 19.5cm x 13cm.

Shipping included

Impressing black Raku tea bowl, signed Kichizaemon, of the Raku family.

The signed box is labeled “10th generation”, which means Tan-nyu (1795-1854). It represents true Japanese Chado, made from of one of the most famous potter clans in Japan. Most pieces of Kichizaemon Tan-nyu are hold in museums.

Tan-nyu Raku was born the second son of Ryonyu, he succeeded as the 10th generation Kichizaemon in 1811...

Japanese Tetsubin Cast Iron Teapot Kettle

Description & Size: 24.13 x 19.05 x 16.51 cm (9.5" x 7.5" x 6.5") height & wide with & without spout & handle; Weight: 1844 gram(65.04 oz)

Age: Meiji Period c1900'; Material: Carbon iron & silver; Production: Hand wrought & crafted

This is a rare & definite a treat for the tea connoisseur of the time...

Very old Japanese large size red negoro lacquer wood tray for tea ceremony. It dates from the late Edo / early Meiji Period approx. 150 years ago.

Condition is excellent with some wears due to age. This carved oval wood tray is an authentic item of old Japanese tea ceremony culture.

Description / Height: 1.05inches, Width: 16.77x11.77inches, Weight: 582g

Condition / Good

Material / Wood

Shipping included

A refined and elegant statue of Amida Buddha along with Samantabhadra and Avalokitesvara also known as either the Amida Triad or the Three Sages of the Pureland. The triad became popular during the Kamakura Period around the 12th- 13th centuries and a rich visual culture surrounding the triad emerged. Age: Edo Period Size: length: 21.5" width: 13" height" 37.5"

Japanese late Edo Period (ca. 1860 / 150 years ago) buddhist bronze bell from S¨­fuku-ji ( ³ç¸£Ë ) Temple in Gifu.

Measurements diameter 21 cm H 23 cm. Materials: bronze, wood, silk...

Japanese Satsuma Koro of square section. Singned Meigyoku. 19thC. Height excluding metal cover 4 3/4" (12.0cm). Excellent condition, some staining to base.

This is a CHOSHI of Japanese lacquer ware. CHOSHI is a kettle for the sake which was made about 170 years ago in the late Edo period.

This is an old original item of master craftmanship. It is never imitation. It is lacquered on wood and never plastic etc. Used was only real Japanese lacquer. This incredible lacquer work is called MAKI-E.

MAKI-E is made carefully, applying very long days and months. As it requires highly-skilled craftsmanship and emotional strength to p...

Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

A very finely painted Imari porcelain bowl, decorated on the outside with underglaze blue and over glaze iron red and with a central kinrande style panel of gilt floral scrolling. The interior is painted in polychrome enamels and is decorated with the "Three Friends of Winter" - Bamboo, Prunus (plum) Blossom and Pine Tree and with a Crane and a mythological Turtle to the centre. On the base is an iron red Fuku (good luck) mark. This item was made in Japan in the 19th Century, probably during ...

An Arita dish in Kakiemon style dating to the period 1670-90 decorated in Shikishi Chirashi style with “Shikishi”, shaped poem cards which were used for the composing of both Poems and Small Paintings ,scattered, chirashi, over am asymmetric arrangement of Kara Kusa with Baika, plum flowers. The inset paintings depicting a clouds and a hermit’s refuge. The reverse decorated with a classic lotus scroll ring and a six character mark for the Chinese Emperor Chenghua. A small footed dish with ...

An Arita dish in Kakiemon style dating to the period 1670-90 decorated in Shikishi Chirashi style with “Shikishi”, shaped poem cards which were used for the composing of both Poems and Small Paintings ,scattered, chirashi, over an asymmetric arrangement of Kara Kusa with Baika, plum flowers. The paintings depicting clouds and a hermit’s refuge. The design is quite austere almost in wabi sabi taste . The reverse decorated with a classic lotus scroll ring and a six character mark for the Ch...

A ribbed form bowl decorated in Gold Imari style with an elaborate ground of auspicious kikko-mon containing karahana linked by karakusa with green enamel Peach leaves arranged in the form of a crosses. Inset within the ground are four Peach shaped reserves containing Suisen, Japanese Narcissus, and Botan, Peonies. The well of the bowl is decorated with a Pomegranate, zakuro, painted in underglaze blue and outlined in gilt. The exterior of the bowl decorated with Precious Objects, Tama, Jewels,...

An unusual rectangular small Koro, Incense burner, decorated in under-glaze blue, iron red and gilding set upon four small feet. Each side of the censer is decorated with bands of diaper brocade inset with rectangular panels containing stylised arabesques set against an iron red ground. The square end panels suggesting a Taotie mask. The koro is of slab construction with applied moulded feet. It measures 8cm long and 6.7cm wide and stands 7.5cm high. It is in good condition with one minute flak...

Have you ever seen a shuro made of Shino-yaki from the Momoyama-Period? Try to hunt for it on the antique market, it is very rare. Also on trocadero you will not find one except ours. This is for the deep lovers of ancient Japanese Culture and art.

In the days of traditional Japanese wooden buildings keeping warm must have been a constant preoccupation. Hand warmers like the present example were small hibachi which would have a layer of sand on which charcoal would be burned to enab...

A simple yet refined bamboo sago or a scoop used to gather tea leaves from the tea jar. The top contains a carving of scholar rocks set among small bamboo and a small tree with slight foliage. The inscription on the top right, (Japanese: Gakusoka, Chinese: Xuesu jia) refers to a person who upholds or revives knowledge or education. The work contains a signature with the name Bunso or Wencong. Age: Meiji-Taisho Period Size: length: 1.9" width 6" height 1"

A small metel bound six drawer black lacquered cabinet finely painted in gold lacquer . Three drawers are decorated with a branch of flowering prunus blossom and the large drawer and door are each painted with a single duck amongst reeds and iris. Condition: very good - there is some age wear to the decoraration on the top, sides and back but the gold lacquer painting on the front is in excellent condition. No repairs replacements or losses. 23cm (9inches) high; 21cm (8.25inches) wide; 10.5c...

Antique Japanese Gyosho Bako, Edo Period, mid 19th century. It has two moving locks on the exterior. The interior has one large drawer and seven smaller drawers. It measures 13" wide 18" deep 31.5" tall.

Very Large 19th Century Meiji Period Japanese Ningyo pair of an Oiran Bijin, the highest ranking Kyoto courtesan bijin and her Kamuro (attendant), an elaborately attired pair of the finest quality. The Oiran and her attendant are wearing the most gorgeous, sumptuous brocades and textiles, all hand woven and painted chirimen silk crepe of beautiful shabori designs. The faces are exquisitely carved and covered with many layers of gofun (white oyster shell lacquer). Their expressions are just wonde...

As being passionate connaisseurs of Japanese Tea Bowls we always do our best to impress our visitors with tea bowls, which are for sure singular artworks.

Here we show and exhibit a treasure of Japanese tea ceremony culture. A very old Edo Period E-Karatsu chawan with tasteful gold repair 'gintsugi' (kintsugi) and mysterious signs - this tea bowl emanates the essence of true wabi sabi.

It has been part of our valuable chawan collection for almost 100 years.

Only ...

Early Edo period, 17th century.

Enjoy this small local wooden folk Buddhist statue called 'Minshu-Butsu' (or 'Minkan-Butsu'), dated back to the indicated age but could also be earlier.

It is unique and soften modeled with calm smiling in 'Gassho' pose, coated with mature paint and an impressing merciful aura.

The statue shows the wear of time and draws its beauty from it. It is sprinkled with gold on the front; the back must have been against a wall or a pillar ...

We offer you an amazing large and very, very valuable vase by greatest Shoji Hamada.

I guess my visitors are connaisseurs in the history of Japanese Art and culture, so I do not have to introduce Shoji Hamada. He is the most influencing potter in our times and has been in his lifetimes a 'Living National Treasure'.

It dates from the period pre 1920. Around this time Hamada left Japan and traveled to England with Leach. During that era he signed some of his art with the Sho...

Hand made more than hundred years ago in Iga, a small tow in the mountains of Mie prefecture, famous as the birthplace of Iga ninja.

Items like ours gave big inspiration to one of the worlds famous potter Tsujimura Shiro.

Iga-yaki is a style of pottery where the ceramic is fired at high temperatures causing it to crystallize in a red hue, with brown-grey burn marks caused by log ashes, and the melting effect of the vidro (feldspatic glass). It has been a popular pottery style...

An absolutely stunning Meiji period black Oribe Tea Bowl covered in thick, ink-black glaze with a floral and abstract design.

The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers

The Chawan has a seal and is signed by the artist. I was unable to identify him. Of course he was a great master of his craftmanship.

Size:

7 cm height (2,76''), diameter 13.5 x 12 cm (5,31'' x 4,72''...

One of our favorite chawans in our collection is this large E-Shino Tea Bowl, dating from the Meiji Period.

Consider it as one of the best masterpieces of Meiji era E-Shino chawans (Pictured Shino tea bowl), molded massively in the elegant Japanized distortion and completed with aesthetic smoothness.

The immaculate glaze with yuzu-hada (lemon skin) and the dark underglaze markings are some of the beautiful characteristics of Shino ware, which have been associated with th...

A pair of cobalt blue glazed Sake cups with hexagonal notched rims. Each cup is decorated in gilt with a pair of Hollander figures preforming martial exercises with Halberds. The cups date to around 1780 and the Meiwa era. The cups measure 7.5cm or 3 inches in diameter, and stand 5cm or 2 inches high, and are in good condition with no cracks, chips or restoration, save for one minute rim frit to one of the cups. Shipping at Cost

Signature and seal: Ganku

Technique: handpainted on silk

Size: 70 x 186 cm / 27,5'' x 73,2''

Ganku 岸駒 (1749 or 1756 - January 19, 1839), or more formally Kishi Ganku, was a noted Japanese painter of the late Edo period and founder of the Kishi school of painting. He is perhaps best known for his paintings of tigers.

Ganku was born in Kanazawa as Kishi Saeki, studied painting styles including those of Chinese painter Shen Nanpin ...

A fine kikugata mukuzuke moulded dish in the form of an asymmetric Chrysanthemum bloom with central motif of a single Chrysanthemum leaf richly enamelled in green and blue enamels with gilding. The rim decorated with a dark brown iron temmoku style glaze. The dish measures 18.5cm in length, 14cm wide and stands 4cm high. The dish is in excellent condition with no cracks, chips or restoration. Shipping at Cost.

An elegant Kyo-yaki wine ewer of traditional form decorated in gilt outlined enamels with weeping cherry Shidarezakura and brocade bands to the cover and rim. The ewer measures approximately 5 inches or 13cm in height and is approximately 16cm in width from the tip of the spout to the furthest point of the handle. Dating late Edo circa 1850. The ewer is in overall good condition some minute frits to the spout. Shipping at Cost

A good early 18th Century Japanese Ko Imari dish made for export to the Western market decorated with an eight pointed star constructed from two squares. Eight is an auspicious number in oriental iconography, associated with such groups of auspicious motifs as the Eight Precious Objects, the Eight Trigrams and the eight-fold path of Buddhism. The central octagonal reserve contains a Dragon and clouds, Unryu, with reserves to the rim Foo Dogs and Peonies, Shishi ni Botan, Hoo Birds and Paulownia...

A spectacular Meiji period Tenmoku Chawan by Eiraku Zengoro decorated in a flamboyant style with precious metals.

A golden pine trunk rises, almost entirely obscured by the mass of silver pine needles built up both within and without the bowl. It is most powerful in comparison to the ordinarily subdued Kyo-yaki ware of the Meiji era. The stamp on the base is undoubtedly that of Wazen.

The bowl is just less than 5 inches (12.5 cm) diameter and in perfect condition.

...

Japanese antique Edo Era Teapot of Oribe ware.

Size 20 centimeters in height, width 16x12.5 centimeters, 570 grams in weight.

Oribe ware (¿—²¿Ÿ† Oribe-yaki) is a type of Japanese pottery most identifiable for its use of green copperglaze and bold painted design. It was the first use of colored stoneware glaze by Japanese potters.

It is one of the Mino styles originating in the late 16th century. It takes its name from tea masterFuruta Oribe (1544¨C1615...

This is a 150 years old tea bowl of Kyoto. It has a very teasteful handpainting of wild chrysanthenum and an antique crackle glaze.

It dates from the Meiji Period and it is suitable for Nodate (open air) tea ceremony.

On the original wooden box is written in kanji letters "wild chrysanthenum".

Height: 2.72inches - width: 3.78inches - total weight w/box: 355g

Both together, the Kyoto chawan and the original box have a unique touch of a real japanese antiq...

SIZE : Width 5.1 in : Length 5.0 in : Height 2.8 in : Weight 360 g + Box 290 g

This is a rare tea bowl of Japanese SETO pottery ware. This was made about 150 years ago during the Meiji Period.

SETO is the pottery of Aichi Prefecture in Japan. It is chosen as one of the oldest 6 pottery called ROKKOYO in Japan. And such a glaze with taste of mud is SETO. It has a fantastic Wabi-Sabi atmosphere and the design on it reminds of wild big cats.

The overall unperfection...

Very beautiful antique aka-raku (red raku) chawan (teabowl) with Raku 11th generation Keinyû (1817-1902)'s seal. Early Meiji Era.

Born as a son of Ogawa Naohachi, a sake brewer from Tanba, the present Kameoka City in Kyoto, he was taken into the Raku family as Tannyu's son-in-law. He succeeded as the 11th generation in 1845. He retired in 1871, assuming the name of Keinyu. The period he lived through was an age of transformation from the feudalism of the Tokugawa Shogunate to the m...

This very unusual Kyoto ware chawan is decorated in underglaze blue on a buff stoneware body.

The motifs are very odd and present mysterious pictures a poetic calligraphy.

Inside are 5 spur marks indicating that these bowls were stacked inside each other in the kiln. A previous owner has obviously been very attached to the bowl as it has several fine "kintsugi" gold lacquer repairs.

The Teabowl was made in Edo Period at the end of the 18th. century. Condition is ...

A big Samurai clay doll made of Fushimi clay of the Kyoto area. He is standing proud and strong in the position of drawing a sword.

It is a figure with pleasing and charming signs of time and rests of colours. The Samurai figure dates from the late 19th. century or probably earlier.

Normally all the clay dolls are somehow originated from the Fushimi clay of the Kyoto area. They have been sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi ...

A hand painted piece of art of a plum tree, painted with ink on makuri paper with sign and seal of the artist - late Meiji Period.

I tried to find out the name of the artist, but it is difficult to read. The painting has a real nice and sensitive touch. It is hard to find similar items like this amazing one.

The condition is good - there is only some unimportant wrinkle and stain which gives the artwork that special touch of a unique piece of art.

Size: ca. 23 x 27 inches...

Antique and unique Japanese Mingei Sake Bottle (Tokkuri), also usable as a flower vase. It is approx. 100 years old and made of old Shino-Ware.

You will find two amazing images on it, made with iron-oxid. Enjoy sake or beautiful flowers with this antique Mingei Folk Art item.

Mingei (民芸 lit. folk arts or arts of the people), the Japanese folk art movement, was developed in the late 1920s and 1930s in Japan. Its founding father was Yanagi Sōetsu (1889–1...

Museum piece from the Late Edo Period (could be earlier) from Iga in Mie Prefecture near Shigaraki, another great kiln producing area outside of Kyoto.

If you are a ceramic collector you know, that a piece like this is very, very rare.

Size: 26.5 centimeters in height, diameter 11 centimeters, trunk diameter 12.5 centimeters, 1300 grams in weight.

Excellent condition.

Shipping cost included.

A sometsuke o-zara decorated with an intricate Tako-karakusa, Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu. The dish robustly modelled with an upturned slightly barbed rim, of lotus petal form. The reverse decorated with a continuous Karakusa arabesque incorporating various precious objects, takaramono, and the six character mark, kigyoku houtei no chin, a Chinese mark of commendation meaning a ...

A sometsuke o-zara decorated with an elaborate Tako-karakusa, so called Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu. The dish robustly modelled with an upturned slightly barbed rim, of lotus petal form. The reverse decorated with a continuous Karakusa arabesque incorporating various precious objects, and the six character mark, kigyoku houtei no chin, a Chinese mark of commendation meaning a p...